{"id":74214,"date":"2019-02-19T10:16:55","date_gmt":"2019-02-19T10:16:55","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=74214"},"modified":"2019-02-22T23:14:26","modified_gmt":"2019-02-22T23:14:26","slug":"two-movies-about-sven-marquardt","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/","title":{"rendered":"Warum wir auf der diesj\u00e4hrigen Berlinale zwei Filme \u00fcber den kultigen Berghain-T\u00fcrsteher Sven Marquardt brauchen"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":104,"featured_media":74215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[8,4568,10172],"tags":[11901,11900,1625,34,11969,10144,3945,11970,1627],"class_list":["post-74214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-berlin","category-culture","category-film","tag-annekatrin-hendel","tag-beauty-decay","tag-berghain","tag-berlin","tag-berlin-bouncer","tag-berlin-international-film-festival","tag-berlinale","tag-david-dietl","tag-sven-marquardt"],"acf":{"main_category":10172,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"David Dietl\u2019s \"Berlin Bouncer\" and Annekatrin Hendel\u2019s \"Beauty & Decay\" paint very different pictures of the Berlin subculture icon","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":74215,"id":74215,"title":"berlin-bouncer-1","filename":"berlin-bouncer-1.jpg","filesize":548183,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/berlin-bouncer-1\/","alt":"","author":"1","description":"","caption":"","name":"berlin-bouncer-1","status":"inherit","uploaded_to":74214,"date":"2019-02-19 10:04:36","modified":"2019-02-19 10:04:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":844,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","medium-width":1500,"medium-height":844,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","medium_large-width":1500,"medium_large-height":844,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","large-width":1500,"large-height":844,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","1536x1536-width":1500,"1536x1536-height":844,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","2048x2048-width":1500,"2048x2048-height":844,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":844}},"width":"6","proportion":"natural"},"facebook_image":false,"related_articles":"","next_article":"","content":[{"acf_fc_layout":"images","gallery":[{"ID":74215,"id":74215,"title":"berlin-bouncer-1","filename":"berlin-bouncer-1.jpg","filesize":548183,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/berlin-bouncer-1\/","alt":"","author":"1","description":"","caption":"","name":"berlin-bouncer-1","status":"inherit","uploaded_to":74214,"date":"2019-02-19 10:04:36","modified":"2019-02-19 10:04:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":844,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","medium-width":1500,"medium-height":844,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","medium_large-width":1500,"medium_large-height":844,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","large-width":1500,"large-height":844,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","1536x1536-width":1500,"1536x1536-height":844,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","2048x2048-width":1500,"2048x2048-height":844,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/berlin-bouncer-1.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":844}}],"settings":{"fit_width":"10","caption":"Berlin Bouncer (2019) David Dietl"}},{"acf_fc_layout":"text_area","text_area":"

At first glance, it may seem excessive to have two documentaries in a film festival about a famously strict doorman, but David Dietl\u2019s Berlin Bouncer<\/em><\/a> and Annekatrin Henel\u2019s Beauty & Decay<\/em><\/a> show such opposing takes on Berghain\u2019s Sven Marquardt that you almost have to watch them back-to-back.<\/p>\n

Berlin Bouncer,<\/em> which premiered at the 2019 Berlinale, paints a bittersweet portrait of the German capital\u2019s unrivalled nightlife from the perspective of three of its long-standing gatekeepers. Much of the film concerns the careers of local clubland stalwarts Smiley Baldwin and Frank K\u00fcnster, but the star of the show is undoubtedly Sven Marquardt: the heavily tattooed face of Berghain, and quite probably the world\u2019s best-known doorman.<\/p>\n

In its opening moments, the film paints a less than flattering picture of this quintessential Berlin figure. Marquardt, sharing a car with Dietl, suddenly instructs the filmmaker to leave the vehicle as they approach Berghain, because \u201cwe don\u2019t want to be filmed while driving in\u201d. In the next scene, when discussing his notoriously mysterious door policy, he brusquely decrees \u201cthe rules that are in place\u2026 one doesn\u2019t need to question them\u201d. Anyone who\u2019s ever suffered the indignity of being turned away from the emblematic club with a dismissive head shake will doubtless lap up this vision of Marquardt as a power-crazed individual.<\/p>\n

But over the course of the film, Dietl scratches away at Marquardt\u2019s unapproachable facade, and in doing so reveals a somewhat more sensitive, self-aware soul. Offering a glimmer of insight into his process for selecting club guests, he explains \u201cwe have a responsibility to make sure those inside can be the way they want to be.\u201d Afterwards, he jokes: \u201cI always imagine that when I depart from this life, I\u2019ll enter an intermediate circle of hell, like in a Hieronymus Bosch painting. I\u2019ll have to repeatedly knock. And they\u2019ll say, \u201cNo, Not you!\u201d\u201d<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74216,"id":74216,"title":"beauty-decay-3","filename":"beauty-decay-3.jpg","filesize":856757,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/beauty-decay-3\/","alt":"","author":"1","description":"","caption":"","name":"beauty-decay-3","status":"inherit","uploaded_to":74214,"date":"2019-02-19 10:04:40","modified":"2019-02-19 10:04:40","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":844,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","medium-width":1500,"medium-height":844,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","medium_large-width":1500,"medium_large-height":844,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","large-width":1500,"large-height":844,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","1536x1536-width":1500,"1536x1536-height":844,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","2048x2048-width":1500,"2048x2048-height":844,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-3.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":844}}],"settings":{"fit_width":"6","caption":"Beauty and Decay (2019) Annekatrin Hendel"}},{"acf_fc_layout":"text_area","text_area":"

It becomes apparent that Marquardt regards himself as a perpetual outsider. Recalling his formative years as part of the 1980s East Berlin punk scene, he admits that his habit of \u201cwearing lots of jewellery to go out\u2026 was a bit like wearing armour\u201d. He unquestionably holds Dietl at arm\u2019s length during interviews, but this is more likely borne out of shyness and insecurity than arrogance. He becomes extremely evasive whenever the filmmaker attempts to broach personal subjects, often deflecting attention from himself by making a joke at Dietl\u2019s expense.<\/p>\n

Marquardt, who recently turned 57, is also clearly preoccupied with his role as an elder statesman of a subculture synonymous with youthful stamina and excess. As he strolls along a Rostock beach during a slightly bleak-looking holiday, he admits that regular all-nighters now leave him in a state of \u201cemotional exhaustion\u201d. More poignantly, he reveals: \u201cI promised myself at 15 or 16 that at this age I wouldn\u2019t end up hanging around in some dive staring at 18-year-olds\u2019 asses. I thought it was completely tragic, what I saw back then.\u201d He goes on to stress that \u201cit\u2019s a different era today of course\u201d, but the film leaves you with a sense that the Berlin underground\u2019s reigning monarch might be preparing to abdicate his throne.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74218,"id":74218,"title":"beauty-decay-1","filename":"beauty-decay-1.jpg","filesize":704922,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/beauty-decay-1\/","alt":"","author":"1","description":"","caption":"","name":"beauty-decay-1","status":"inherit","uploaded_to":74214,"date":"2019-02-19 10:04:47","modified":"2019-02-19 10:04:47","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":844,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","medium-width":1500,"medium-height":844,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","medium_large-width":1500,"medium_large-height":844,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","large-width":1500,"large-height":844,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","1536x1536-width":1500,"1536x1536-height":844,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","2048x2048-width":1500,"2048x2048-height":844,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-1.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":844}}],"settings":{"fit_width":"6","caption":"Beauty and Decay (2019) Annekatrin Hendel"}},{"acf_fc_layout":"text_area","text_area":"

Meanwhile, Annekatrin Hendel\u2019s Beauty & Decay (Sch\u00f6nheit & Verg\u00e4nglichkeit<\/em>), which also premiered at the Berlinale, is more concerned with his work as a photographer. Before Berghain, and before Germany reunified, Marquardt made a name for himself as a punk photographer in East Berlin.<\/p>\n

Relieved of the pressure of representing an iconic institution \u2013 as is the case in Berlin Bouncer —<\/em>, Marquardt appears immediately more relaxed and approachable. In the film\u2019s opening scene, he animatedly describes a classic situation he\u2019s been experiencing on public transport for 25 years. If there\u2019s enough room, there\u2019s space all around me. Almost no one will sit next to me\u2026 If you set yourself apart by your appearance, then this distance becomes public.\u201d Where Berlin Bouncer <\/em>paints a picture of a past-his-prime clubber prone to wallowing in loneliness, Beauty & Decay <\/em>depicts an artist revelling in his otherness and channelling it into his work.<\/p>\n

Hendel further cuts to the core of Marquardt by spending time with two of his close friends from Punk-era Prenzlauer Berg, both of whom feature heavily in his early photography: free-spirited Dominique \u201cDome\u201d Hollenstein, who today makes a living selling handmade leather flowers; and fellow photographer Robert Paris, who now leads a relatively straight-laced existence with his wife in India. In part, the film documents the reteaming of Marquardt and Hollensteinfor a new photoshoot, allowing them to reflect on their wild formative years. This proves a gift to Hendel, as Marquardt is immeasurably more forthcoming when talking to his old confidante than he is fielding questions from Dietl in Berlin Bouncer<\/em>.<\/p>\n

By exploring the diminishing bond between Marquardt and Robert, the film also strikingly juxtaposes the experience of a queer middle-aged Berliner against that of his straight counterpart. Seemingly inseparable kindred spirits as young men, Marquardt has continued to prioritise artistry and sensory pleasure in subsequent decades, while Paris appears to have been a little stifled by heteronormative conventions. While the depiction of Marquardt here sometimes verges on melancholic, Beauty & Decay <\/em>ultimately reveals him to be creatively fulfilled and compassionate, and thus in no way an imposing figure to be feared or pitied.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74217,"id":74217,"title":"beauty-decay-2-1","filename":"beauty-decay-2-1.jpg","filesize":607570,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/beauty-decay-2-1\/","alt":"","author":"1","description":"","caption":"","name":"beauty-decay-2-1","status":"inherit","uploaded_to":74214,"date":"2019-02-19 10:04:43","modified":"2019-02-19 10:04:43","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":844,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","medium-width":1500,"medium-height":844,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","medium_large-width":1500,"medium_large-height":844,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","large-width":1500,"large-height":844,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","1536x1536-width":1500,"1536x1536-height":844,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","2048x2048-width":1500,"2048x2048-height":844,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/02\/beauty-decay-2-1.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":844}}],"settings":{"fit_width":"6","caption":"Beauty and Decay (2019) Annekatrin Hendel"}}]},"yoast_head":"\nWhy we needed two movies about Berghain\u2019s iconic bouncer Sven Marquardt at this year\u2019s Berlinale Why we needed two movies about Berghain\u2019s iconic bouncer Sven Marquardt at this year\u2019s Berlinale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why we needed two movies about Berghain\u2019s iconic bouncer Sven Marquardt at this year\u2019s Berlinale Why we needed two movies about Berghain\u2019s iconic bouncer Sven Marquardt at this year\u2019s Berlinale\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/two-movies-about-sven-marquardt\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-02-19T10:16:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-02-22T23:14:26+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Paul O Callaghan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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