{"id":71030,"date":"2018-10-08T15:50:33","date_gmt":"2018-10-08T15:50:33","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=71030"},"modified":"2018-10-08T17:29:49","modified_gmt":"2018-10-08T17:29:49","slug":"instagram-frieze-2018","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/","title":{"rendered":"The most Insta-worthy artworks at Frieze London 2018"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":71051,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[11185,11186,38,1095,11184,977,7774,3068,3456,1032,10536,1416,2346,6219],"class_list":["post-71030","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-andrea-galvani","tag-andreas-slominski","tag-art","tag-art-fair","tag-david-shrigley","tag-frieze-london","tag-hayv-kahraman","tag-instagram","tag-jenny-holzer","tag-josh-kline","tag-rebecca-ackroyd","tag-sculpture","tag-urs-fischer","tag-vlassis-caniaris"],"acf":{"main_category":139,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"We scoured this year's fair high and low for the pieces most deserving of a place on your feed ","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":71051,"id":71051,"title":"Rebecca Ackroyd","filename":"Rebecca-Ackroyd-1.jpg","filesize":756673,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/rebecca-ackroyd-2\/","alt":"","author":"1","description":"","caption":"","name":"rebecca-ackroyd-2","status":"inherit","uploaded_to":71030,"date":"2018-10-08 15:12:32","modified":"2018-10-08 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11:19:25","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1080,"height":1339,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","medium-width":1080,"medium-height":1339,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","medium_large-width":1080,"medium_large-height":1339,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","large-width":1080,"large-height":1339,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","1536x1536-width":1080,"1536x1536-height":1339,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","2048x2048-width":1080,"2048x2048-height":1339,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","wpvr_mobile-width":1080,"wpvr_mobile-height":1339}}],"settings":{"fit_width":"6","caption":"Urs Fischer, \"Francesco\", 2017"}},{"acf_fc_layout":"text_area","text_area":"

Yesterday saw the curtains close on\u00a0Frieze London<\/a>, an event that marks the annual descent of thousands of art lovers, buyers, gallerists and critics alike upon Regent\u2019s Park to discover new talent, see the work of old favourites up-close, and cast loud, scathing aspersions about the art world and the people that frequent it with a blissful lack of self-awareness. There were many pieces to marvel over at the 2018 edition, but as<\/span> with any art fair, a full appreciation of the event required considerable time, stamina and concentration, plus a glass of wine or three along the way. Here, doing the hard work so you don\u2019t have to, we take you on a tour of some of the fair\u2019s most Insta-worthy highlights \u2013 because, let\u2019s face it, we’re all far more likely to pay to attention to art if it just so happens to look good on the grid too.\u00a0<\/span><\/p>\n

David Shrigley,<\/b> Dear Mother<\/i><\/b>, 2018<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71048,"id":71048,"title":"David Shrigley","filename":"David-Shrigley-1.jpg","filesize":281064,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/david-shrigley-2\/","alt":"","author":"1","description":"","caption":"","name":"david-shrigley-2","status":"inherit","uploaded_to":71030,"date":"2018-10-08 15:10:08","modified":"2018-10-08 15:10:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1440,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","thumbnail-width":72,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","medium-width":1440,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","medium_large-width":1440,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","large-width":1440,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","1536x1536-width":1152,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","2048x2048-width":1440,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/David-Shrigley-1.jpg","wpvr_mobile-width":1440,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"images","gallery":false,"settings":{"fit_width":"4","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Love him or hate him, David Shrigley is an artist with his own, very distinct aesthetic \u2013 one in which his fans had the chance to completely immerse themselves in at this year\u2019s fair, courtesy of Stephen Friedman Gallery\u2019s booth dedicated to the artist. The inside brimmed with esoteric drawings and video installations, but it was the outer walls \u2013 presented as shop windows, each one housing a playful neon word artwork in Shrigley\u2019s signature font \u2013 that stopped fairgoers in their tracks, including this one to a terribly neglected mother.<\/span><\/p>\n

Andrea Galvani, <\/b>The Relativity of Simultaneous Events<\/i><\/b>, 2018<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71031,"id":71031,"title":"Andrea Galvani","filename":"Andrea-Galvani.jpg","filesize":407442,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/andrea-galvani\/","alt":"","author":"1","description":"","caption":"","name":"andrea-galvani","status":"inherit","uploaded_to":71030,"date":"2018-10-08 11:18:42","modified":"2018-10-08 11:18:42","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1440,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","medium-width":1920,"medium-height":1440,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","medium_large-width":1920,"medium_large-height":1440,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","large-width":1920,"large-height":1440,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","1536x1536-width":1536,"1536x1536-height":1152,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","2048x2048-width":1920,"2048x2048-height":1440,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andrea-Galvani.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1440}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

More neon signage came in the shape of this eye-catching artwork by Italian artist Andrea Galvani. <\/span>Presented in the fair\u2019s Focus section, the work formed part of a sporadic performance work, which saw singers deliver pitch-perfect melodies while wandering about under the stark white mathematical equations, all of which (incidentally) relate to the spatio-temporal fabric of the universe.<\/span><\/p>\n

Hayv Kahraman, <\/b>Pussy Donation Box, 2018<\/i><\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71055,"id":71055,"title":"Hayv Kahraman","filename":"Hayv-Kahraman.jpg","filesize":497488,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/hayv-kahraman\/","alt":"","author":"1","description":"","caption":"","name":"hayv-kahraman","status":"inherit","uploaded_to":71030,"date":"2018-10-08 15:16:46","modified":"2018-10-08 15:16:46","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1491,"height":1219,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","thumbnail-width":117,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","medium-width":1491,"medium-height":1219,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","medium_large-width":1491,"medium_large-height":1219,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","large-width":1491,"large-height":1219,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","1536x1536-width":1491,"1536x1536-height":1219,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","2048x2048-width":1491,"2048x2048-height":1219,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","trp-custom-language-flag-width":15,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Hayv-Kahraman.jpg","wpvr_mobile-width":1491,"wpvr_mobile-height":1219}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Iraqi artist Hayv Kahraman works primarily in paint, her work a poignant investigation into female identity, particularly with regards to her own experiences as a refugee. <\/span>Pussy Donation Box<\/span><\/i> \u2013 part painting, part sculpture \u2013 depicts a vagina, its opening a rectangular slit that transforms it into a money box. There\u2019s something about it that hauntingly evokes a swear jar \u2013 imagine just how full this donation vessel would be if all the world\u2019s abusers were forced to account for their wrongdoings.<\/span><\/p>\n

Jenny Holzer, <\/b>Selection from Survival: The future…\u00a0<\/i><\/b>2006<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71035,"id":71035,"title":"Jenny Holzer","filename":"Jenny-Holzer.jpg","filesize":208029,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/jenny-holzer\/","alt":"","author":"1","description":"","caption":"","name":"jenny-holzer","status":"inherit","uploaded_to":71030,"date":"2018-10-08 11:19:11","modified":"2018-10-08 11:19:11","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1440,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","medium-width":1920,"medium-height":1440,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","medium_large-width":1920,"medium_large-height":1440,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","large-width":1920,"large-height":1440,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","1536x1536-width":1536,"1536x1536-height":1152,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","2048x2048-width":1920,"2048x2048-height":1440,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Jenny-Holzer.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1440}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

OK so we\u2019re feeling a little down on the world. But who can blame us? Jenny Holzer\u2019s marble footstool, from the American neo-conceptual artist\u2019s<\/span> Survival<\/span><\/i> series, summed it up perfectly. Right now, the future looks stupid at best.<\/span><\/p>\n

Josh Kline, <\/b>Dave\/Journalist<\/i><\/b>, 2016<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71036,"id":71036,"title":"Josh Kline","filename":"Josh-Kline.jpg","filesize":56294,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/josh-kline\/","alt":"","author":"1","description":"","caption":"","name":"josh-kline","status":"inherit","uploaded_to":71030,"date":"2018-10-08 11:19:15","modified":"2018-10-08 11:19:15","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1080,"height":1080,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","thumbnail-width":96,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","medium-width":1080,"medium-height":1080,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","medium_large-width":1080,"medium_large-height":1080,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","large-width":1080,"large-height":1080,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","1536x1536-width":1080,"1536x1536-height":1080,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","2048x2048-width":1080,"2048x2048-height":1080,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","trp-custom-language-flag-width":12,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Josh-Kline.jpg","wpvr_mobile-width":1080,"wpvr_mobile-height":1080}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Next up: a musing on the futility of our own profession, thanks to this cheering work by American artist Josh Kline. Kline is preoccupied by posthumanist philosophy, and this sculpture, featuring a startlingly realistic, life-size male curled up in the foetal position and thrust unceremoniously into a see-through bin bag, forms a part of his 2016 series, <\/span>Unemployment<\/span><\/i>. This imagines a near-future where sentient robots have rendered the majority of human careers redundant. Perhaps the future\u2019s not so stupid after all?<\/span><\/p>\n

Andreas Slominski, <\/b>Chameleon<\/i><\/b>, 2018<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71054,"id":71054,"title":"Andreas Slominski","filename":"Andreas-Slominski-e1539011731156.jpg","filesize":327320,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/andreas-slominski\/","alt":"","author":"1","description":"","caption":"","name":"andreas-slominski","status":"inherit","uploaded_to":71030,"date":"2018-10-08 15:15:07","modified":"2018-10-08 15:15:07","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1496,"height":1813,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","thumbnail-width":79,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","medium-width":1496,"medium-height":1813,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","medium_large-width":1496,"medium_large-height":1813,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","large-width":1496,"large-height":1813,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","1536x1536-width":1267,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","2048x2048-width":1496,"2048x2048-height":1813,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Andreas-Slominski-e1539011731156.jpg","wpvr_mobile-width":1496,"wpvr_mobile-height":1813}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

High time for some light-hearted toilet humour, here brought to us by <\/span>Andreas Slominski with his multi-coloured mobile toilet installation, <\/span>Chameleon<\/span><\/i>. The work is one of the <\/span>German artist\u2019s so-called \u201ctraps\u201d, described by his gallery (Galerie Thaddaeus Ropac) as \u201c<\/span>absurd-looking baits, somewhere between sculpture and functional object\u201d. A dadaist at heart, Slominski\u2019s presentation of a portaloo in a gallery setting probes the process of artistic perception \u2013 much like Duchamp\u2019s urinal before it \u2013 and allows a happy pause for levity and ironic self-reflection in the serious art fair setting.<\/span><\/p>\n

Vlassis Caniaris, <\/b>Urinals of History, 1980<\/i><\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71039,"id":71039,"title":"VC 2","filename":"VC-2.jpg","filesize":565574,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/vc-2\/","alt":"","author":"1","description":"","caption":"","name":"vc-2","status":"inherit","uploaded_to":71030,"date":"2018-10-08 11:19:31","modified":"2018-10-08 11:19:31","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1440,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","medium-width":1920,"medium-height":1440,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","medium_large-width":1920,"medium_large-height":1440,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","large-width":1920,"large-height":1440,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","1536x1536-width":1536,"1536x1536-height":1152,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","2048x2048-width":1920,"2048x2048-height":1440,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/VC-2.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1440}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Urinals of History<\/span><\/i>, is another scatologically themed work \u2013 but with a darker message. It presents three human-scale figures in old-fashioned clothing peeing against a wall covered in political slogans. This, the blurb tells us, resembles the walls of Athens during Nazi occupation. The work of late Greek artist <\/span>Vlassis Caniaris, the striking installation was first shown in Athens in 1980 and speaks of Caniaris\u2019 belief that in recent history the Greeks \u201chave made a collective effort to erase the memory of their past by \u2018pissing\u2019 on their heritage\u201d.<\/span><\/p>\n

Rebecca Ackroyd, <\/b>Hostess, 2018<\/i><\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71051,"id":71051,"title":"Rebecca Ackroyd","filename":"Rebecca-Ackroyd-1.jpg","filesize":756673,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/rebecca-ackroyd-2\/","alt":"","author":"1","description":"","caption":"","name":"rebecca-ackroyd-2","status":"inherit","uploaded_to":71030,"date":"2018-10-08 15:12:32","modified":"2018-10-08 15:12:32","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1727,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","thumbnail-width":83,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","medium-width":1500,"medium-height":1727,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","medium_large-width":1500,"medium_large-height":1727,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","large-width":1500,"large-height":1727,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","1536x1536-width":1334,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","2048x2048-width":1500,"2048x2048-height":1727,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Rebecca-Ackroyd-1.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":1727}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Hostess<\/span><\/i>, by Rebecca Ackroyd, was one of the fair\u2019s most searing works. Centred, as is most of the young British artist\u2019s oeuvre, on the human form, the sculpture sits with its back to us, meaning we must approach it from behind. With its blonde wig, voluptuous body and lycra jumpsuit, you imagine that upon circling the work, you\u2019ll come face to face with a female mannequin. Instead, you are met by a gaping void (another Ackroyd trademark) where a face should be, the result a jolting commentary on the female body as faceless commodity.<\/span><\/p>\n

Urs Fischer, <\/b>Francesco<\/i><\/b>, 2017<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71038,"id":71038,"title":"Urs Fischer","filename":"Urs-Fischer.jpg","filesize":110062,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/urs-fischer\/","alt":"","author":"1","description":"","caption":"","name":"urs-fischer","status":"inherit","uploaded_to":71030,"date":"2018-10-08 11:19:25","modified":"2018-10-08 11:19:25","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1080,"height":1339,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","medium-width":1080,"medium-height":1339,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","medium_large-width":1080,"medium_large-height":1339,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","large-width":1080,"large-height":1339,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","1536x1536-width":1080,"1536x1536-height":1339,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","2048x2048-width":1080,"2048x2048-height":1339,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Urs-Fischer.jpg","wpvr_mobile-width":1080,"wpvr_mobile-height":1339}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Frieze 2018 saw Swiss artist Urs Fischer present a new triptych of paintings, depicting his New York home at different times of day. Made on a iPad and printed onto unprimed aluminium, these works mark a new chapter for the artist, who is perhaps best known for his vast wax portraits. And indeed, it\u2019s one of these \u2013 the towering red sculpture of Italian art curator Francesco Bonami, holding a phone and standing on a fridge filled with wax fruit and vegetables \u2013 that\u2019s made it onto our Insta-list, providing as it does the perfect photo opp. He points his phone down at you, as you point yours up at him, and we all have a good chuckle about the meta nature of contemporary art.<\/span><\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

Images courtesy of the author.<\/p>\n"}]},"yoast_head":"\nThe most Insta-worthy artworks at Frieze London 2018 The most Insta-worthy artworks at Frieze London 2018<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The most Insta-worthy artworks at Frieze London 2018 The most Insta-worthy artworks at Frieze London 2018\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/instagram-frieze-2018\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-08T15:50:33+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-08T17:29:49+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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