{"id":102442,"date":"2022-09-14T10:00:54","date_gmt":"2022-09-14T08:00:54","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=102442"},"modified":"2022-09-13T13:56:15","modified_gmt":"2022-09-13T11:56:15","slug":"in-conversation-with-eike-konig","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/in-conversation-with-eike-konig\/","title":{"rendered":"In Conversation With Eike K\u00f6nig"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":103071,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856],"tags":[1375,17392,17391,1429,4022],"class_list":["post-102442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","tag-contemporary-art","tag-creative-collective","tag-design-artist","tag-pop-art","tag-typography"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"German artist Eike K\u00f6nig speaks to SLEEK about his fascination with language, the creative collective HORT Berlin and how words interplay with feelings. 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A piece of wood thrown into the river must float with the current. But we humans can do exactly the opposite if we want to. This gives us maximum control over the role we play in our own lives. It\u2019s up to us to grasp life\u2019s riches with our own hands. Eike K\u00f6nig<\/a>, artist, designer, seeker and free spirit says it\u2019s a self-determined life that questions structures and the status quo. He doesn\u2019t just accept systems, but looks around and thinks in terms of possibilities. Eike K\u00f6nig lives his independence and takes other people along with him. It couldn\u2019t have gone better, the two hours we spent getting to know each other in his studio in Berlin\u2019s Kreuzberg district. I move a pile of T-shirts to one side and sit opposite him. \u201cLet\u2019s start with words, Eike\u2026\u201d.\u00a0<\/span><\/p>\n

\u201cThat makes sense [<\/span>laughs<\/span><\/i>]. Well, working with words is always like playing with a kind of reality, or even an unreality, that we feel. Depending on your background, what your biography is, what mood you\u2019re in, you\u2019ll see or read things differently from your interlocutor. This is exactly what has always fascinated me about language. It seems precise, made up of a lot of black and white but then you discover there\u2019s a lot in between. Something can be incredibly poetic but also aggressive at the same time. I\u2019m always looking for a moment that allows contradictions and can be read in the broadest possible way. All our relationships are always dependent on how we are understood and how we talk to each other about feelings. What I\u2019m observing in my son now is that he still can\u2019t find words for all his emotions. When we can\u2019t name or describe emotions, we\u2019re like a whistling kettle that\u2019s running out of steam. Little by little, my child finds more and more forms of expression for what he\u2019s feeling in the moment. You just have to celebrate, support and encourage that. Language is a medium and a tool not only to describe the world or to name things, but also to describe our inner world.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"blockquote","text":" \"Working with words is always like playing with a kind of reality, or even unreality, that we feel.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

Here we are, two adults sitting together and in my mind I\u2019m looking back, because I realise how difficult it is to reawaken this quality later in adult life, in relationships and in love. So I ask him when he became aware of the meaning of words.\u00a0<\/span><\/p>\n

\u201cMy grandfather was a patriarch and wrote for as long as I can remember. My father was an architect for whom too many words were superfluous; he minimised and reduced everything. At the same time, he was also a very sensitive person. We didn\u2019t talk much about feelings, nor with my mother. It took me a long time to learn how to talk about feelings.\u201d<\/span><\/p>\n

At this moment I\u2019m looking at Eike. I know from my own experience that the ability to break through external rules requires a deeper sense of liberation. For me, the essence of freedom is based on an internal kind of independence. Because if I\u2019m free inside, I can be free in any situation, even in the most extreme conditions. \u201cHow was it for you, Eike?\u201d I ask.\u00a0<\/span><\/p>\n

\u201cI always had problems. At school, at university and with all kinds of structures which, strangely enough, I always saw through very quickly. We\u2019re all aware that we\u2019re living within the system. If you\u2019re interested in how these systems are constructed and what the system demands of you, then it\u2019s so easy to meet those demands and get involved. But what does that mean for me as an independent person if I don\u2019t meet these requirements and don\u2019t want to deliver? What if instead my interests are completely different, if my contribution was not to meet these requirements but to offer a different kind of perspective? In that case, I\u2019d probably get into trouble, offend people, be judged differently, bullied and put in a corner, regarded as incompatible with the system. I\u2019ve never seen any attraction in making things comfortable or easy for myself. For me, all of this would mean not developing myself any further. I can\u2019t discover the potential within myself if my achievements are only what has been asked of me. Somehow I\u2019ve always been searching and my inner waters are turbulent.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"blockquote","text":"\"I wanted to define a space in which a story can happen out of time, regardless of location.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

That\u2019s probably one of the reasons Eike has gained attention, recognition and success as an artist. His inner freedom is obvious and inspiring. External freedoms are simply opportunities given to the spirit of our freedom. \u201cIs HORT Berlin<\/a> a symbolic opportunity for you?\u201d\u00a0<\/span><\/p>\n

\u201cWhile I was a student I found the parroting of history and the celebration of old icons and stuff like that appalling. I wanted to get out and describe my idea of something new. That didn\u2019t mean ignoring the past but respecting it in a different way, placing it in the context of the relevant era. I wanted to find my own form of expression. That\u2019s why I founded HORT in 1994. In this project, I was searching for something self-determined where you can play, learn, discover and experiment. A shared place, just like the children\u2019s nurseries in Frankfurt am Main back then. I wanted to define a space in which a story can happen out of time, regardless of location. When you look at and watch children, their play and imagination creates such a crazy energy that just amazes me. That\u2019s why I decided that, as a grown man, I need my own day-care centre [<\/span>Hort<\/span><\/i>] where I can let off steam and offer others a sense of security. It\u2019s still developing organically today.\u201d<\/span><\/p>\n

\u201cBut how do you deal with the big issues that really challenge the word \u2018security\u2019?\u201d<\/span><\/p>\n

\u201cI have such primaeval, recurring fears and feel incredibly angry that so few people in power can cause so much suffering. It pushes the limits of my imagination. For me empathy is one route, because genuine empathy for someone else always brings me back to myself and is selfless. By being empathetic, I can join forces with myself or a community. We no longer promote things such as naivety, beauty and goodness. We focus on bad things and give much more space to evil, untruth, intentional distortion or negative feelings. We need a counterbalance. Of course, people are afraid, and I don\u2019t want to deny that. We must try to face that fear and encourage positive things. Like a tree that needs water and time to grow. Eventually we\u2019ll be able to lie down in its shade when the sun is too hot. Everything takes time and persistence \u2013 there\u2019s just too much happening now all at the same time.\u201d<\/span><\/p>\n

\u201cDoesn\u2019t the word \u2018despair\u2019 offer a good description of the state we\u2019re in right now?\u201d<\/span><\/p>\n

\u201cI love being triggered and then thinking about exactly why this is happening. I love reading or watching plays because something always triggers an echo in me and then I become aware of a space that I didn\u2019t know before. \u2018Despair\u2019 is an important and particularly honest word. It pushes us to do things and creates completely different priorities. So often we work incredibly hard not to be desperate and that\u2019s why we do nothing. We don\u2019t give space to despair at all. If we had more courage to allow for this intense emotional feeling and its conditions, we would probably be a lot more active.\u201d<\/span><\/p>\n

As featured in SLEEK 74 \u2013 IDENTITY. Available in print and digital here.<\/a><\/p>\n

An internationally recognised German design artist and founder, Eike K\u00f6nig<\/a> is also <\/span>the creative director of the Berlin creative collective HORT<\/a>. His art practice makes use of typographical, pop art and contemporary design techniques. Partly with autobiographical justification, in his creative structures he triggers a ubiquitous media cacophony which pelts us daily with content-bearing messages. 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