{"id":16089,"date":"2014-08-29T14:05:46","date_gmt":"2014-08-29T12:05:46","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=16089"},"modified":"2014-08-29T14:05:46","modified_gmt":"2014-08-29T12:05:46","slug":"dont-you-know-who-i-am-generational-subjectivity-at-m-hka-antwerp","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/dont-you-know-who-i-am-generational-subjectivity-at-m-hka-antwerp\/","title":{"rendered":"\"Don&#039;t You Know Who I Am?\": Subjektivit\u00e4t der Generationen bei M HKA Antwerpen"},"content":{"rendered":"<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-16096\" alt=\"\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2014\/08\/DONT_YOU_KNOW_WHO_I_AM_photo_clinckx9.jpg\" width=\"648\" height=\"433\" \/> Imran Qureshi, And They Still Seek The Traces Of Blood, 2013 &#8211; 2014. Courtesy the artist photo M HKA<\/p>\n<p>This generational show homes in on the socially mediated, multilayered subjectivity of peers globally connected by their coming of age in the post-\u201cEnd of History\u201d, post 9\/11 and post-peace context we inhabit. The challenge for an identity that is always in flux, always becoming, is to negotiate sustainable ways of remaining productive in this era of \u2018posts\u2019. The era is marked by a fatigue of Po-Mo scepticism and the deconstructive project \u2013 a fatigue that brought about the ironic turn now inherent in popular culture, or the more grave populist dismissal of high theory.\u00a0<\/p>\n<p>It\u2019s hard to think of a more complex premise for a show. Indeed, occupying all three levels of Antwerp\u2019s Museum of Modern Art, some curatorial choices appeal more than others. Haegue Yang\u2019s \u201cVIP\u2019s Union\u201d (2001-2014) uses chairs and tables borrowed from personalities considered important in their fields. Here, Yang particularly made pains to obtain furniture from luminaries connected to Antwerp, such as Ann Demeulemeester or Luc Tuymans, linking stylistic expression to locale. Iman Issa\u2019s sculptural pieces from the series \u201cMaterial\u201d (2009-2012) are perfectly associative, combining the aesthetically abstract with the formally familiar, and combined with historically evocative titles. Patrizio Di Massimo\u2019s three paintings from \u201cThe Lustful Turk\u201d (all 2013) and his installation \u201cMe, Mum, Mister, Mad\u201d (2014) eroticize the decorative object, a stand-in for \u201cOthering\u201d. His is a new surrealism for the historically aware.\u00a0<\/p>\n<p>In fact, the relations between objects and subjectivity are explored extensively throughout the show. Hedwig Houben searches for the links between the identity of the makers and the object they produce. While conceptually intriguing, her video-performances are somewhat dry. Onkar Kular and Noam Toran\u2019s video and installation \u201cI cling to virtue\u201d (2010) weave a fictional narrative around the trajectories of the L\u00f6vy-Singh clan, a Jewish-Sikh family whose story runs through the 20th Century. Mundane objects set in a museological display aid as points of entry into the twisting narrative.\u00a0<\/p>\n<p><strong>Review by Hili Perlson.<\/strong><\/p>\n<p>&#8220;Don\u2019t you know who I am?&#8221; is on until September 14, 2014 at <a href=\"http:\/\/www.muhka.be\/\" target=\"_blank\">M HKA Antwerp<\/a>.\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Imran Qureshi, And They Still Seek The Traces Of Blood, 2013 &#8211; 2014. Courtesy the artist photo M HKA This generational show homes in on the socially mediated, multilayered subjectivity of peers globally connected by their coming of age in the post-\u201cEnd of History\u201d, post 9\/11 and post-peace context we inhabit. The challenge for an&#8230;<\/p>","protected":false},"author":1,"featured_media":16096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[1650,884,38,1651,1072,1652,115,1653,1654,1655,1656,1657,1658,1659],"class_list":["post-16089","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-ann-demeulemeester","tag-antwerp","tag-art","tag-artit","tag-exhibition","tag-haegue-yang","tag-hili-perlson","tag-iman-issa","tag-luc-tuyman","tag-m-hka-antwerp","tag-noam-toran","tag-onkar-kular","tag-oscar-murillo","tag-patrizio-di-massimo"],"acf":{"main_category":null,"legacy":"1","exclude_from_ads":null,"hero_title":null,"subtitle":null,"hero":null,"teasers":null,"facebook_image":null,"related_articles":null,"next_article":null,"sleek_card_focus":null,"content":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;Don&#039;t You Know Who I Am?&quot;: generational subjectivity at M HKA Antwerp &quot;Don&#039;t You Know Who I Am?&quot;: generational subjectivity at M HKA Antwerp<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/dont-you-know-who-i-am-generational-subjectivity-at-m-hka-antwerp\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Don&#039;t You Know Who I Am?&quot;: generational subjectivity at M HKA Antwerp &quot;Don&#039;t You Know Who I Am?&quot;: generational subjectivity at M HKA Antwerp\" \/>\n<meta property=\"og:description\" content=\"Imran Qureshi, And They Still Seek The Traces Of Blood, 2013 &#8211; 2014. 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