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<oembed><version>1.0</version><provider_name>Schlankes Magazin</provider_name><provider_url>https://www.sleek-mag.com/de</provider_url><title>Phillip Topolovac Phillip Topolovac</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="7OaYG646cS"&gt;&lt;a href="https://www.sleek-mag.com/de/article/phillip-topolovac/"&gt;Phillip Topolovac&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.sleek-mag.com/de/article/phillip-topolovac/embed/#?secret=7OaYG646cS" width="600" height="338" title="&#x201E;Phillip Topolovac&#x201C; &#x2013; Sleek Magazine" data-secret="7OaYG646cS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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&lt;/script&gt;</html><description>Our fetish with the aesthetics of machines is a recurring motif in art. The sculptures of Philip Topolovac are subversive, non-utilitarian pseudo-machines built to expose the way in which technology is either constructed to perfectly assimilate with its surroundings or designed to look more complicated than necessary in order to appear more functional, a market-driven...</description><thumbnail_url>https://www.sleek-mag.com/wp-content/uploads/2011/11/Philip-Topolovac-at-his-studio.-photo-%C2%A9-Maxime-Ballesteros.jpg</thumbnail_url></oembed>
