{"id":48809,"date":"2017-03-21T17:59:23","date_gmt":"2017-03-21T16:59:23","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=48809"},"modified":"2017-03-21T17:59:23","modified_gmt":"2017-03-21T16:59:23","slug":"art-basel-hong-kong-2017","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/art-basel-hong-kong-2017\/","title":{"rendered":"Erkenntnisse aus der gro\u00dfartigen Art Basel Hong Kong"},"content":{"rendered":"<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 28.009259259259263% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BR16t29As8k\/\" target=\"_blank\">Project Native Informant @ Art Basel Hong Kong 2017 with a new video installation by Babak Radboy + DIS Imagine an image which is completely incomprehensible. Imagine a world full of such images. Imagine a government that serves the people. Now imagine the people are assholes. Imagine the most ignorant person in the world speaking about ignorance. Prompts of a far too real present, Narrative Devices by DIS + Babak Radboy reflects the \u201cpost-contemporary\u201d: the future as familiar, predictable, immutable, a simulacrum of the past. It is the present that is unknowable, unpredictable and incomprehensible. In a post-Trump, post-truth, \u201calternative facts\u201d reality, Narrative Devices suggests fantasy is more influential and effective than reality. Anyone can begin to build an alternative present, reconfigure failed narratives or decipher meaning from continual flux. The four videos, each a mini \u201cnarrative device\u201d, are the central element of a new installation by the artists. Each video marks a passage of conceptual and critical thinking: be it the relationship between the government and the governed or the producer and the consumer. A man relieves himself on a public street during the day while scrolling through today\u2019s news. A young woman wearing a cable knit sweater texts on her phone, imagining a world where no one reads. All are rendered in a sickly corporate aesthetic reminiscent of an advertisement proclaiming unbounded opportunity. #dismagazine #babakradboy #artbasehongkong @dismagazine @babakradboy @artbasel<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein Beitrag geteilt von Project Native Informant (@projectnativeinformant) am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-20T02:02:46+00:00\">19. M\u00e4r 2017 um 19:02 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><br \/>\n&nbsp;<\/p>\n<h3 class=\"p1\"><span class=\"s1\">Anything \u00a0with the word \u00a0\u201cInternet\u201d\u00a0 in it is still hot<\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Following the MoMA PS1 x K11 Pop-Up opening last night which featured many familiar faces (DIS, Alexandra Domanovic, Miao Ying Darren Bader, et al) and was of course titled &#8220;.com\/.cn&#8221;, it appears that the &#8220;emerging&#8221; flavour of the month remains firmly in the hands of the &#8220;post-internet&#8221;. Sleek stalked ubercurator Hans Ulrich Obrist doing a VIP tour of the <a href=\"https:\/\/www.sleek-mag.com\/de\/?s=art+basel&amp;submit=Search\" target=\"_blank\">Art Basel<\/a> Discoveries section (read: solo positions by young galleries) for an assortment of Givenchy-clad ladies. Stops, hearty handshakes and Swiss-German accented exclamations were heard at Project Native Informant (showing DIS Magazine\u2019s Berlin Biennale 9 Promo videos, irony isn\u2019t an art-world forte, clearly), and Societe, with Petra Cortright\u2019s banal Rose paintings, Carlos Ishikawa showing Stuart Middleton and Evelyn Taocheng and finally Shanghai newbie gallery Bank with Lin Ke\u2019s desktop background blown up to two by three metres. Clearing, Jhaveri and mor charpentier galleries also got a look in, but the faces of the passed-over gallerists spoke further volumes.\u00a0 The HUO Midas touch clearly still holds.<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 49.49074074074074% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BR4uj4LFpL2\/\" target=\"_blank\">WOW&#8230;this is coming for auction! Leda and the Swan #cytwombly #top #newyork #christies #auction #asia #postwarandcontemporary<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein Beitrag geteilt von Rebecca Wei (@rebecca_wei_wei) am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-21T04:14:16+00:00\">20. M\u00e4r 2017 um 21:14 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h3 class=\"p1\">Safe Buys Are In<\/h3>\n<p class=\"p1\"><span class=\"s1\">Booths were jam-packed with trophy Behind The Couch (BTC) pieces: Basquiat, Twombly (a LOT of Twombly, some major collector must have recently unloaded their stash), Judd et al featured largely. So much so that even Liam Gillick is now doing sub-Judd translucent sculpture boxes. Sprueth Magers and Gagosian were the most egregious: Sprueth, the &#8220;discerning&#8221; billionaire firmly in their sights featured Condo, Sherman, Gursky, Trockel, Stella and Jenny Holzer (marble slogan stools for the artrium, bien sur). Gagosian, for those with a splashier taste had: Richter, Currin, \u00a0Judd, Twombly, an enormous Murakami, Stingl, Liechtenstein and a Picasso. An instant collection of bland bluechip.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00a0<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BR5rqEhgZnA\/\" target=\"_blank\">A little selection of today&#8217;s tour of Art Basel Hong Kong with @theoutnet and @hongkongtatler #hongkong #artbasel #artbaselhk #art<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein Beitrag geteilt von Andres Sosa (@andyven) am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-21T13:08:08+00:00\">21. M\u00e4r 2017 um 6:08 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h3 class=\"p1\"><span class=\"s1\">The Art of the subtle political protest<\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Of course, the Basel crowd couldn\u2019t miss out referencing Trump and the annus horriblis that is 2017. One flapper-bobbed collector stalked the aisles wearing a $75 <a href=\"https:\/\/www.brownsfashion.com\/uk\/shopping\/crew-neck-immigrant-sweatshirt-11855955\" target=\"_blank\">Ashish sweatshirt<\/a> emblazoned with &#8220;Immigrant&#8221;. Others posed for selfies with Shen Shaomin\u2019s assemblage of wax figures of dead dictators \u2013 Fidel Castro, Lenin, Zedong, Ho Chi Minh and Kim Il Sung. And finally, uber curator Klaus Biesenbach of MoMA PS1 is sporting a new, Julian-Assange like haircut \u2013 \u201cLeak-Chic\u201d indeed. No one can accuse the Basel crowd of not seizing on today\u2019s pressing issues, and also, see above point about art world irony.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00a0<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BRyHW7Oj2Ms\/\" target=\"_blank\">Joe Bradley #joebradley<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein von @kunstsammler geteilter Beitrag am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-18T14:36:16+00:00\">18. M\u00e4r 2017 um 7:36 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h3 class=\"p1\"><span class=\"s1\">Zombie Formalism is Back<\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Remember the Zombie formalists that crashed and burned circa 2015? Well, they\u2019re back, at least in Asia. Gagosian was trying to offload a Joe Bradley, and 303gallery was flogging a Jacob Kassay. It would be impolite to imply that they might just be offloading deadstock on the unsuspecting Hong Kong collectors, wouldn\u2019t it?<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BRs9a4Wgmqg\/\" target=\"_blank\">Need help organizing your itinerary and navigating all of the galleries, performances + special events at #ArtBasel in Hong Kong? Our official app ?features essential show info, live updates and an extensive global catalog, as well as an expanded events calendar and enhanced interactive floorplan. Download it on the App store or Google Play + start planning today!<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein Beitrag geteilt von Art Basel (@artbasel) am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-16T14:33:13+00:00\">16. M\u00e4r 2017 um 7:33 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h3 class=\"p1\"><span class=\"s1\">Criticism? Look elsewhere<\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Usually, at art fairs there is at least one panel discussion hosted by an art critic about \u201cart writing and its role in the art world and how really important it is\u201d. At Basel Hong Kong? Nada. A single sad panel on Saturday is dedicated to New &#8220;Criticism&#8221; Digital Media and Cultural Journalism. I use quote marks advisedly: when was the last time you read serious criticism on the world wide webs? All the kids care about is listicles. Like this one. \u00a0<\/span><\/p>\n<blockquote class=\"instagram-media\" style=\"background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 658px; padding: 0; width: calc(100% - 2px);\" data-instgrm-captioned=\"\" data-instgrm-version=\"7\">\n<div style=\"padding: 8px;\">\n<div style=\"background: #F8F8F8; line-height: 0; margin-top: 40px; padding: 50.0% 0; text-align: center; width: 100%;\"><\/div>\n<p style=\"margin: 8px 0 0 0; padding: 0 4px;\"><a style=\"color: #000; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none; word-wrap: break-word;\" href=\"https:\/\/www.instagram.com\/p\/BR5nuDsA4Vs\/\" target=\"_blank\">#artbasel #hktatler<\/a><\/p>\n<p style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\">Ein Beitrag geteilt von MacInHK (@gusmacd) am <time style=\"font-family: Arial,sans-serif; font-size: 14px; line-height: 17px;\" datetime=\"2017-03-21T12:33:44+00:00\">21. M\u00e4r 2017 um 5:33 Uhr<\/time><\/p>\n<\/div>\n<\/blockquote>\n<p><script async defer src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/p>\n<h3 class=\"p1\"><span class=\"s1\">The fashion really is good<\/span><\/h3>\n<p class=\"p1\"><span class=\"s1\">Art Basel Hong Kong beats its mothership Art Basel Basel hands down when it comes to the fashion on view. Celine is of course still a favourite, but the Chanel here shouts in fuchsia rather than whispering in navy. There were Japanese school girl uniforms on display, silk pyjamas, pink dip-dye coiffures, and just generally a ravishing display of Alessandro Michele\u2019s finest. Sleek only spotted three pairs of Valentino rock studs \u2013 usually the collector\u2019s footwear of choice. But Chanel\u2019s quilted 5.11 remains sadly ubiquitous \u2013 it does remain the handiest, ahem, way of saying &#8220;I cost 6000 USD, I can easily afford the Twombly.&#8221;<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p> Sleek joins the millionaires at the VIP Art Basel Hong Kong Preview. Here is our highly subjective, probably incomplete and most likely libelous take on what went down.<\/p>","protected":false},"author":1,"featured_media":48845,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[1546,4521,8209,2002,188,4253,5112],"class_list":["post-48809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-art-basel","tag-art-world","tag-carlos-ishikawa","tag-celine","tag-chanel","tag-hong-kong","tag-zombie-formalism"],"acf":{"main_category":null,"legacy":"1","exclude_from_ads":null,"hero_title":null,"subtitle":null,"hero":null,"teasers":null,"facebook_image":null,"related_articles":null,"next_article":null,"sleek_card_focus":null,"content":null},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Five Trends We Spotted at Art Basel Hong Kong 2017<\/title>\n<meta name=\"description\" content=\"Sleek joins the millionaires at the VIP Preview. 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