{"id":31395,"date":"2016-04-26T17:18:59","date_gmt":"2016-04-26T15:18:59","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=31395"},"modified":"2016-04-26T17:18:59","modified_gmt":"2016-04-26T15:18:59","slug":"into-the-hollow-how-does-one-fossilise-their-iphone-6","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/","title":{"rendered":"Fossilising the Future"},"content":{"rendered":"<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31475 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian-1.jpg\" alt=\"Julian\" width=\"716\" height=\"595\" \/> Julian Charri\u00e8re, installation view (4) INTO THE HOLLOW at DITTRICH &amp; SCHLECHTRIEM, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\nJulian Charri\u00e8re has mined the blazing sands of Bolivia for lithium, turned household pigeons into tropical rave machines and stood hour after hour in horrific weather conditions trying to thaw a 30,0000 year old iceberg with his blow torch. This time he is fossilising\u00a0our smartphones, iPads and hard drives into a post-digital geological strata laid out in vitrines and curiosity cabinets throughout the gallery in his third solo exhibition at Dittrich &amp; Schlechtriem entitled \u201cInto the Hollow,\u201d opening gallery weekend.\u00a0Sleek caught up with Charri\u00e8re before opening night to discuss The Anthropocene, fossil creation and the irony of snapping an iPhone photo\u00a0of the exhibition&#8217;s works.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31476 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian2.jpg\" alt=\"Julian2\" width=\"466\" height=\"650\" \/> Julian Charri\u00e8re, Metamorphism XIV, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>Where did your sense of Geology stem from?<\/strong> \nAs a child I would hike on the mountains, always remembering how\u00a0they were the product of thousands of years of tectonic movement. You could find seashells forcefully stacked along the walls through heat and pressure, way up on the mountains; testaments of a completely different environment. It felt like I was witnessing a magical world\u00a0out of my\u00a0imagination, one that could\u00a0only be restructured through rigid stones \u2013 and it was through them that I could travel through time and space. I guess that&#8217;s where this sense that you speak of came from.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31477 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian3.jpg\" alt=\"Julian3\" width=\"716\" height=\"477\" \/> Julian Charri\u00e8re, Metamorphism XVII (Detail), 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>You have a very aesthetically driven approach to perhaps an inevitable political commentary, considering the blow-up buzzword \u201cThe Anthropocene.\u201d <\/strong> \nThe Anthropocene has become a very popular topic nowadays, a concept that can encompass almost everything. In my work it is used more as background to an ongoing investigation on the passage of time and what this means, considering that time itself is a man-made measuring device. What would time look like in a non-anthropocentric universe? It\u00a0is very difficult to create non-political work, but it&#8217;s even more\u00a0different when a practice is intentionally conceived as political. The political sphere is not a central theme of my work but it is definitely part of its result. Nobody can or should escape this fact.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31478 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian4.jpg\" alt=\"Julian4\" width=\"716\" height=\"477\" \/> Julian Charri\u00e8re, Installation view (2) INTO THE HOLLOW at DITTRICH &amp; SCHLECHTRIEM, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>You seem to humanize these places of vast disconcerting nature, bringing them closer to us.<\/strong> \nIt is not my intention to draw attention to their irrevocable force but rather to reverse the twisted distinction that man makes between himself and nature, placing humanity always on a superior plane. I think the idea of disconcerting nature is a concept and an image that we have inherited from the romantic period. These places do not require humanization and they actually do not really exist anymore. In fact, for me, non-appropriated spaces by mankind are the most cultural and interesting spots you can find.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31479 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian5.jpg\" alt=\"Julian5\" width=\"466\" height=\"650\" \/> Julian Charri\u00e8re, Metamorphism XVI, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>You seem to slip in and out of the roles from anarcho-scientist to anarcho-primitivism\u2026 What\u2019s your position?<\/strong> \nI don&#8217;t believe I could fit in any of these ideologies, which as ideologies often do, already from the beginning profess an absolute truth. It is difficult to establish such rigid assumptions when the main thread of your work is time: something that changes and bends depending on both scientific and emotional aspects. The position of the artist nowadays is much more fluid and dynamic. The artist has the ability to travel through different fields of knowledge with no directions or attachments. To a certain extent, taking a positioning is once again placing the human figure in the middle of everything. Rocks don&#8217;t take position and the positions they do take can be accurately measured through geography and not by answering a question. It is this position, or the disposition of things to change, that interests me.<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31480 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian6.jpg\" alt=\"Julian6\" width=\"716\" height=\"461\" \/> Julian Charri\u00e8re, Metamorphism XIX (Detail), 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>Taken from the press release it says, \u201cThrough this forcible intervention, he initiates a geo-artistic reflection on our digital consumer culture, a \u2018geo-reset:&#8217; back to the future.\u201d What\u2019s a \u201cgeo-reset?&#8221;<\/strong> \nIt\u2019s a concept that I use to describe a particular process. It is more a metaphor than an assumption. Reset refers to bringing a system back to an initial condition and is often used in technology to describe the recovery of a computer system to its original state. Reset is an analogy that takes this characteristic of the word to the processes that I use to bring manufactured materials back to their original place in stone. It is a way of bridging the primitive with the technological advances characteristic of our culture today through a violent event, simulating those that occur in geology and through this creating an image of a past future.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31481 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian7.jpg\" alt=\"Julian7\" width=\"437\" height=\"650\" \/> Julian Charri\u00e8re, Metamorphism XIV, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>How does one artificially create a fossil?<\/strong> \nBased on the actual meaning of the word, which means to obtain by digging, I would assume that you would have to bury something in the ground, forget about it for a period of time and then discover\/recover it by digging it out. Fossils can mean a variety of things and do not necessarily involve the petrification of living and non-living elements. In the case of the stones that I created, I am dealing with a deep geological time cycle \u2013 the long process of crystallization, precipitation, transformation of minerals from one state to another\u00a0and\u00a0the relationship implicit in the never-ending cycle of retrieving those precious minerals through technology to sustain technology itself.<br \/>\nBut to create new geologies, you need to take 20 tons of stone, bring them to Duisburg, heat the whole thing up in a massive blast furnace until it melts to create artificial lava, pour this stony soup into a hole\u00a0filled with computers and other electronic devices, break it up and bring it back.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31482 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian8.jpg\" alt=\"Julian8\" width=\"433\" height=\"650\" \/> Julian Charri\u00e8re, Installlation view (3) INTO THE HOLLOW at DITTRICH &amp; SCHLECHTRIEM, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>What is the reality of these fossilized devices? Could they really withstand 10,000 years \u201cin the making?&#8221;<\/strong> \nMore than fossilised devices, these creations constitute an amalgam of minerals artificially brought to a stable condition in a matrice of stone. As with any material, it will change and transform but it will never disappear, it will simply remain in a perpetual state of flux through time. It will withstand more than 10,000 years, but who knows \u2013 maybe not in its \u201cfossilized\u201d form.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31483 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian9.jpg\" alt=\"Julian9\" width=\"437\" height=\"650\" \/> Julian Charri\u00e8re, Metamorphism XVII, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>When I first heard of this project I imagined people documenting the\u00a0fossilised\u00a0phones on their own phones. This seems to be a\u00a0cruel twist of fate in technology, don&#8217;t you think?<\/strong> \nI think that&#8217;s quite a comic aspect of the whole thing. It is also interesting because\u00a0it brings another layer to the whole discussion. An absurd layer, which I can greatly empathize with. I kind of look forward to the selfies.<br \/>\n&nbsp;<\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-31484 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2016\/04\/Julian10.jpg\" alt=\"Julian10\" width=\"433\" height=\"650\" \/> Julian Charri\u00e8re, installation view (1) INTO THE HOLLOW at DITTRICH &amp; SCHLECHTRIEM, 2016, Copyright Julian Charri\u00e8re, VG Bild-kunst, Bonn, Courtesy DITTRICH &amp; SCHLECHTRIEM,Berlin, photo by Hans-Georg Gaul<\/p>\n<p>&nbsp;<br \/>\n<strong>\u201cInto the Hollow is on display at <a href=\"http:\/\/www.dittrich-schlechtriem.com\/exhibitions\/metamorphism\/\" target=\"_blank\">Dittrich &amp; Schlechtriem<\/a> from 29 April until 25 June 2016<\/strong> \n&nbsp;<br \/>\n&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>We caught up with Julian Charri\u00e9re before the opening night of &#8216;Into the Hollow&#8217; to discuss The Anthropocene, fossil creation and the irony of snapping an iPhone photo of the exhibition&#8217;s works<\/p>","protected":false},"author":40,"featured_media":31436,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[38,4384,51,4385,4386,488,2439,1426],"class_list":["post-31395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-art","tag-dittrich-and-schlechtriem","tag-gallery-weekend","tag-gallery-weekend-2016","tag-geology","tag-iphone","tag-julian-charriere","tag-technology"],"acf":{"main_category":null,"legacy":"1","exclude_from_ads":null,"hero_title":null,"subtitle":null,"hero":null,"teasers":null,"facebook_image":null,"related_articles":null,"next_article":null,"sleek_card_focus":null,"content":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Fossilising the Future Fossilising the Future<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fossilising the Future Fossilising the Future\" \/>\n<meta property=\"og:description\" content=\"We caught up with Julian Charri\u00e9re before the opening night of &#039;Into the Hollow&#039; to discuss The Anthropocene, fossil creation and the irony of snapping an iPhone photo of the exhibition&#039;s works\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-04-26T15:18:59+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Penny Victoria Rafferty\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"7\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. This creativity manifests itself in SLEEK\u2019s quarterly print publication, digital and social media channels.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.sleek-mag.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#primaryimage\",\"url\":\"\",\"contentUrl\":\"\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#webpage\",\"url\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/\",\"name\":\"Fossilising the Future Fossilising the Future\",\"isPartOf\":{\"@id\":\"https:\/\/www.sleek-mag.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#primaryimage\"},\"datePublished\":\"2016-04-26T15:18:59+00:00\",\"dateModified\":\"2016-04-26T15:18:59+00:00\",\"author\":{\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/3dbb609ef2057076dc2070c42466b637\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.sleek-mag.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Fossilising the Future\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/3dbb609ef2057076dc2070c42466b637\",\"name\":\"Penny Victoria Rafferty\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/b58ccecb5356514f03e1b5e16b79f02eb5552cda30da7a6f705115f5f25b67bf?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/b58ccecb5356514f03e1b5e16b79f02eb5552cda30da7a6f705115f5f25b67bf?s=96&d=mm&r=g\",\"caption\":\"Penny Victoria Rafferty\"},\"url\":\"https:\/\/www.sleek-mag.com\/de\/author\/penny-victoria-rafferty\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Fossilising the Future Fossilising the Future","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sleek-mag.com\/de\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/","og_locale":"de_DE","og_type":"article","og_title":"Fossilising the Future Fossilising the Future","og_description":"We caught up with Julian Charri\u00e9re before the opening night of 'Into the Hollow' to discuss The Anthropocene, fossil creation and the irony of snapping an iPhone photo of the exhibition's works","og_url":"https:\/\/www.sleek-mag.com\/de\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/","og_site_name":"Sleek Magazine","article_publisher":"https:\/\/www.facebook.com\/sleekmag\/","article_published_time":"2016-04-26T15:18:59+00:00","twitter_card":"summary_large_image","twitter_creator":"@sleekmag","twitter_site":"@sleekmag","twitter_misc":{"Verfasst von":"Penny Victoria Rafferty","Gesch\u00e4tzte Lesezeit":"7\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/www.sleek-mag.com\/#website","url":"https:\/\/www.sleek-mag.com\/","name":"Schlankes Magazin","description":"Sleek ist Deutschlands f\u00fchrendes unabh\u00e4ngiges Medienhaus\/Marke f\u00fcr Kreativit\u00e4t und Innovation mit Sitz in Berlin, der kreativen Hauptstadt der Welt. Diese Kreativit\u00e4t manifestiert sich in der viertelj\u00e4hrlich erscheinenden Print-Publikation, den digitalen und Social-Media-Kan\u00e4len von SLEEK.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sleek-mag.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"de"},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#primaryimage","url":"","contentUrl":""},{"@type":"WebPage","@id":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#webpage","url":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/","name":"Fossilising the Future Fossilising the Future","isPartOf":{"@id":"https:\/\/www.sleek-mag.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#primaryimage"},"datePublished":"2016-04-26T15:18:59+00:00","dateModified":"2016-04-26T15:18:59+00:00","author":{"@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/3dbb609ef2057076dc2070c42466b637"},"breadcrumb":{"@id":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sleek-mag.com\/article\/into-the-hollow-how-does-one-fossilise-their-iphone-6\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.sleek-mag.com\/"},{"@type":"ListItem","position":2,"name":"Fossilising the Future"}]},{"@type":"Person","@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/3dbb609ef2057076dc2070c42466b637","name":"Penny Victoria Rafferty","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/b58ccecb5356514f03e1b5e16b79f02eb5552cda30da7a6f705115f5f25b67bf?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/b58ccecb5356514f03e1b5e16b79f02eb5552cda30da7a6f705115f5f25b67bf?s=96&d=mm&r=g","caption":"Penny Victoria Rafferty"},"url":"https:\/\/www.sleek-mag.com\/de\/author\/penny-victoria-rafferty\/"}]}},"_links":{"self":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts\/31395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/comments?post=31395"}],"version-history":[{"count":0,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts\/31395\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/"}],"wp:attachment":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/media?parent=31395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/categories?post=31395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/tags?post=31395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}