{"id":102381,"date":"2022-10-13T10:00:51","date_gmt":"2022-10-13T08:00:51","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=102381"},"modified":"2022-09-13T14:55:34","modified_gmt":"2022-09-13T12:55:34","slug":"the-outliers-and-the-mavericks-janette-beckman","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/","title":{"rendered":"The Outliers and the Mavericks: Janette Beckman"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":102385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856],"tags":[21,17386,1473,124,154,17388],"class_list":["post-102381","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","tag-fashion","tag-janette-beckmann","tag-music","tag-new-york","tag-photography","tag-sleek-74-identity"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"Celebrated photographer Janette Beckman tells SLEEK the many tales of her impressive career and how these stories have shaped her understanding of identity. 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Daddy Kane, NYC, 1988_\u00a9 Janette Beckman, courtesy of FaheyKlein Gallery, Los Angeles","filename":"Big-Daddy-Kane-NYC-1988_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","filesize":759181,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Big-Daddy-Kane-NYC-1988_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/big-daddy-kane-nyc-1988_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles\/","alt":"","author":"1","description":"","caption":"","name":"big-daddy-kane-nyc-1988_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles","status":"inherit","uploaded_to":102381,"date":"2022-09-06 11:08:12","modified":"2022-09-06 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Many scholars claim that national identity is a malleable phenomenon dreamed up to serve at the whim of a nation\u2019s needs. For British people, this idea came into sharp focus during Margaret Thatcher\u2019s premiership in the Eighties. As the island\u2019s Empire faded, economic rot eventually took hold. In reaction, the Conservative government upped its jingoistic rhetoric, making allusions to historical glories \u2013 often cringeworthy \u2013 in what has been described as a kind of \u201cnational rebranding\u201d. <\/span><\/p>\n

Celebrated photographer Janette Beckman<\/a> left the UK for America in 1983 \u2013 four years into Conservative leader Margaret Thatcher\u2019s controversial 11-year reign as prime minister. In that time, she has watched governments fall, royalty pass and the Island leave Europe from afar. Beckman, meanwhile, took up American citizenship to vote for Barack Obama in 2004. So, what does the notion of Britishness mean to her identity in 2022?\u00a0<\/span><\/p>\n

\u201cI mean, I don\u2019t really think of myself as either [American or British],\u201d says Beckman, talking over the phone in New York City. \u201cWhen I was in art school and Punk was taking off, you didn\u2019t have to identify and say exactly who you were or what you were. That said, I still have the accent and people always describe me as a \u2018British\u2019 photographer.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":102388,"id":102388,"title":"Double Dutch Girls, London, 1982_\u00a9 Janette Beckman, courtesy of FaheyKlein Gallery, Los Angeles","filename":"Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","filesize":562663,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/double-dutch-girls-london-1982_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles\/","alt":"","author":"1","description":"","caption":"","name":"double-dutch-girls-london-1982_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles","status":"inherit","uploaded_to":102381,"date":"2022-09-06 11:07:32","modified":"2022-09-06 11:07:32","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1247,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","thumbnail-width":128,"thumbnail-height":83,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","medium-width":1920,"medium-height":1247,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","medium_large-width":1920,"medium_large-height":1247,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","large-width":1920,"large-height":1247,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1536x998.jpg","1536x1536-width":1536,"1536x1536-height":998,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-2048x1330.jpg","2048x2048-width":2048,"2048x2048-height":1330,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Double-Dutch-Girls-London-1982_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-3153x2048.jpg","wpvr_mobile-width":3153,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Image Courtesy of Janette Beckman."}},{"acf_fc_layout":"text_area","text_area":"

In her early New York days, Beckman\u2019s outsider status as a young woman with a foreign accent served as a tool for breaking the ice. \u201cWhen I\u2019d go out to the Bronx to photograph, say, the Ultramagnetic MCs, they\u2019d be like, \u2018Well, you ain\u2019t from here.\u2019 It would be a really useful thing because it starts a conversation.\u201d\u00a0<\/span>From The Clash and Sex Pistols to hip-hop pioneers such as Salt-N-Pepa, Slick Rick, Run-D.M.C. and Afrika Bambaataa, Beckman\u2019s career work is a documentation of society\u2019s incendiary rebels. Beyond the music lies even grittier subject matter, from tracking down Mexican American gangs in East Los Angeles in the Eighties to, more recently, hanging out at women\u2019s fight clubs in Brownsville. Situations where a person with even the most dulcet Albionic tones could wind up in trouble should they make a verbal misstep.\u00a0<\/span><\/p>\n

\u201cBrownsville was one of the scariest shoots I did,\u201d explains Beckman. \u201cWe were locked in this giant garage with pit bulls tied up in the back \u2013 it\u2019s sponsored by the local drug dealers, so there were a lot of shady characters in there. But once you decide you\u2019re going to do it, you can stand there being scared, or you can go out to the most badass-looking group of guys and go, \u2018Hey, can I take a picture?\u2019\u201d Some people might see such an approach as naive, but perhaps the world would be a better place if everybody operated with a little less judgment. \u201cPeople were being killed in [the LA turf wars] on a daily basis, which I didn\u2019t know at the time,\u201d says Beckman. \u201cI was just fascinated by [the Hoyo Maravilla gangsters] and who they were, what they wore, and what they did during the day. We took pictures for a month. I\u2019m a big believer that if you treat people with respect and share things with them, it works. It just works. It\u2019s a great way to learn about the world, that\u2019s for sure.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":102385,"id":102385,"title":"Punk, Sid Vicious Memorial March, London, 1979_\u00a9 Janette Beckman, courtesy of FaheyKlein Gallery, Los Angeles","filename":"Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","filesize":368248,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/punk-sid-vicious-memorial-march-london-1979_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles\/","alt":"","author":"1","description":"","caption":"","name":"punk-sid-vicious-memorial-march-london-1979_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles","status":"inherit","uploaded_to":102381,"date":"2022-09-06 11:06:33","modified":"2022-09-06 11:06:33","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1334,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","thumbnail-width":67,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","medium-width":1334,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","medium_large-width":1334,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","large-width":1334,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1067x1536.jpg","1536x1536-width":1067,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1423x2048.jpg","2048x2048-width":1423,"2048x2048-height":2048,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-scaled.jpg","trp-custom-language-flag-width":8,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Punk-Sid-Vicious-Memorial-March-London-1979_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1423x2048.jpg","wpvr_mobile-width":1423,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Image Courtesy of Janette Beckman. "}},{"acf_fc_layout":"text_area","text_area":"

If getting up close with America\u2019s underbelly brought some jittery moments, Beckman\u2019s fashion forays have led to a different kind of nerves. Having first worked with Dior in 2017, she now describes women\u2019s creative director Maria Grazia Chiuri as a friend. \u201cShe\u2019s a very big feminist, punk fan and she likes working with women.\u201d Naturally, she first received the call while covering a festival in a \u201cdodgy Detroit neighbourhood\u201d, but still found the experience of a Sunday morning campaign shoot with models in London charmingly more daunting. \u201cI had like four assistants, which I never have,\u201d she explains. \u201cIt\u2019s freezing cold and there\u2019s 30 people watching you from behind. It\u2019s a scary moment thinking that you could mess up.\u201d\u00a0\u00a0<\/span><\/p>\n

Fashion and music have always been inextricably linked, but as someone who has served at the vanguard of the West\u2019s most explosive youth culture for so long, I\u2019m keen to know Beckman\u2019s thoughts on when it started to shapeshift so quickly. In her day, subculture tribes were identified by their band tees and DIY style, but now a lot of kids express their world outlook through conglomerate-owned brands \u2013 be it Balenciaga\u2019s dystopian irony, Prada\u2019s clinical futurism, or Gucci\u2019s la-la-land nostalgia. Sometimes all at once. Then, almost overnight, the needle shifts to something else.<\/span><\/p>\n

\u201cWhen I started with hip-hop, for example, it was all little small labels that, you know, didn\u2019t have a lot of money,\u201d says Beckman. \u201cPeople didn\u2019t know who Run-D.M.C. was when I took my picture of them. Same thing with Salt-N-Pepa \u2013 I photographed them before they even had a record contract. But in the Nineties, bigger labels like Sony and everybody realised they could actually make a shitload of money from these bands. They started signing them, and then they started trying to control them more. That seemed to speed things up. Then came the internet and mobile phones. I mean, you know, that\u2019s just the way the world is \u2013 things are moving faster and faster. In a sense, that\u2019s okay. Gen X, Gen Z and whoever else have got to have their own thing, too \u2013 we had ours.\u201d\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":102386,"id":102386,"title":"Paul Weller & Pete Townshend, Soho, London, 1980_\u00a9 Janette Beckman, courtesy of FaheyKlein Gallery, Los Angeles","filename":"Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","filesize":758286,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/paul-weller-pete-townshend-soho-london-1980_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles\/","alt":"","author":"1","description":"","caption":"","name":"paul-weller-pete-townshend-soho-london-1980_-janette-beckman-courtesy-of-faheyklein-gallery-los-angeles","status":"inherit","uploaded_to":102381,"date":"2022-09-06 11:06:50","modified":"2022-09-06 11:06:50","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1831,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","thumbnail-width":92,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","medium-width":1831,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","medium_large-width":1831,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","large-width":1831,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1465x1536.jpg","1536x1536-width":1465,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1953x2048.jpg","2048x2048-width":1953,"2048x2048-height":2048,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles.jpg","trp-custom-language-flag-width":11,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2022\/09\/Paul-Weller-Pete-Townshend-Soho-London-1980_\u00a9-Janette-Beckman-courtesy-of-FaheyKlein-Gallery-Los-Angeles-1953x2048.jpg","wpvr_mobile-width":1953,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Image Courtesy of Janette Beckman. "}},{"acf_fc_layout":"text_area","text_area":"

Beckman\u2019s \u201cours\u201d differs from that of contemporary generations, given how it unfolded in real life. The metaverse, NFTs and crypto are essentially science fiction compared to the viscerality of the punk and hip-hop movements, yet both engender a similar anti-establishment ethos in the people who take part in them: that same desire to change something and bring some kind of fairness because the status quo is rewarding the few rather than the many. She sees unity in any kind of counterculture.<\/span><\/p>\n

\u201cPunk and hip-hop are so enmeshed because they\u2019re both about taking a stance against what\u2019s going on \u2013 there\u2019s no jobs because the economy is shit, as many people are finding out today,\u201d says Beckman. \u201cWhen Johnny Rotten sang \u2018No Future\u2019 he wasn\u2019t joking really. NWA sang \u2018Fuck the Police\u2019 because cops were stopping people of colour on the streets for no reason, and still are today.\u201d Beckman was on the front lines documenting the Black Lives Matter movement, as she was with the likes of Occupy Wall Street. \u201cThese people are the true rebels,\u201d she adds.\u00a0<\/span><\/p>\n

As our conversation begins to wind up, we come back to the matter of identity. Beckman is a true renegade force of our times, but it feels reductive to apply any kind of term to her character, be it American, British, feminist or whatever else. She just\u00a0<\/span>is<\/span><\/i>. A proverbial global citizen who has made it her life\u2019s work to document the outliers and the mavericks.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":102389,"id":102389,"title":"Brothers Danny and Carlos, Puerto Rican Day Parade, New York City, 1995_\u00a9 Janette Beckman, courtesy of FaheyKlein Gallery, Los 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Courtesy of Janette Beckman. "}},{"acf_fc_layout":"text_area","text_area":"

\u201cIdentity is a huge thing now \u2013 everybody has to identify \u2013 and it\u2019s kind of anti the way that I grew up,\u201d says Beckman. \u201cWhen I was at a show, you could be whoever the fuck you wanted to be. You were accepted, you know, everybody loved you. Look at Bad Manners, with three teeth missing. It was the same with Siouxsie Sioux, where people said she\u2019s trying to look like a boy. She\u2019s not. She\u2019s just Siouxsie Sioux. I think the whole identity thing puts people in boxes,\u201d she says, before adding after a pause, \u201cI\u2019m not a fan of boxes.\u201d<\/span><\/p>\n

As featured in SLEEK 74 \u2013 IDENTITY. Available in print and digital here.<\/a><\/p>\n

The British-born photographer Janette Beckman<\/a><\/span> began her career at the dawn of Punk Rock working for music magazines. She shot bands from The Clash to Boy George as well as three Police album covers. Drawn to the underground hip-hop scene, she moved to New York in 1983 and photographed pioneers Run-D.M.C., Slick Rick, Salt-n-Pepa, Grandmaster Flash, LL Cool J and many more. Her work has been shown in museums and galleries worldwide. Beckman continues to chronicle subcultures.<\/span><\/p>\n"}]},"yoast_head":"\nThe Outliers and the Mavericks: Janette Beckman - Sleek Magazine<\/title>\n<meta name=\"description\" content=\"SLEEK talks to Janette Beckman about the beginning of her photography journey in New York City and the influences of music on fashion.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Outliers and the Mavericks: Janette Beckman - Sleek Magazine\" \/>\n<meta property=\"og:description\" content=\"SLEEK talks to Janette Beckman about the beginning of her photography journey in New York City and the influences of music on fashion.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/the-outliers-and-the-mavericks-janette-beckman\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-10-13T08:00:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-13T12:55:34+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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