{"id":1503,"date":"2010-11-30T18:20:52","date_gmt":"2010-11-30T17:20:52","guid":{"rendered":"http:\/\/www.factory73.de\/?p=1503"},"modified":"2010-11-30T18:20:52","modified_gmt":"2010-11-30T17:20:52","slug":"phillip-topolovac","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/phillip-topolovac\/","title":{"rendered":"Phillip Topolovac"},"content":{"rendered":"<p><img decoding=\"async\" class=\"aligncenter size-full wp-image-1504\" title=\"Philip Topolovac at his studio. photo \u00a9 Maxime Ballesteros\" alt=\"\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2011\/11\/Philip-Topolovac-at-his-studio.-photo-%C2%A9-Maxime-Ballesteros.jpg\" width=\"700\" height=\"464\" \/>Our fetish with the aesthetics of machines is a recurring motif in art. The sculptures of Philip Topolovac are subversive, non-utilitarian pseudo-machines built to expose the way in which technology is either constructed to perfectly assimilate with its surroundings or designed to look more complicated than necessary in order to appear more functional, a market-driven phenomenon that leads to the creation of mechanical simulacra. Topolovac\u2019s polyester casts of an ephemeral thing such as a sand pile on the other hand speak of man\u2019s incapacity to construct anything that nature hasn\u2019t already made, only better.<\/p>","protected":false},"excerpt":{"rendered":"<p>Our fetish with the aesthetics of machines is a recurring motif in art. The sculptures of Philip Topolovac are subversive, non-utilitarian pseudo-machines built to expose the way in which technology is either constructed to perfectly assimilate with its surroundings or designed to look more complicated than necessary in order to appear more functional, a market-driven&#8230;<\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[8,10172],"tags":[38,34,23,45,37],"class_list":["post-1503","post","type-post","status-publish","format-standard","hentry","category-berlin","category-film","tag-art","tag-berlin","tag-maxime-ballesteros","tag-phillip-topolovac","tag-studio-visit"],"acf":{"main_category":null,"legacy":"1","exclude_from_ads":null,"hero_title":null,"subtitle":null,"hero":null,"teasers":null,"facebook_image":null,"related_articles":null,"next_article":null,"sleek_card_focus":null,"content":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Phillip Topolovac Phillip Topolovac<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/phillip-topolovac\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Phillip Topolovac Phillip Topolovac\" \/>\n<meta property=\"og:description\" content=\"Our fetish with the aesthetics of machines is a recurring motif in art. 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