{"id":60696,"date":"2017-12-28T10:47:23","date_gmt":"2017-12-28T09:47:23","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=60696"},"modified":"2019-06-19T07:50:18","modified_gmt":"2019-06-19T07:50:18","slug":"art-fashion-fusion","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/art-fashion-fusion\/","title":{"rendered":"How Art Stopped Worrying and Learned to Love Fashion"},"content":{"rendered":"<p class=\"size--small\"><img decoding=\"async\" class=\"size-full wp-image-58002\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2017\/10\/30383438991_2c2d30155e_o.jpg\" alt=\"\" width=\"1000\" height=\"517\" \/> Yayoi Kusama Exhibition In Infinity in HAM, Helsinki. Image courtesy of Katja Nevalainen under creative commons<\/p>\n<p class=\"p1\"><span class=\"s1\">F<\/span><span class=\"s1\">ashion and art have always had a fabulous and fraught relationship. Many fashionistas claim not to \u201cget\u201d art whereas art world people often distance themselves from fashion for fear of art losing evergreen relevance. There are many examples of <a href=\"https:\/\/www.sleek-mag.com\/de\/2017\/01\/23\/fashion-designers-turned-artists\/\"><span class=\"s2\">designers who\u2019ve become artists<\/span><\/a> like Helmut Lang and Tom Ford.\u00a0<\/span><span class=\"s1\">There are also many <a href=\"https:\/\/www.sleek-mag.com\/de\/2016\/10\/26\/art-fashion-collaboration\/\"><span class=\"s2\">artists who have created fashion lines<\/span><\/a>, such as Tracey Emin, Yayoi Kusama and Jeff Koons. However, lately the line between the two has blurred into almost total invisibility.\u00a0<\/span><span class=\"s1\">There\u2019s now plenty of designers who have also become artists and artists who are taking in the fashion world with open arms, hearts and wallets.<\/span><\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"wp-image-51380 size-full\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2017\/05\/camper_eckhauslatta_01.jpg\" alt=\"\" width=\"1500\" height=\"1000\" \/> Eckhaus Latta and Camper SS17. Styling: Avena Gallagher. Image: Rob Kulisek<\/p>\n<p><span class=\"s2\"><a href=\"https:\/\/www.sleek-mag.com\/de\/2015\/07\/30\/eckhaus-latta-there-is-no-target-group\/\">Eckhaus Latta<\/a><\/span><span class=\"s1\">, for instance, who launched their label in 2011 consider their practice as both design and art. In their Los Angeles store they sell their conceptual fashion and simultaneously take part in visual art exhibitions. Their clothes can be seen simultaneously as sculptures and as sculptures than can be worn. Either way their pastel monotone biomorphic forms are visually striking. Also based in LA is the designer Bernhard Willhelm who\u2019s made his major jump into the world of art with his exhibition at the MOCA in 2015. Entitled \u201cBernhard Willhelm 3000: When Fashion Shows The Danger Then Fashion Is The Danger\u201d, the work which was conceived in collaboration with Jutta Kraus functioned as a sculptural installation. It featured Willhelm\u2019s AW15\/16 collection and including video, photography, was a meditation on the future of commerce and a \u201cthinking-forward exhibition.\u201d The aesthetic borrowed as much from his own designs as it did from \u201cpost-internet art\u201d culminating in an environment that was both salacious and painterly. Berlin-based collective BLESS also take a similar approach.<\/span><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/eejuXjcobPo\" width=\"1500\" height=\"380\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">?<\/span><\/iframe><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2016 and this year, Anne Imhof incorporated fashion elements in her performances, even if unwittingly, as she claimed in an <a href=\"https:\/\/www.sleek-mag.com\/de\/2017\/12\/08\/anne-imhof-faust\/\"><span class=\"s2\">interview with SLEEK<\/span><\/a>. Yet it can\u2019t be denied that the performers she has chosen all bear the same Berlin sportswear aesthetic that is so popular in the clubbing scene.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In both \u201cAngst\u201d and \u201cFaust\u201d her performers\u2019 style channels the \u201cpost-soviet union\u201d look. It is monochromatic, almost normcore if it wasn\u2019t for the brand references including adidas. Not surprisingly, Imhof\u2019s artist muse Eliza Douglas has modelled for Vetements and Imhof\u2019s signature look features a black cap emblazoned with Balenciaga\u2019s logo. And this \u201ccoincidence\u201d not only is that being accepted as valid but is also <a href=\"https:\/\/www.sleek-mag.com\/de\/2017\/05\/13\/anne-imhof-wins-57th-venice-biennale-golden-lion\/\"><span class=\"s2\">winning awards<\/span><\/a>. And whether you like her art or not one thing is certain, her performances are sexy, sensual, stylish and timely. Moreover, it would not have had the same impact if they\u2019d worn the typical performance art costume &#8211; the naked body &#8211; let alone the leotard, or a random designer.<\/span><\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"size-full wp-image-60734\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2017\/12\/E9B0573-2.jpg\" alt=\"\" width=\"1500\" height=\"1000\" \/> Franziska Aigner and Emma Daniel in Anne Imhof, Faust, 2017, German Pavilion, 57th International Art Exhibition \u2013 La Biennale di Venezia. Image: Nadine Fraczkowski<\/p>\n<p class=\"p1\"><span class=\"s1\">But why only now? One could argue that the historical hostility between the art and fashion troupes stems from insecurity. Neither wanted a direct association with the other or at least to make very clear that there was a distinction of what is what and what influenced whom. However, this modus operandis is finally becoming outmoded and creative worlds seem to be more willing to accept this new fusion.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">One the one hand art can only gain from being influenced and working with fashion. A lot of conceptual and cerebral art lacks in aesthetics. This can arguably be credited to the popularisation of conceptual art since the 90s, the influence of Object-Oriented Ontology, and the fetishisation of information. On the other hand fashion which is known for being temporary can benefit from art\u2019s conceptual longevity. Art can complete the puzzle of fashion as a legitimate cultural phenomenon. This can lead to both art and fashion becoming more complex with results that are both intellectually challenging and visually stunning &#8211; beyond presenting clothes as artworks. And no one does it quite like <a href=\"https:\/\/www.sleek-mag.com\/de\/?s=Juliana+Huxtable&amp;submit=Search\"><span class=\"s2\">Juliana Huxtable<\/span><\/a>.<\/span><\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"size-full wp-image-60737\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2017\/12\/L10099901-1-1.jpg\" alt=\"\" width=\"1260\" height=\"665\" \/> Left: \u201cUntitled (Psychosocial Stuntin\u2019)\u201d by Juliana Huxtable, 2015, New Museum; right: \u201cUntitled in the Rage Nibiru Cataclysm\u201d 2015 from the \u201cUniversal Crop Tops for All the Self Canonized Saints of Becoming\u201d series, by Juliana Huxtable; Image: courtesy the artist<\/p>\n<p class=\"p1\"><span class=\"s1\">Huxtable straddles both worlds, and in her art the New York artist puts fashion and art in conversation, highlighting through photography, video and installation how fashion can both give the illusion of political affiliation and offer a counterpoint to what\u2019s happening politically in the West today. For example in her debut solo show in New York <\/span><span class=\"s3\">\u201cA Split During Laughter at the Rally\u201d<\/span><span class=\"s1\">, the artist delves into how leftist aesthetics can easily be embedded with neo-Nazi messages. While in London, her show featured a combination of prints on canvas and T-shirts as well as, and<span class=\"Apple-converted-space\">\u00a0 <\/span>photography, to reflect on the inception of the YT skin culture and the symbolic role of fashion signs and signifiers has played in its troubled history.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">There\u2019s different ways, however, to bring art and fashion together in a way that makes the most of aesthetics while not diverting from meaning, narrative and intellectualisation of a sartorial object. In March 2017 a group show in Adelaide, Australia, opened at <a href=\"http:\/\/www.fontanelle.com.au\/\"><span class=\"s2\">Fontanelle&#8217;s<\/span><\/a> Sister Gallery with the premise of unpacking the intricate narratives contained in threads. Curated by Jonno Revanche and featuring artists including Nina Dodd and kalenjay dhir, \u201cWoven Dialects\u201d delved into the hidden stories imbued in clothing and fashion items that often go unnoticed or are disregarded.<\/span><\/p>\n<p class=\"size--small\"><img decoding=\"async\" class=\"size-full wp-image-60704\" src=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2017\/12\/L10099901.jpg\" alt=\"\" width=\"1500\" height=\"1125\" \/> Juliana Huxtable for SLEEK56. Styled by Rachael Rodgers. Left Juliana: jumper: Balenciaga via The Store, tights: Hudson, shoes: CELINE. Right Juliana: coat: The Row via The Store, skirt: Prada, shoes: CELINE. Hair and Make-up by Manu Kopp. Image: Timothy Schaumburg<\/p>\n<p class=\"p1\"><span class=\"s1\">Granted, everyone has a piece of clothing with meaning yet that\u2019s often overlooked, but this exhibition connected that to historical trends. For instance, Will Fredo\u2019s piece \u201ci was always her\u201d looked into the sartorial choices as another way of how the oedipal period extends well into one\u2019s adult life. The piece consists of a picture of Fredo\u2019s mother and himself as an adult (but dressed the way his mother would have dressed him as a child), and a poem. In the text, Fredo turns the personal into the political by dissecting the politics of cultural supremacy and social imperialism, as the \u201cimmigrant aesthetics\u201d his mother once imposed on him later resurfaced in his style subconsciously.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Art seems to be more present in fashion than one might assume. And fashion dictates art and society much more systematically than we perceive at first glance. Beyond giving fashion more meaning, by artists digging deeper into the fabric of it all, they can deconstruct it and examine the context it was designed in, revealing hidden cultural connections that explain what it means to be human. Art and fashion can complement each other, even improve each other, and together with the internet this new awareness is set to create more bold new aesthetics to come. <\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>The art world has finally learned to embrace fashion, and their fabulous and fraught relationship is setting a precedent for contemporary culture<\/p>","protected":false},"author":1,"featured_media":60737,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,81,139],"tags":[7130,2945,4935,2025,318,9979,4460,9980,9981,2285,756,9982,9983],"class_list":["post-60696","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-fashion","category-art","tag-anne-imhof","tag-eckhaus-latta","tag-faust","tag-helmut-lang","tag-jeff-koons","tag-jonno-revanche","tag-juliana-huxtable","tag-kalenjay-dhir","tag-nina-dodd","tag-tom-ford","tag-tracey-emin","tag-will-fredo","tag-yayoi-kuama"],"acf":{"legacy":true,"main_category":139,"exclude_from_ads":[],"hero_title":"","subtitle":"","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":false,"width":"4","proportion":"default"},"facebook_image":false,"related_articles":"","next_article":"","content":false},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How Art Stopped Worrying and Learned to Love Fashion<\/title>\n<meta name=\"description\" content=\"It seems the art world has finally learned to embrace fashion, and their fusion is setting a precedent for contemporary culture.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/art-fashion-fusion\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Art Stopped Worrying and Learned to Love Fashion\" \/>\n<meta property=\"og:description\" content=\"It seems the art world has finally learned to embrace fashion, and their fusion is setting a precedent for contemporary culture.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/art-fashion-fusion\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2017-12-28T09:47:23+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-06-19T07:50:18+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"6\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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