{"id":102350,"date":"2022-09-08T10:00:37","date_gmt":"2022-09-08T08:00:37","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=102350"},"modified":"2022-09-08T10:54:46","modified_gmt":"2022-09-08T08:54:46","slug":"urban-utopias-the-cultural-influences-of-the-antivilla-into-conscious-architecture-and-adaptive-reuse","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/urban-utopias-the-cultural-influences-of-the-antivilla-into-conscious-architecture-and-adaptive-reuse\/","title":{"rendered":"Urban Utopias: The Cultural Influences of The Antivilla into Conscious Architecture and Adaptive Reuse"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":102353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[10897,17330],"tags":[6786,5459,5460,3905,17385,17327,10548,17384],"class_list":["post-102350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion","category-sustainability","tag-antivilla","tag-brutalism","tag-brutalist-architecture","tag-culture","tag-reuse","tag-sustainable-architecture","tag-upcycling","tag-urban-utopia"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"An old lingerie factory lies in Potsdam, Germany. Approximately 27 kilometres southwest of Berlin, on the edge of the Krampnitzee lake, in the former GDR. Ernst L\u00fcck lingerie went out of business years ago, but its factory lives on in the form of Antivilla: a 500-square metre space repurposed in 2014 by architects Brandlhuber+Emde, Burlon. 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Let\u2019s go back to basics. According to the Oxford Dictionary, a villa is \u201ca house, often larger and more expensive than average, in the countryside or on the coast, often used as a retreat.\u201d By that definition, the old lingerie factory may look like any other villa, but it certainly doesn\u2019t function like one. The brutalist space<\/a> is both a residence and studio representing sustainable architecture and design, cultural influences, and a little anarchy to boot. Hence the apt naming.\u00a0\u00a0<\/span><\/p>\n

The understated, monochromatic colour palette nods to the building\u2019s history with original brick structure plastered with fine grey mortar. Shades of grey and a considered use of textures, from rendered concrete to delicate curtains, lend interesting details to the tonal colour palette. Set across two floors, the Antivilla exists within the pillars of adaptive reuse. That is, reusing, recycling or converting an existing building for a purpose other than it was designed.\u00a0<\/span><\/p>\n

Adaptive reuse is the upcycling of architecture and construction and is one way to sustainably answer an architecture brief. The design principle also allows for practical upgrades and gives way for new uses while simultaneously maintaining historical features \u2014 think the now-ubiquitous model of warehouses converted into apartments. This rebirth of sorts straddles history and modern day and minimises the homogenisation of inhabited spaces. It\u2019s also an easy way to sidestep high demolition costs and new build regulations. Indeed, the potential cost to demolish this former lingerie factory is what took it away from \u2018shiny new building\u2019 and into \u2018adaptive reuse\u2019 territory. <\/span><\/p>\n

Starting from the outside, Antivilla expresses adaptive reuse by maintaining the structure of its shell. While indoors, the team removed all load-bearing pillars and replaced them with a central concrete core. This maintains the factory\u2019s sense of openness, particularly on the ground floor, which was originally used for deliveries, storage and garage.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"blockquote","text":"\"Adaptive reuse is the upcycling of architecture and construction and is one way to sustainably answer an architecture brief.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

Upstairs, the living area features a kitchen and bathroom, as well as spaces for a sauna and fireplace. And this is where things become a little more intriguing. Naturally, an open-plan, brick-built, former factory with no insulation does not exactly pass as \u2018cosy\u2019 for those notoriously cold German winters.\u00a0<\/span>In light of this, the architects drew on the principles of Reyner Banham\u2019s pioneering \u2014 and now iconic\u00a0 \u2014\u00a0 book, \u2018The Architecture of the Well-Tempered Environment\u2019 (1969), to create a space adaptable and suitable for the winters and the drawn out summer days.\u00a0<\/span><\/p>\n

\u2018The Architecture of the Well-Tempered Environment\u2019 encourages the notion of solving design problems through the structure itself before factoring in machines and technology. Likewise, it strives for design thinking that prioritises light, ventilation and temperature modulation. Antivilla answers this in a few ways: Geothermal pipes in the floor meet the basic German heating requirements. Meanwhile the sauna stove adds an extra heating point and acts as the central point for adapting the space to the seasons. The delicate curtains around the sauna stove allow for temperature regulation in winter. When closed, the curtains create an intimate space of 70 square metres, whereas in summer they can give way to an available 250 square metres of space.<\/span><\/p>\n

Aesthetically, however, Antivilla\u2019s windows are perhaps one of its most iconic elements. Within the context of \u2018The Architecture of the Well-Tempered Environment\u2019, the windows offer a site-specific solution that overlook the natural lake and its surrounding forest. <\/span>This aspect maintains the spaciousness of the site while offering a sense of the outside being invited in.\u00a0<\/span><\/p>\n

These giant, crumbled window holes on the top floor culturally reference Claude Faraldo\u2019s 1973 dark comedy, \u2018Themroc\u2019. In this film, Themroc, the protagonist, does away with the monotony of work and everyday life. He quits his job, takes a sledgehammer to his Paris apartment, and starts communicating solely through Neanderthal-style grunting. The film is overall anarchic and the themes suggest that reverting to the stone age may be better than the stale, sanitised existence of modern day. It\u2019s a fitting reference for a building dubbed the Antivilla and is perhaps an idea that resonates with supporters of adaptive reuse principles.\u00a0<\/span><\/p>\n

While any other villa exists to uphold traditional cultural and design laws, Antivilla holds true to its name showcasing forward-thinking sustainable design and alternative-thinking culture while maintaining a sense of history.\u00a0<\/span><\/p>\n"}]},"yoast_head":"\nUrban Utopias: The Cultural Influences of The Antivilla into Conscious Architecture and Adaptive Reuse - Sleek Magazine<\/title>\n<meta name=\"description\" content=\"Sleek visits the Antivilla near Berlin, which used to be a lingerie factory, but is now transformed into a piece of conscious architecture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/urban-utopias-the-cultural-influences-of-the-antivilla-into-conscious-architecture-and-adaptive-reuse\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Urban Utopias: The Cultural Influences of The Antivilla into Conscious Architecture and Adaptive Reuse - Sleek Magazine\" \/>\n<meta property=\"og:description\" content=\"Sleek visits the Antivilla near Berlin, which used to be a lingerie factory, but is now transformed into a piece of conscious architecture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/urban-utopias-the-cultural-influences-of-the-antivilla-into-conscious-architecture-and-adaptive-reuse\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-08T08:00:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-08T08:54:46+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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