{"id":74942,"date":"2019-03-07T18:27:37","date_gmt":"2019-03-07T18:27:37","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=74942"},"modified":"2019-03-07T19:09:15","modified_gmt":"2019-03-07T19:09:15","slug":"what-not-to-miss-at-berlin-feminist-film-week","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/","title":{"rendered":"What not to miss at Berlin Feminist Film Week"},"content":{"rendered":"

\"\"<\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":74944,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[10172],"tags":[12126,12124,12127,12130,4027,12121,12128,12131,10246,10328,12122,12125,12129,12123],"class_list":["post-74942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","tag-a-better-man","tag-antonia-hungerland","tag-attiya-kahn","tag-bechdel-test","tag-berlin-feminist-film-week","tag-bffw","tag-chloe-grace-mortez","tag-karin-fornander","tag-mother","tag-oscars","tag-portrait-of-a-female-drunkard-ticket-of-no-return","tag-riot-parents-perspectives-on-feminist-motherhood","tag-the-miseducation-of-cameron-post","tag-ulrike-ottingers"],"acf":{"main_category":10172,"legacy":false,"exclude_from_ads":[],"hero_title":"What 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Ticket of No Return (1979) "}},{"acf_fc_layout":"text_area","text_area":"

Between the growing list of #MeToo perpetrators, the habitually all-male \u201cbest director\u201d nominations at the Oscars and the underrepresentation of women in film as uncovered by the Bechdel Test<\/a>, there\u2019s lot of problematic patriarchy in the movie industry. Sometimes it is nice to have a program curated around feminist discourse and strong female-driven narratives, which is exactly what Berlin Feminist Film Week<\/a> promotes. Running from 7 March to 13 March, BFFW platforms queer stories and films told from women\u2019s perspectives. SLEEK spoke to Karin Fornander \u2013 who founded the festival five years ago to offer an English-speaking space for feminist topics in the German capital \u2013 to point us towards the events you don\u2019t want to miss.<\/p>\n

\u201cThe Miseducation of Cameron Post\u201d<\/strong><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74947,"id":74947,"title":"Copy of miseducationofcameronpost","filename":"Copy-of-miseducationofcameronpost.jpg","filesize":349093,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/copy-of-miseducationofcameronpost\/","alt":"","author":"1","description":"","caption":"","name":"copy-of-miseducationofcameronpost","status":"inherit","uploaded_to":74942,"date":"2019-03-07 18:18:13","modified":"2019-03-07 18:18:13","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1600,"height":900,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","medium-width":1600,"medium-height":900,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","medium_large-width":1600,"medium_large-height":900,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","large-width":1600,"large-height":900,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","1536x1536-width":1536,"1536x1536-height":864,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","2048x2048-width":1600,"2048x2048-height":900,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-miseducationofcameronpost.jpg","wpvr_mobile-width":1600,"wpvr_mobile-height":900}}],"settings":{"fit_width":"6","caption":"The Miseducation of Cameron Post (2018)"}},{"acf_fc_layout":"text_area","text_area":"

\u201c<\/em>The Misseducation of Cameron Post<\/em><\/a> is a good indie film that made it into the mainstream. The reason why we chose to screen this film is because there are many queer films with male protagonists, but less with female protagonists,\u201d Fornader says. The film follows Cameron (Chlo\u00eb Grace Mortez) as she is sent to gay conversion therapy after being discovered with a girl in the back seat of a car on prom night.<\/p>\n

\u201cA Better Man\u201d<\/strong><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74945,"id":74945,"title":"Copy of 3-A-Better-Man","filename":"Copy-of-3-A-Better-Man.png","filesize":2129226,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/copy-of-3-a-better-man\/","alt":"","author":"1","description":"","caption":"","name":"copy-of-3-a-better-man","status":"inherit","uploaded_to":74942,"date":"2019-03-07 18:17:46","modified":"2019-03-07 18:17:46","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1013,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","thumbnail-width":128,"thumbnail-height":68,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","medium-width":1920,"medium-height":1013,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","medium_large-width":1920,"medium_large-height":1013,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","large-width":1920,"large-height":1013,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","1536x1536-width":1536,"1536x1536-height":810,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","2048x2048-width":1920,"2048x2048-height":1013,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":9,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-3-A-Better-Man.png","wpvr_mobile-width":1920,"wpvr_mobile-height":1013}}],"settings":{"fit_width":"6","caption":"A Better Man (2017)"}},{"acf_fc_layout":"text_area","text_area":"

\u201cA Better Man<\/em><\/a> is a documentary co-directed by Attiya Kahn, which is about her own relationship with her ex-boyfriend many years ago, intimate partner violence and how she meets up with him 20 years after this,\u201d Fornader tells SLEEK. \u201cIts really interesting, because it offers a new perspective on how to talk to men.\u201d Kahn will be at the screening of her autobiographical documentary to talk about her work.<\/p>\n

Riot Parents: Perspectives on feminist motherhood<\/strong><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74948,"id":74948,"title":"Screen Shot 2019-03-07 at 19.16.29","filename":"Screen-Shot-2019-03-07-at-19.16.29.png","filesize":780728,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/screen-shot-2019-03-07-at-19-16-29\/","alt":"","author":"1","description":"","caption":"","name":"screen-shot-2019-03-07-at-19-16-29","status":"inherit","uploaded_to":74942,"date":"2019-03-07 18:18:23","modified":"2019-03-07 18:18:23","menu_order":0,"mime_type":"image\/png","type":"image","subtype":"png","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1024,"height":576,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","thumbnail-width":128,"thumbnail-height":72,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","medium-width":1024,"medium-height":576,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","medium_large-width":1024,"medium_large-height":576,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","large-width":1024,"large-height":576,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","1536x1536-width":1024,"1536x1536-height":576,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","2048x2048-width":1024,"2048x2048-height":576,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-07-at-19.16.29.png","wpvr_mobile-width":1024,"wpvr_mobile-height":576}}],"settings":{"fit_width":"6","caption":"Photo courtesy of BFFW"}},{"acf_fc_layout":"text_area","text_area":"

The discussion<\/a> about parenting narratives that diverge from cisgender and heterosexual norms starts with a preview of the documentary (M)OTHER <\/em>by Antonia Hungerland. It brings together voices in the arts and queer-feminist perspectives, like the author of the blog fuckersmother<\/em> to talk about how to make parenthood a better experience for those who bring children into the world and take care of them. \u201cThis will be a great panel, because a lot of people will be able to relate to,\u201d Kahn says.<\/p>\n

\u201cPortrait of a Female Drunkard. Ticket of No Return\u201d<\/strong><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":74946,"id":74946,"title":"Copy of BILDNIS EINER TRINKERIN_Spielfilm1979_Tabea Blumenschein-2106e289","filename":"Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","filesize":26125,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/copy-of-bildnis-einer-trinkerin_spielfilm1979_tabea-blumenschein-2106e289\/","alt":"","author":"1","description":"","caption":"","name":"copy-of-bildnis-einer-trinkerin_spielfilm1979_tabea-blumenschein-2106e289","status":"inherit","uploaded_to":74942,"date":"2019-03-07 18:18:10","modified":"2019-03-07 18:18:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":530,"height":349,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","thumbnail-width":128,"thumbnail-height":84,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","medium-width":530,"medium-height":349,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","medium_large-width":530,"medium_large-height":349,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","large-width":530,"large-height":349,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","1536x1536-width":530,"1536x1536-height":349,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","2048x2048-width":530,"2048x2048-height":349,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-BILDNIS-EINER-TRINKERIN_Spielfilm1979_Tabea-Blumenschein-2106e289.jpg","wpvr_mobile-width":530,"wpvr_mobile-height":349}}],"settings":{"fit_width":"6","caption":"Portrait of a Female Drunkard. Ticket of No Return (1979) "}},{"acf_fc_layout":"text_area","text_area":"

For the first time, Berlin Feminist Film Week will be having a retrospective and they chose Ulrike Ottinger\u2019s Berlin classic Portrait of a Female Drunkard. Ticket of No Return<\/em><\/a>. If the name sounds familiar, it may be because Ottinger was one of the women honored in the Berlinale\u2019s retrospective<\/a>, which focused on German female storytellers. \u201cUlrike Ottinger has done a lot of movies and not gotten the recognition she deserves,\u201d reveals Fornader. \u201cWe want to screen these films to remind people that women have been making these films for a while and that they have not gotten the same space or attention that male film makers have in film history.\u201d<\/p>\n

Berlin Feminist Film Week<\/em><\/a> opens today and runs through to 13 March. <\/em><\/p>\n"}]},"yoast_head":"\nWhat not to miss at Berlin Feminist Film Week What not to miss at Berlin Feminist Film Week<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What not to miss at Berlin Feminist Film Week What not to miss at Berlin Feminist Film Week\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-at-berlin-feminist-film-week\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-03-07T18:27:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-03-07T19:09:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/03\/Copy-of-Bildnis-einer-Trinkerin-1979_04.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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