{"id":123559,"date":"2025-10-28T16:36:07","date_gmt":"2025-10-28T14:36:07","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=123559"},"modified":"2025-10-29T17:05:57","modified_gmt":"2025-10-29T15:05:57","slug":"gerhard-richter-in-paris-eine-retrospektive-des-sehens","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/","title":{"rendered":"Gerhard Richter in Paris: Eine Retrospektive des Sehens"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":331,"featured_media":123570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856],"tags":[],"class_list":["post-123559","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"Die Fondation Louis Vuitton zeigt mit 275 Werken die bislang gr\u00f6\u00dfte Ausstellung von Gerhard Richter \u2013 und liefert einen Kommentar zur Gegenwart, der mehr ist als Kunstgeschichte.","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":123570,"id":123570,"title":"Screenshot 2025-10-28 at 12.26.33\u202fPM","filename":"Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","filesize":388408,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/screenshot-2025-10-28-at-12-26-33-pm\/","alt":"","author":"1","description":"","caption":"Gerhard Richter Photo \u00a9 Werner Bartsch. 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Courtesy the artist and David Zwirner. Instagram: @wernerbartsch","name":"screenshot-2025-10-28-at-12-26-33-pm","status":"inherit","uploaded_to":123559,"date":"2025-10-28 11:35:23","modified":"2025-10-29 15:04:52","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1254,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","thumbnail-width":128,"thumbnail-height":84,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","medium-width":1920,"medium-height":1254,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","medium_large-width":1920,"medium_large-height":1254,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","large-width":1920,"large-height":1254,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM-1536x1003.jpg","1536x1536-width":1536,"1536x1536-height":1003,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","2048x2048-width":1920,"2048x2048-height":1254,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/Screenshot-2025-10-28-at-12.26.33\u202fPM.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1254}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Paris, Oktober 2025<\/i> \u2013 In einer Zeit, in der sich Bilder binnen Sekunden millionenfach verbreiten, ist Gerhard Richter ein K\u00fcnstler der Verlangsamung. Einer, der den Blick zur\u00fcckfordert \u2013 auf Bilder, auf Geschichte, auf Wahrnehmung selbst. Die neue Ausstellung in der Fondation Louis Vuitton zeigt nun auf spektakul\u00e4re Weise, wie vielschichtig, widerspenstig und radikal dieses Werk ist. \u00dcber 275 Werke aus sieben Jahrzehnten spannen sich in 34 R\u00e4umen. Die Retrospektive, kuratiert von Dieter Schwarz und Nicholas Serota, ist monumental \u2013 in Umfang, Anspruch und Wirkung.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":123593,"id":123593,"title":"249672FLV-min","filename":"249672FLV-min.jpg","filesize":210006,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/249672flv-min\/","alt":"","author":"1","description":"","caption":"Installation view of the exhibition Gerhard Richter, Galerie 10, Fondation Louis Vuitton, Paris, October 13, 2025. Works shown (left to right): Abstraktes Bild, 2017 (CR 950-4); Abstraktes Bild, 2017 (CR 950-3); Abstraktes Bild, 2017 (CR 952-1). \u00a9 Gerhard Richter 2025 (18102025). Photograph: \u00a9 Fondation Louis Vuitton \/ Marc Domage.","name":"249672flv-min","status":"inherit","uploaded_to":123559,"date":"2025-10-29 13:26:46","modified":"2025-10-29 13:27:16","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1439,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","medium-width":1920,"medium-height":1439,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","medium_large-width":1920,"medium_large-height":1439,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","large-width":1920,"large-height":1439,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min-1536x1151.jpg","1536x1536-width":1536,"1536x1536-height":1151,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","2048x2048-width":1920,"2048x2048-height":1439,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249672FLV-min.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1439}},{"ID":123600,"id":123600,"title":"neus","filename":"neus.jpg","filesize":340377,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/neus\/","alt":"","author":"1","description":"","caption":"Installation view of the exhibition Gerhard Richter, Galerie 1 entrance, Fondation Louis Vuitton, Paris, October 12, 2025. Wall mural after an archive photograph: In the Cologne Studio, 2005 \u00a9 Hubert Becker. In the background: Gerhard Richter, Hirsch, 1963 (CR 7). \u00a9 Gerhard Richter 2025 (18102025). Photograph: \u00a9 Fondation Louis Vuitton \/ Marc Domage.","name":"neus","status":"inherit","uploaded_to":123559,"date":"2025-10-29 13:47:04","modified":"2025-10-29 13:47:18","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1439,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","medium-width":1920,"medium-height":1439,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","medium_large-width":1920,"medium_large-height":1439,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","large-width":1920,"large-height":1439,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus-1536x1151.jpg","1536x1536-width":1536,"1536x1536-height":1151,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","2048x2048-width":1920,"2048x2048-height":1439,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/neus.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1439}}],"settings":{"fit_width":"4","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Vom Unsch\u00e4rfeeffekt zur Farbbombe<\/b><\/h4>\n

Die Ausstellung folgt einem streng chronologischen Aufbau \u2013 und genau das funktioniert hier. Beginnend mit den fr\u00fchen schwarz-wei\u00dfen Foto\u00fcbertragungen (Tisch<\/i>, 1962) \u00fcber die ber\u00fchmten Unsch\u00e4rfe-Portr\u00e4ts bis zu den monumentalen abstrakten Rakelbildern offenbart sich Richters F\u00e4higkeit zur st\u00e4ndigen Selbst\u00fcberwindung. Er bricht mit Konventionen, aber nie aus dem Bild. Alles bleibt Bild.<\/p>\n

Seine ber\u00fchmten Arbeiten wie Onkel Rudi<\/i>, Ema (Akt auf einer Treppe)<\/i> oder das Zyklusprojekt 18. Oktober 1977<\/i> wirken heute nicht wie Kapitel einer Biografie, sondern wie Marker einer kulturellen Ged\u00e4chtnisleistung. Was wir sehen, ist nie das, was wir zu sehen glauben \u2013 Richter f\u00fchrt uns das permanent vor Augen. Und doch bleibt er nie distanziert. Die Malerei \u2013 auch in ihrer K\u00e4lte \u2013 ist bei ihm immer auch eine menschliche Geste.<\/p>\n

 <\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":123594,"id":123594,"title":"237495FLV-min","filename":"237495FLV-min.jpg","filesize":744677,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/237495flv-min\/","alt":"","author":"1","description":"","caption":"Gerhard Richter, Tisch, 1962 (CR 1). Oil on canvas, 90 \u00d7 113 cm. Private collection. \u00a9 Gerhard Richter 2025 (18102025). Photograph: \u00a9 Jennifer Bornstein.","name":"237495flv-min","status":"inherit","uploaded_to":123559,"date":"2025-10-29 13:34:11","modified":"2025-10-29 13:34:48","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1538,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","thumbnail-width":120,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","medium-width":1920,"medium-height":1538,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","medium_large-width":1920,"medium_large-height":1538,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","large-width":1920,"large-height":1538,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min-1536x1230.jpg","1536x1536-width":1536,"1536x1536-height":1230,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","2048x2048-width":1920,"2048x2048-height":1538,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","trp-custom-language-flag-width":15,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/237495FLV-min.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1538}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Ein Bild ist ein Bild ist ein Bild<\/b><\/h4>\n

Richter selbst hat oft betont, er habe \u201ekein Programm, keinen Stil, keine Richtung\u201c. Genau das wird in Paris sp\u00fcrbar. Diese Retrospektive ist kein linearer Erfolgsweg, sondern ein Flickenteppich aus Zweifeln, Verwerfungen, Neuerfindungen. Die Ausstellung macht das nicht nur sichtbar, sondern l\u00e4sst es einen k\u00f6rperlich erleben. Besonders eindrucksvoll: der Raum mit den farbintensiven Rasterbildern (4900 Farben<\/i>, 2007) \u2013 ein regelrechtes Aufgehen der Form in Fl\u00e4che, Licht, Rhythmus.<\/p>\n

Die Arbeiten stehen sich gegen\u00fcber, \u00fcberlagern sich, widersprechen einander. Da ist das Zarte der Aquarelle neben dem Brutalen der RAF-Serie. Das Fl\u00fcchtige der Tintenwolken neben dem Beharrlichen der Farbtafeln. Wer Richter sehen will, muss bereit sein, ihn nicht zu verstehen.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":123596,"id":123596,"title":"249597FLV-min","filename":"249597FLV-min.jpg","filesize":379697,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/249597flv-min\/","alt":"","author":"1","description":"","caption":"Installation view of the exhibition Gerhard Richter, Galerie 9, Fondation Louis Vuitton, Paris, October 13, 2025. Works shown: 4900 Farben, 2007 (CR 901); 6 stehende Scheiben, 2002\u20132011 (CR 879-5). \u00a9 Gerhard Richter 2025 (18102025). Photograph: \u00a9 Fondation Louis Vuitton \/ Marc Domage.","name":"249597flv-min","status":"inherit","uploaded_to":123559,"date":"2025-10-29 13:37:03","modified":"2025-10-29 13:37:51","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1409,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","thumbnail-width":128,"thumbnail-height":94,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","medium-width":1920,"medium-height":1409,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","medium_large-width":1920,"medium_large-height":1409,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","large-width":1920,"large-height":1409,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-1536x1127.jpg","1536x1536-width":1536,"1536x1536-height":1127,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","2048x2048-width":1920,"2048x2048-height":1409,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1409}},{"ID":123598,"id":123598,"title":"249597FLV-min","filename":"249597FLV-min-2.jpg","filesize":333485,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/249597flv-min-3\/","alt":"","author":"1","description":"","caption":"Installation view of the exhibition Gerhard Richter, Galerie 1, Fondation Louis Vuitton, Paris, October 12, 2025. Works shown: 4 Glasscheiben, 1967 (CR 160); Zehn gro\u00dfe Farbtafeln, 1966\u20131971\u20131972 (CR 144). \u00a9 Gerhard Richter 2025 (18102025). Photograph: \u00a9 Fondation Louis Vuitton \/ Marc Domage.","name":"249597flv-min-3","status":"inherit","uploaded_to":123559,"date":"2025-10-29 13:40:26","modified":"2025-10-29 13:40:41","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1409,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","thumbnail-width":128,"thumbnail-height":94,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","medium-width":1920,"medium-height":1409,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","medium_large-width":1920,"medium_large-height":1409,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","large-width":1920,"large-height":1409,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2-1536x1127.jpg","1536x1536-width":1536,"1536x1536-height":1127,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","2048x2048-width":1920,"2048x2048-height":1409,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/249597FLV-min-2.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1409}}],"settings":{"fit_width":"4","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Ein Monument \u2013 mit Schatten<\/b><\/h4>\n

Bei aller Opulenz bleibt die Frage: Ist diese Ausstellung zu viel des Guten? 34 R\u00e4ume, fast drei Hektar Kunst \u2013 das fordert. Manche Besucher d\u00fcrften auf halber Strecke aussteigen. Auch der Katalog (so die FAZ<\/i>) sei \u201efreudlos-verkopft\u201c \u2013 zu viel Theorie, zu wenig Vermittlung. Wer ohne Vorwissen kommt, k\u00f6nnte schnell abgeh\u00e4ngt werden. Die Schau stellt hohe Anspr\u00fcche \u2013 aber das ist bei Richter vielleicht auch Teil des Deals.<\/p>\n

Die Ausstellung wirkt wie eine Antwort auf ein Kunstsystem, das in Likes, Labels und Lifestyle denkt. Richter verweigert das alles. Und genau das macht ihn so zeitgem\u00e4\u00df.<\/p>\n

Warum diese Schau gerade jetzt wichtig ist<\/b><\/h4>\n

Was Gerhard Richter in Paris zeigt, ist keine kunsthistorische Feier eines Altmeisters. Es ist ein Kommentar zur Gegenwart. In einer Welt der Deepfakes und generierten Bilder bleibt sein Werk eine Schule des Sehens. Richter malt gegen das Eindeutige, gegen die schnelle Gewissheit. Er nimmt die Ambivalenz ernst. In Zeiten visueller Reiz\u00fcberflutung ist das ein politisches Statement.<\/p>\n

F\u00fcr ein digitales Publikum \u2013 und besonders f\u00fcr Leser von SLEEK \u2013 liegt der Reiz dieser Schau auch im Metabild: Richter nutzt es, um das Bild zu befragen. Seine Auseinandersetzung mit Fotografie, Medien\u00e4sthetik und der Rolle des K\u00fcnstlers als Filter zwischen Welt und Wahrnehmung ist denn je relevanter.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":123573,"id":123573,"title":"RICGE1329","filename":"RICGE1329.jpg","filesize":173145,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/ricge1329\/","alt":"","author":"1","description":"","caption":"Gerhard Richter:\nKI. Badende (Small Bather), 1994\nOil on canvas\n\u00a9 Gerhard Richter 2025 (20102025)\nCourtesy the artist and David Zwirner.","name":"ricge1329","status":"inherit","uploaded_to":123559,"date":"2025-10-28 11:36:30","modified":"2025-10-29 15:03:48","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1434,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","thumbnail-width":72,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","medium-width":1434,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","medium_large-width":1434,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","large-width":1434,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329-1147x1536.jpg","1536x1536-width":1147,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","2048x2048-width":1434,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2025\/10\/RICGE1329.jpg","wpvr_mobile-width":1434,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"4","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Das Gegenst\u00fcck zur Retrospektive<\/strong>
Parallel zur gro\u00dfen Schau in der Fondation Louis Vuitton zeigt David Zwirner in Paris eine konzentrierte Soloausstellung, die Richters Werk im kleineren Ma\u00dfstab, aber mit gro\u00dfer Pr\u00e4zision beleuchtet. Zu sehen sind Fotobilder, abstrakte Gem\u00e4lde, neue Zeichnungen sowie Glasinstallationen wie 3 Scheiben (2023)<\/em> \u2013 Arbeiten, die sein fortw\u00e4hrendes Spiel mit Wahrnehmung, Spiegelung und Bildraum verdichten. Im Dialog mit der monumentalen Retrospektive entsteht so ein seltenes Doppelportr\u00e4t des K\u00fcnstlers: das analytische Studio-Richter direkt neben dem musealen Monument-Richter.<\/p>\n

Fazit: Ein Pflichttermin \u2013 mit Anspruch<\/strong>
Diese Ausstellung ist kein Spektakel. Sie ist ein Erfahrungsraum. Wer Richter begegnet, trifft auf ein Werk, das sich entzieht \u2013 und gerade dadurch Tiefe gewinnt. Die Fondation Louis Vuitton liefert den Rahmen, den ein K\u00fcnstler wie Gerhard Richter verdient: weit, offen, w\u00fcrdig. Und wer nach diesem Gro\u00dfformat noch tiefer einsteigen will, findet mit der Zwirner-Schau den idealen Gegenpol: eine pr\u00e4zis verdichtete Nahaufnahme desselben k\u00fcnstlerischen Kosmos.<\/p>\n

Wer sich darauf einl\u00e4sst, wird mit einem der bedeutendsten Kunsterlebnisse dieses Jahrzehnts belohnt. Wer es oberfl\u00e4chlich konsumieren will, geht lieber in eine andere Ausstellung.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

Gerhard Richter \u2013 Retrospektive<\/b><\/span><\/p>\n

<\/b>Fondation Louis Vuitton, Paris<\/span><\/p>\n

17. Oktober 2025 \u2013 11. Februar 2026<\/span><\/p>\n"}]},"yoast_head":"\nGerhard Richter in Paris: Eine Retrospektive des Sehens Gerhard Richter in Paris: Eine Retrospektive des Sehens<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gerhard Richter in Paris: Eine Retrospektive des Sehens Gerhard Richter in Paris: Eine Retrospektive des Sehens\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/gerhard-richter-in-paris-eine-retrospektive-des-sehens\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-28T14:36:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-29T15:05:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Christian Bracht\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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