{"id":121824,"date":"2025-08-04T13:13:26","date_gmt":"2025-08-04T11:13:26","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=121824"},"modified":"2025-08-04T13:30:34","modified_gmt":"2025-08-04T11:30:34","slug":"jovana-reisinger-hoert-ihr-die-signale","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/jovana-reisinger-hoert-ihr-die-signale\/","title":{"rendered":"Jovana Reisinger: H\u00f6rt ihr die Signale?"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":122260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[4568,10172],"tags":[],"class_list":["post-121824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-film"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"In this essay, author Jovana Reisinger reflects on the political, personal, and cultural evolution of a generation through the lens of music, tracing how youthful hedonism and naive optimism gave way to disillusionment in a world shaped by crisis, inequality, and a resurgent far right. She explores where pop culture, protest, and art intersect and insists on radical joy, solidarity, and resistance as necessary responses to a collapsing present.","hero":{"video":false,"image":{"ID":122260,"id":122260,"title":"H\u00f6rt ihr die Signale","filename":"Hort-ihr-die-Signale-Instagram-Post-e1754306783521.jpg","filesize":84446,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/08\/Hort-ihr-die-Signale-Instagram-Post-e1754306783521.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jovana-reisinger-hoert-ihr-die-signale\/hort-ihr-die-signale-instagram-post\/","alt":"","author":"1","description":"","caption":"","name":"hort-ihr-die-signale-instagram-post","status":"inherit","uploaded_to":121824,"date":"2025-08-04 11:22:05","modified":"2025-08-04 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1. Scenes<\/strong><\/h3>\n

I\u2019m 18 and drive my first car, grey, small, used, 25 kilometres to vocational school and back each weekday (Year 12, economics stream). On my burned CDs and a USB stick with limited storage are tracks spanning Hyperpop, Electropop, Electropunk, Hip-Hop, and Techno. It\u2019s 2008. The final exams for the vocational A-levels are approaching. My general mood swings between pressure and relief.<\/p>\n

My view of the world feels secure. The future promises, on a personal level, fun, self-development, and the freedoms of adult life; on a societal level, peace, economic growth, and a powerful passport.<\/p>\n

Six months later, I\u2019ve just turned 19. Deichkind\u2019s fourth studio album, Arbeit nervt<\/em>, is released. The track H\u00f6rt ihr die Signale<\/em> briefly becomes an anthem for a newly formed group of first-year design students in Munich.<\/p>\n

I\u2019m 35 now, invited to dinner. At some point, we create a shared playlist and each explain our song choices. Out of nostalgia, I play Saalschutz, Jeans Team, R\u00e4uberh\u00f6hle, and Deichkind. On the S-Bahn home, I listen to H\u00f6rt ihr die Signale<\/em> for the first time in 15 years. I put it on repeat and fall hard.<\/p>\n

Mentally, I\u2019m back in the car, driving country roads, unsure how my life would turn out \u2014 whether I\u2019d make it on student grants and part-time jobs, find fulfilling work, or become happy at all. Instead of pride, I feel betrayed.<\/p>\n"},{"acf_fc_layout":"blockquote","text":"\"I was too young and too broke to understand the financial crisis.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

Back then, I heard lines like \u201cCops, fat cats, banks, all need to refuel, \u2019cause no one is illegal, least of all when they\u2019re high\u201d <\/em>with total agreement, without really understanding them.<\/p>\n

The transition from village discos and Red Bull to big-city club culture, gin and tonics, ecstasy, political awareness, and activism happened smoothly. I was too young and too broke to understand the financial crisis. My life seemed brighter than before, and that felt like enough.<\/p>\n

The peaceful hedonism, party-compatible political chants, excess-fuelled slogans, and critique wrapped in trash culture that once thrilled me now make me look at the present with disbelief.<\/p>\n

How naive I was. There were no border checks, no direct nuclear threats. The fascists weren\u2019t yet in power. I sang along without worry.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

2. Hedonism<\/strong><\/h3>\n

The lyric \u201cNo god, no state, just give me a drink\u201d <\/em>stuck with me. Boundlessness, surrender, openness, autonomy \u2014 where political and personal, ideology and excess, overlapped.<\/p>\n

\u201cLive and let live,\u201d preferably high. \u201cNo god, no state, no patriarchy\u201d is still one of my favourite feminist demands. Self-determination doesn\u2019t exclude social responsibility, but state and religious control mechanisms often do.<\/p>\n

When PA69 released Arbeitslos<\/em> in 2024, it quickly became one of my favourites. It\u2019s about the desire to drink instead of work \u2014 a rejection of meritocracy, hustle culture, and performance-driven identity:<\/p>\n

\u201cYou\u2019re proud of your job and the money you make, I can\u2019t be arsed with work, love to my doctor.\u201d<\/em><\/p>\n

I smile wearily. The self-deception, the hopelessness, the cruelty of being your own boss while clinging to self-fulfilment like a lifeline. I still appreciate the refusal of work, even after 16 years.<\/p>\n

Probably because most of my life has been shaped by financial stress and constant labour. \u201cRetire at 30, time to clock out for good\u201d sounds like a dream, but one that\u2019s deeply unrealistic. Ending up on state support again? Far more likely. But then again: party hard, sleep in.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

3. Politics<\/strong><\/h3>\n

The European Union is closing its borders. Wars, climate disasters, human rights violations, antisemitism, racism. Far-right parties win elections. Traditional gender roles are reinforced. Self-determination is under attack.<\/p>\n

Young people are becoming radicalised. The baseball bat years are back.<\/p>\n

I\u2019m on a panel about arts funding cuts. Ten people are speaking. I\u2019m the only artist. The rest are politicians \u2014 plus a former festival director and a theatre manager.<\/p>\n

An artist in the audience interrupts. He can\u2019t believe how casually we\u2019re discussing the issue. \u201cThis is about survival,\u201d<\/em> he says, again and again. He keeps stressing the word \u201cexistential\u201d<\/em> Artists can no longer afford to live. My mind drifts. I think of PA69\u2019s track Spargelzeit<\/em>. At first, it\u2019s about Germany\u2019s beloved white asparagus:<\/p>\n

\u201cI\u2019m addicted to the white stuff, was in withdrawal for almost a year. Not everyone can afford it, that\u2019s why it tastes so good. And when your piss stinks again, life makes sense. It\u2019s asparagus season.\u201d<\/em><\/p>\n

When it came out, I happened to be at a dinner featuring asparagus. Everyone at the table was doing fine. It could have been another ironic party track like Tropical Island<\/em>, which celebrates the Brandenburg waterpark (\u201cFuck Vabali\u201d<\/em>) \u2014 but then it shifts:<\/p>\n

\u201cOne last meal with my wife, one last day with my child. I wipe away their tears with what the new job brings. The bus driver doesn\u2019t take a ticket, he takes my passport. Why does my accommodation look like a prison? Eight square metres, ten men, two have corona. Three euros an hour, rent deducted from my pay. We are Eastern Europe\u2019s slaves. Just wait and see what you get. I\u2019ve practised long enough. Tonight I\u2019m coming for you.\u201d<\/em><\/p>\n"},{"acf_fc_layout":"blockquote","text":"\"Politics in consumption, because consumption is political.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

This is the simultaneity of lived realities. Politics in consumption, because consumption is political. Politics in trash, in parties, in excess. Trash here is not an insult, but a necessary alternative to high culture. This is what I try to express on prestigious theatre stages: that art and its value cannot be measured in sales figures. Always punch up, never down.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

4. Future<\/strong><\/h3>\n

This is the only way: if you want to change society, infiltrate the mainstream.
\nThis is the only way: find beauty in horror \u2014 or perish.
\nThis is the only way: celebrate life at the edge of the abyss.
\nThis is the only way: recognise the abyss as what it is.
\nThis is the only way: don\u2019t fall.
\nThis is the only way: if you fall, get up.
\nThis is the only way: help.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

5. Attitude<\/strong><\/h3>\n"},{"acf_fc_layout":"blockquote","text":"\"The vision is: a paradise for all.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

We need a more radical attitude. The new Chancellor says, \u201cThe age of paradise is over.\u201d The reality is: it was only ever paradise for a few. The vision is: a paradise for all. The themes in these tracks may be familiar, but our view of the world has changed. It\u2019s time for the light to return.<\/p>\n"}]},"yoast_head":"\nJovana Reisinger: H\u00f6rt ihr die Signale? - Sleek Magazine<\/title>\n<meta name=\"description\" content=\"Jovana Reisinger examines how a generation's journey from youthful optimism to crisis-era disillusionment unfolds through music and pop culture, advocating for radical joy and solidarity as tools of resistance against inequality and rising authoritarianism.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/jovana-reisinger-hoert-ihr-die-signale\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jovana Reisinger: H\u00f6rt ihr die Signale? - Sleek Magazine\" \/>\n<meta property=\"og:description\" content=\"Jovana Reisinger examines how a generation's journey from youthful optimism to crisis-era disillusionment unfolds through music and pop culture, advocating for radical joy and solidarity as tools of resistance against inequality and rising authoritarianism.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/jovana-reisinger-hoert-ihr-die-signale\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-08-04T11:13:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-04T11:30:34+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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