{"id":72231,"date":"2018-11-27T17:41:52","date_gmt":"2018-11-27T17:41:52","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=72231"},"modified":"2018-11-28T08:00:47","modified_gmt":"2018-11-28T08:00:47","slug":"genesis-belanger","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/genesis-belanger\/","title":{"rendered":"The artist creating uncomfortable clay sculptures to reveal the dark side of 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Genesis Belanger\u2019s<\/a> work is most commonly described as \u201cuncanny\u201d. Like all things which fit that description, the Brooklyn-based artist’s unglazed clay sculptures contain elements of the familiar alongside the strange, the quirky, and the dreamlike. When I ask her about the common usage of \u201cuncanny\u201d in relation to her work, Belanger tells me that she \u201caims <\/span>to make objects that are relatable\u201d but \u201cwhere the recognition is uncomfortable\u201d. For the artist, that discomfort is rooted in the spectator\u2019s psyche \u2014 her sculptures stir up embedded memories, or faint internal fragments, whispers of secrets buried in the unconscious. As she says, \u201cIt may be uncomfortable because it\u2019s reflecting some part of our personal psychology\u201d. <\/span><\/p>\n

For her latest exhibition, <\/span>A Strange Relative<\/span><\/i><\/a>, at Perrotin in New York, Belanger hones in on personal psychologies through the prism of gender. Alongside the Texan artist Emily Mae Smith\u2019s<\/a> similarly perturbing, surreal paintings \u2014 elongated, sausage-like feminised figures stare wistfully out of windows, or head-in-hands surrounded by siren-esque bulb lights \u2014 Belanger presents ice cream-hued sculptures that cackle with their knowing feminine connotations \u2014 bouquets of flowers, jewellery and makeup licked turquoise or strawberry pink.<\/span><\/p>\n

Among the objects on display \u2014 there are smooth vases cradling a rainbow loot of fruit, or a bouquet of flowers gruesomely festooned with criss-crossed fingers \u2014 is a pale brown, stoneware vanity, where Belanger has arranged a number of clay objects: a square Chanel-style perfume bottle, an eyeshadow palette and applicator, an ashtray with stubbed-out cigarettes and a wodge of chewed pink gum. Surrounding these more innocent items are disturbing (and oddly corporeal) intrusions: a vase of flowers and fingers, a disembodied eye, a pink tongue emerging from a lipstick tube, the tip of a penile object poking out from a bottle. The domestic is infiltrated with strange disturbances.<\/span><\/p>\n

For Belanger, both hers and Smith\u2019s work \u201cuses objectification and personification as modes to engage in a dialogue about women\u2019s experiences in a patriarchy\u201d. Beneath Belanger\u2019s dressing table, is a tongue-pink mule with a toe of jagged white teeth enclosed in a curling lip. Elsewhere, there\u2019s a large standing sculpture of fingers \u2014 nails painted \u2014 poised and kicking like a dancer\u2019s legs. These objects tap into the idea of femininity as sexy and mysterious, but take it too far \u2014 you get the \u201cfeminine mystique\u201d but with a side ordering of creepy. Here, feminine experience becomes inseparable from visceral invasions and pervasive phallocentrism that pops up where it\u2019s least expected.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":72232,"id":72232,"title":"#13_GenesisBelanger_1","filename":"13_GenesisBelanger_1.jpg","filesize":180179,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/genesis-belanger\/13_genesisbelanger_1\/","alt":"","author":"1","description":"","caption":"\"Daily Adoration\", 2018. Courtesy of the artist and Perrotin.","name":"13_genesisbelanger_1","status":"inherit","uploaded_to":72231,"date":"2018-11-27 15:18:51","modified":"2018-11-27 17:21:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1075,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","medium-width":1920,"medium-height":1075,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","medium_large-width":1920,"medium_large-height":1075,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","large-width":1920,"large-height":1075,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","1536x1536-width":1536,"1536x1536-height":860,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","2048x2048-width":1920,"2048x2048-height":1075,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/13_GenesisBelanger_1.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1075}}],"settings":{"fit_width":"10","caption":""}},{"acf_fc_layout":"text_area","text_area":"

There\u2019s also another narrative running through Belanger\u2019s work. Amid the miscellany of gorgeous and grotesque objects on the table, are sky-blue pills, reminiscent of the mild tranquilizer, Xanax, or perhaps even Oxycontin tablets \u2014\u00a0the drug partly held responsible for America\u2019s opioid crisis. As well as prescription pills, Belanger frequently engineers curling and discarded cigarettes as flaccid props studding her sculptural scenes. When asked about this thread in her oeuvre, she\u2019s forthright and thoughtful. \u201cAddiction is a key theme in my work. I consider addiction to be one of the perversions that result from inequality. If someone is squeezed into too tight of a space, they are forced to find ways to cope.\u201d<\/span><\/p>\n

In recent months, Belanger\u2019s objects have been gaining traction on Instagram, augmented by a spate of profiles. Her equally good-humoured and provocative approach to sculpture seems connected in some way to the Internet and its vernacular \u2014 one critic even referred to her enticing pieces as resembling \u201cemojis\u201d. Arguably, there\u2019s a lot more going on in her work than the flattened visuals of chat-speak. Belanger\u2019s sculptures are more akin to diagrams of desire pulsating with hidden psychic currents \u2014 it should come as little surprise that she describes Belgian surrealist <\/span>Ren\u00e9 Magritte as \u201cthe master \u2026 he has been my guide\u201d. <\/span><\/p>\n

Through the silky, unglossed contours of her curiously animate stonewares, Belanger provides a new sculptural language for the contemporary moment. Hers is funny yet serious, beautiful yet gross, reductive <\/span>and<\/span><\/i> complicated, superficial yet utterly complex. Of course, she\u2019s looking to one of the key components of life in 2018 \u2014 incessant, eye-watering consumerism and the significance placed on inanimate objects as indicators of status, personality and virtue. \u201c<\/span>In our contemporary consumer culture, a coat is not just a coat. A coat, or a pair of sneakers, or a watch are all things that can define who we are. They become surrogates for ourselves,\u201d explains Belanger, who once worked as a commercial prop designer. \u201cSomeone sees your shoes and they \u2018know\u2019 who you are.\u201d Belanger, meanwhile, \u201ccapitalises on the pre-existing relationship\u201d that we have with objects by playing with their meanings. \u201cI aim for my objects to embody the dark and complex bits of our personalities, not just the parts we want to strut and flex.\u201d<\/p>\n"},{"acf_fc_layout":"gallery","gallery":[{"ID":72245,"id":72245,"title":"#5_Belanger&Smith_InstallationView_5","filename":"5_BelangerSmith_InstallationView_5.jpg","filesize":330439,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2018\/11\/5_BelangerSmith_InstallationView_5.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/genesis-belanger\/5_belangersmith_installationview_5\/","alt":"","author":"1","description":"","caption":"Installation view of \"Genesis Belanger & Emily Mae Smith: A Strange Relative\". 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“Genesis Belanger & Emily Mae Smith: A Strange Relativ<\/a>e” runs through to 22 December at Perrotin, New York.\u00a0<\/em><\/p>\n

All images\u00a0courtesy of the artist and Perrotin.<\/p>\n"}]},"yoast_head":"\nThe artist creating uncomfortable clay sculptures to reveal the dark side of femininity The artist creating uncomfortable clay sculptures to reveal the dark side of femininity<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/genesis-belanger\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The artist creating uncomfortable clay sculptures to reveal the dark side of femininity The artist creating uncomfortable clay sculptures to reveal the dark side of femininity\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/genesis-belanger\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-11-27T17:41:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-11-28T08:00:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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