{"id":71092,"date":"2018-10-10T15:12:22","date_gmt":"2018-10-10T15:12:22","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=71092"},"modified":"2018-10-11T14:32:52","modified_gmt":"2018-10-11T14:32:52","slug":"kill-bill-anniversary","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/","title":{"rendered":"Here\u2019s what we learned from re-watching “Kill Bill” 15 years on"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":113,"featured_media":71094,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[4568,10172],"tags":[10941,11034,2144,968,9680,10407,10409,10411,10412],"class_list":["post-71092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-film","tag-metoo-movement","tag-anniversary","tag-cinema","tag-film","tag-harvey-weinstein","tag-kill-bill","tag-quentin-tarantino","tag-the-bride","tag-uma-thurman"],"acf":{"main_category":4568,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"Quentin Tarantino's martial arts classic was released 15 years ago today, how does Volumn 1 stand up for a 2018 re-watch?","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":71094,"id":71094,"title":"Kill_Bill_Volume_1-912132366-large","filename":"Kill_Bill_Volume_1-912132366-large-1.jpg","filesize":143622,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-912132366-large-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/kill_bill_volume_1-912132366-large-2\/","alt":"","author":"1","description":"","caption":"\"Kill Bill Vol 1\" (2003), A Band Apart.","name":"kill_bill_volume_1-912132366-large-2","status":"inherit","uploaded_to":71092,"date":"2018-10-10 10:03:44","modified":"2018-10-10 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Do you find me sadistic?\u201d These were the first words audiences heard 15 years ago as they stared at Uma Thurman\u2019s bloodied face, which winced as the speaker\u2019s hand reached out to touch it. Quentin Tarantino\u2019s <\/span>Kill Bill<\/span><\/i> might have been shocking then, but \u2014 arguably in light of recent events surrounding the #MeToo controversy \u2014 it is even more so today. On its 15th anniversary, I sat down to to re-watch Volume 1 to see how it stands up in the face of what we know about its making now. <\/span><\/p>\n

Originally released in 2003,<\/span> Kill Bill <\/span><\/i>quickly became notorious as one of the most gruesome movies ever to have made it to general release. Volume 1 follows<\/span>\u00a0Thurman\u2019s character, referred to only as The Bride, after she is brutally beaten and shot in the head on her wedding day. The film picks up when she wakes from a coma and embarks on a mission to exert revenge on whoever tried to kill her.\u00a0<\/span>The violence is martial-arts in form and grindhouse in scale, with swords severing limbs into volcanoes of blood. Although at the time of its release, the contemporary classic ruffled more than one or two critic\u2019s feathers on account of its gratuitous spattering of gore, its real moment of controversy came just a few months ago when it became a touchstone of the #MeToo movement. Like many of Tarantino\u2019s movies, <\/span>Kill Bill <\/span><\/i>was produced by Harvey Weinstein \u2014 a man who needs know introduction when it comes to violence against women \u2014 who Thurman revealed<\/a> sexually assaulted her shortly after the release of another Tarantino movie, Pulp Fiction<\/em>.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71096,"id":71096,"title":"Kill_Bill_Volume_1-172472094-large","filename":"Kill_Bill_Volume_1-172472094-large.jpg","filesize":262219,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/kill_bill_volume_1-172472094-large\/","alt":"","author":"1","description":"","caption":"\"Kill Bill Vol 1\" (2003), A Band Apart.","name":"kill_bill_volume_1-172472094-large","status":"inherit","uploaded_to":71092,"date":"2018-10-10 10:23:13","modified":"2018-10-10 14:53:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1828,"height":1200,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","thumbnail-width":128,"thumbnail-height":84,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","medium-width":1828,"medium-height":1200,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","medium_large-width":1828,"medium_large-height":1200,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","large-width":1828,"large-height":1200,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","1536x1536-width":1536,"1536x1536-height":1008,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","2048x2048-width":1828,"2048x2048-height":1200,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-172472094-large.jpg","wpvr_mobile-width":1828,"wpvr_mobile-height":1200}}],"settings":{"fit_width":"10","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Since then, Tarantino has come under heavy criticism too for keeping quiet about his longtime collaborator\u2019s attacks, including that of Thurman. If that wasn\u2019t enough,<\/span> Kill Bill <\/span><\/i>made headlines earlier this year also when Thurman opened up about an incident that had happened on set. For one of the final scenes, Tarantino insisted that Thurman drive a rickety car down a dirt road that hadn\u2019t been test-driven. She expressed concerns about the safety of the car and asked to have a stunt double do the take, but instead Tarantino convinced Thurman to do it herself. Disturbing grainy footage<\/a> shows Thurman steering the suspect vehicle at breakneck speed before crashing into a tree, damaging her knees and leaving her with a concussion. <\/span><\/p>\n

With all of this now out in the open, it\u2019s hard not to read the movie\u2019s opening lines as prophetic \u2014 or, more frighteningly \u2014\u00a0as a release valve for an unspoken truth. \u201cDo you find me sadistic?\u201d This is probably the central fact of watching <\/span>Kill Bill<\/span><\/i> in the wake of #MeToo: its place within the movement is all the more significant because the film itself resembles a funhouse mirror held up to the abhorrent matter of violence against women.<\/span><\/p>\n

Now, that <\/span>Kill Bill<\/span><\/i> occupies such a key place within public debate, it\u2019s ironic that Tarantino made the action film \u2014 a homage to spaghetti westerns, Kung-fu movies and grindhouse \u2014 to get away from the dialogue tangoes that characterised his early classics like <\/span>Reservoir Dogs<\/span><\/i> and <\/span>Pulp Fiction<\/span><\/i>. For <\/span>Kill Bill,\u00a0<\/span><\/i>he wanted to focus on blunter pressure-release systems of violence and mounting tension. In this sense, the movie stands up like tempered steel \u2014 if Uma Thurman\u2019s yellow motorcycle suit and katana appeared iconic in 2003, now we recognize them as Hollywood canon, seared into the mind\u2019s eye of a whole generation of moviegoers. The same goes for the fight sequences, especially the go-for-broke melee between The Bride and dozens of Yakuza swordsmen; the scene is wild the first time you see it, but is as equally as electrifying on the second, third, and tenth watch. <\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71098,"id":71098,"title":"Kill_Bill_Volume_1-499717086-large","filename":"Kill_Bill_Volume_1-499717086-large.jpg","filesize":99220,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/kill_bill_volume_1-499717086-large\/","alt":"","author":"1","description":"","caption":"\"Kill Bill Vol 1\" (2003), A Band Apart.","name":"kill_bill_volume_1-499717086-large","status":"inherit","uploaded_to":71092,"date":"2018-10-10 10:24:11","modified":"2018-10-10 14:53:17","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1600,"height":900,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","medium-width":1600,"medium-height":900,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","medium_large-width":1600,"medium_large-height":900,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","large-width":1600,"large-height":900,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","2048x2048-width":1600,"2048x2048-height":900,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/Kill_Bill_Volume_1-499717086-large.jpg","wpvr_mobile-width":1600,"wpvr_mobile-height":900}}],"settings":{"fit_width":"10","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Although the legacy of Thurman\u2019s and Tarantino’s professional relationship has been tainted in light of Thurman\u2019s revelations, their relationship is still one of the great actor-director partnerships in cinema history. Part of the reason why <\/span>Kill Bill <\/span><\/i>was such a cinematic success is that it was made collaboratively \u2014 both Tarantino and Thurman gave a lot of themselves in the process. Tarantino insisted on the main role going to Thurman, delaying production for months while she was pregnant with her second child; meanwhile Thurman let Tarantino stay at her house while he worked on the script. She went through intense physical training to prepare for the role, and of course, saw the film through the end of production despite the pair\u2019s falling out following her car crash.<\/span><\/p>\n

All of which makes for a blistering hundred-minute ride from that dusty chapel on the border of Mexico to the snow-covered Tokyo shrine. And even though relatively little really <\/span>happens<\/span><\/i> narratively speaking \u2014The Bride gets shot, she wakes up, she gets a sword, she uses the sword to chop people up \u2014 the movie hooks you in and holds you. <\/span><\/p>\n

Still, it\u2019s hard to say, even \u2014 or especially \u2014 now, what can be excused as creative friction, what crossed the line, and how any of it should impact on the experience of watching the movie today, knowing what we now do. If Weinstein and the car crash weren’t enough,\u00a0<\/span>it recently emerged that Tarantino spat on Thurman\u2019s face for one of the scenes and choked her with a chain in another. Both director and star have made it clear that this was well within the bounds of what they agreed on; Tarantino has said that Thurman was actually the one who suggested the chain. But, yet again there is a mirroring effect \u2014 a sense of porousness in the boundary between the fiction of the movie itself and the facts of how it was created. <\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":71117,"id":71117,"title":"tumblr_ntedlbnoMu1ubc3b0o1_1280","filename":"tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","filesize":218330,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/tumblr_ntedlbnomu1ubc3b0o1_1280\/","alt":"","author":"1","description":"","caption":"\"Kill Bill Vol 1\" (2003), A Band Apart.","name":"tumblr_ntedlbnomu1ubc3b0o1_1280","status":"inherit","uploaded_to":71092,"date":"2018-10-10 15:23:09","modified":"2018-10-10 15:23:39","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1109,"height":710,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","thumbnail-width":128,"thumbnail-height":82,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","medium-width":1109,"medium-height":710,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","medium_large-width":1109,"medium_large-height":710,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","large-width":1109,"large-height":710,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","1536x1536-width":1109,"1536x1536-height":710,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","2048x2048-width":1109,"2048x2048-height":710,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/10\/tumblr_ntedlbnoMu1ubc3b0o1_1280.jpg","wpvr_mobile-width":1109,"wpvr_mobile-height":710}}],"settings":{"fit_width":"10","caption":""}},{"acf_fc_layout":"text_area","text_area":"

15 years on, there are still scenes <\/span>that make me squeamish, but not because of the blood and guts. Before it was possible to take refuge in the idea that the film\u2019s narratives of brutality \u2014 particularly the brutality one man inflicts upon one woman \u2014could be relegated to what happened on screen. In light of recent history, it feels far more real: you watch Thurman get hit and imagine what happened in that hotel room with Weinstein; you watch her speeding down the road with the hard knowledge that she really did crash. <\/span><\/p>\n

In this way, <\/span>Kill Bill<\/span><\/i> is a living text \u2014 it has expanded and grown outside of its original production, and probably will continue to do so. By reading it through the prism of the Weinstein revelations and Thurman\u2019s own admissions, the story takes on a new power and sinister significance \u2014 it\u2019s fluid rather than fixed, rippling under the weight of fresh information. If we may have initially watched Kill Bill<\/em> as a form of pure, unbridled entertainment, it\u2019s impossible to watch it now with innocent eyes. Its plot about a woman exerting revenge on a man, who violently attacked her, is darkly timely in the #MeToo era, even more so at time when a man accused of assault can take the highest seat in the American judicial system. The Bride becomes a locum for all of our anger in a way, a woman hellbent on inflicting pain on the man who did the same to her. But if we\u2019ve learned anything in the 15 years since the release of Kill Bill<\/em>, it\u2019s that violence never really solves anything \u2014 but that justice must still be served. <\/span><\/p>\n"}]},"yoast_head":"\nHere\u2019s what we learned from re-watching "Kill Bill" 15 years on Here\u2019s what we learned from re-watching "Kill Bill" 15 years on<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Here\u2019s what we learned from re-watching "Kill Bill" 15 years on Here\u2019s what we learned from re-watching "Kill Bill" 15 years on\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/kill-bill-anniversary\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-10T15:12:22+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-11T14:32:52+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Moses Hubbard\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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