{"id":76272,"date":"2019-04-26T16:46:50","date_gmt":"2019-04-26T16:46:50","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=76272"},"modified":"2019-04-28T20:03:57","modified_gmt":"2019-04-28T20:03:57","slug":"stefanie-heinze","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/","title":{"rendered":"Introducing the Berlin artist transforming symbolic objects into dark social critique"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":76275,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[34,12619,1375,1072,527,10532,2101,1274,1458,4582,12620,12574,1006,12621],"class_list":["post-76272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-berlin","tag-captain-petzel","tag-contemporary-art","tag-exhibition","tag-feminism","tag-gallery-weekend-berlin","tag-gender","tag-germany","tag-painting","tag-patriarchy","tag-rose-wiley","tag-stefanie-heinze","tag-surrealism","tag-symbolism"],"acf":{"main_category":139,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"We speak to Stefanie Heinze ahead of her first solo show at Gallery Weekend Berlin about her playful paintings steeped in surprising meanings","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":76275,"id":76275,"title":"B-SHEINZE-19-0006_72dpi","filename":"B-SHEINZE-19-0006_72dpi.jpg","filesize":351611,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/b-sheinze-19-0006_72dpi\/","alt":"","author":"1","description":"","caption":"Caress, (2018-2019)","name":"b-sheinze-19-0006_72dpi","status":"inherit","uploaded_to":76272,"date":"2019-04-26 15:40:59","modified":"2019-04-26 15:50:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1439,"height":1067,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","medium-width":1439,"medium-height":1067,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","medium_large-width":1439,"medium_large-height":1067,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","large-width":1439,"large-height":1067,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","1536x1536-width":1439,"1536x1536-height":1067,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","2048x2048-width":1439,"2048x2048-height":1067,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","wpvr_mobile-width":1439,"wpvr_mobile-height":1067}},"width":"4","proportion":"natural"},"facebook_image":{"ID":76275,"id":76275,"title":"B-SHEINZE-19-0006_72dpi","filename":"B-SHEINZE-19-0006_72dpi.jpg","filesize":351611,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/b-sheinze-19-0006_72dpi\/","alt":"","author":"1","description":"","caption":"Caress, 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15:40:50","modified":"2019-04-26 15:40:50","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1175,"height":1462,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","medium-width":1175,"medium-height":1462,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","medium_large-width":1175,"medium_large-height":1462,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","large-width":1175,"large-height":1462,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","1536x1536-width":1175,"1536x1536-height":1462,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","2048x2048-width":1175,"2048x2048-height":1462,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0002_72dpi.jpg","wpvr_mobile-width":1175,"wpvr_mobile-height":1462}}],"settings":{"fit_width":"6","caption":"Stefanie Heinze, Odd Glove (Forgetting, Losing, Looping)(2019)"}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">On the farthest wall in Berlin\u2019s sunlit Capitain Petzel gallery is a large scale painting of a strange floating creature. Its eyes are downturned, tightly shut with a slash of bright blue across the lids, tears flowing outwards in sad watery drips. It\u2019s an enchanting painting: sorrowful and sweet \u2014 it\u2019s impossible not to be touched by its strangeness and sensitivity at the same time. The painting in question is the title work in <\/span><i><span style=\"font-weight: 400;\">Odd Glove <\/span><\/i><span style=\"font-weight: 400;\">(2019), <a href=\"http:\/\/www.capitainpetzel.de\/exhibitions\/stefanie-heinze\/\">the first solo exhibition<\/a> by the Berlin-based artist <a href=\"http:\/\/piselipi.blogspot.com\/\">Stefanie Heinze<\/a>, opening tonight as part of <a href=\"https:\/\/www.sleek-mag.com\/article\/insider-guide-gallery-weekend\/\">Gallery Weekend Berlin<\/a>. And this wistful, melancholic thing is, as you probably didn\u2019t guess, an oven glove. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In general, it\u2019s not so easy to guess anything about Heinze\u2019s paintings. They are like nothing you might have seen before. The glove, with its doleful, human expression, is an uncanny thing, yes, something like what the Surrealists might have done, but it\u2019s also playful and cartoonish and somehow far more interesting because of that. Heinze, who studied painting at the University of Leipzig, is quick to tell me that she doesn\u2019t have any inspirations. There are things she likes \u2014 painters such as Rose Wiley for example \u2014 but really she just \u201ckind of ended up doing it that way.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76274,"id":76274,"title":"B-SHEINZE-19-0003_72dpi","filename":"B-SHEINZE-19-0003_72dpi.jpg","filesize":510031,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/b-sheinze-19-0003_72dpi\/","alt":"","author":"1","description":"","caption":" a 2 sie, (2018-2019)","name":"b-sheinze-19-0003_72dpi","status":"inherit","uploaded_to":76272,"date":"2019-04-26 15:40:54","modified":"2019-04-26 15:50:58","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1133,"height":1412,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","medium-width":1133,"medium-height":1412,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","medium_large-width":1133,"medium_large-height":1412,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","large-width":1133,"large-height":1412,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","1536x1536-width":1133,"1536x1536-height":1412,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","2048x2048-width":1133,"2048x2048-height":1412,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0003_72dpi.jpg","wpvr_mobile-width":1133,"wpvr_mobile-height":1412}},{"ID":76276,"id":76276,"title":"B-SHEINZE-19-0007_72dpi","filename":"B-SHEINZE-19-0007_72dpi.jpg","filesize":581023,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/b-sheinze-19-0007_72dpi\/","alt":"","author":"1","description":"","caption":"Rise & Plummet (boy full of ambition), (2019)","name":"b-sheinze-19-0007_72dpi","status":"inherit","uploaded_to":76272,"date":"2019-04-26 15:41:03","modified":"2019-04-26 15:51:26","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1014,"height":1422,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","thumbnail-width":68,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","medium-width":1014,"medium-height":1422,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","medium_large-width":1014,"medium_large-height":1422,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","large-width":1014,"large-height":1422,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","1536x1536-width":1014,"1536x1536-height":1422,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","2048x2048-width":1014,"2048x2048-height":1422,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0007_72dpi.jpg","wpvr_mobile-width":1014,"wpvr_mobile-height":1422}}],"settings":{"fit_width":"4","caption":""}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">There is a rebellious quality to Heinze\u2019s work. Her canvases, populated with flaccid penile shapes, fudgey liquids and weird anthropomorphic forms, seem to run on instinct and intuition rather than any didactic or historically-informed concern. \u201cI don\u2019t really care about a proper style in painting. But I do care a lot about how I want to see things,\u201d she explains. \u201cI want to take the stiffness out of how things look nowadays.\u201d Heinze\u2019s large format and beguilingly bright-coloured paintings begin their lives as intricate, spindly drawings, scrawled on lined paper, several of which are on view at the gallery. The drawings, which often feature collaged scraps of other drawings, offer an intimate insight into her process. Heinze regards them to be \u201cmore important than the paintings.\u201d She expands, \u201cI think the drawings are more personal. For many people, they don\u2019t really understand the paintings \u2014\u00a0they just know that they like them \u2014\u00a0and the drawings explain them in a good way. But not entirely.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Drawing from her head, based on a mixture of imaginative elements and things that she sees, Heinze is often surprised by the final result on canvas. \u201cWhile I\u2019m working, I\u2019m mostly having fun, and then at one point, I realise, \u2018Oh, this is quite intense\u2019 and the meanings can be very heavy sometimes. There&#8217;s a lot of anger and sadness to them.\u201d These meanings that Heinze speaks of are not premeditated \u2014 they evolve from a concoction of conscious and subconscious thought, memory and feeling, a \u201cgoing inside\u201d as she puts it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Examining a painting like <\/span><i><span style=\"font-weight: 400;\">Odd Glove,<\/span><\/i><span style=\"font-weight: 400;\"> it may be difficult to figure out what the \u201cheavy\u201d meaning might be at first glance. However, as soon as it is made apparent that this is an oven glove (from the title \u2014 Heinze\u2019s titles frequently provide clues to her works\u2019 greater significance), the symbolism of this inanimate object unravels. \u201cI\u2019m not interested in a moral topic. I think with the oven glove, I was more interested in the simple shape of the oven glove first. And then I did it with its eyes closed and tears running out.\u201d According to Heinze, those tears are in fact male genitalia \u2014\u00a0\u201cI don\u2019t know if anyone sees that\u201d\u2014 \u00a0and the glove itself is symbolic of \u201cfemale responsibilities.\u201d In this way, the glove is an allegorical form, lamenting the constraints of female domesticity. For Heinze, it is a matter of critiquing gender stereotypes not through gendered figures but through the \u201csmaller things we may connect with certain genders.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76275,"id":76275,"title":"B-SHEINZE-19-0006_72dpi","filename":"B-SHEINZE-19-0006_72dpi.jpg","filesize":351611,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/b-sheinze-19-0006_72dpi\/","alt":"","author":"1","description":"","caption":"Caress, (2018-2019)","name":"b-sheinze-19-0006_72dpi","status":"inherit","uploaded_to":76272,"date":"2019-04-26 15:40:59","modified":"2019-04-26 15:50:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1439,"height":1067,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","medium-width":1439,"medium-height":1067,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","medium_large-width":1439,"medium_large-height":1067,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","large-width":1439,"large-height":1067,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","1536x1536-width":1439,"1536x1536-height":1067,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","2048x2048-width":1439,"2048x2048-height":1067,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/04\/B-SHEINZE-19-0006_72dpi.jpg","wpvr_mobile-width":1439,"wpvr_mobile-height":1067}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">Another painting, <\/span><i><span style=\"font-weight: 400;\">a 2 sie <\/span><\/i><span style=\"font-weight: 400;\">(2019) which depicts a glistening egg yolk-like shape floating amid a misty sea of objects, gives further insight into this aspect of Heinze\u2019s work. The title relates to her misunderstanding as a child of a pop song with the lyric \u201cA to Z\u201d. By switching the letter \u201cZ\u201d with the German female pronoun, \u201csie,\u201d the painting represents a new order. \u201cI wanted to misunderstand and create like a new alphabet, maybe starting a new for women,\u201d explains Heinze. \u201cPatriarchy is definitely a thing in my work,\u201d she says with a laugh.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But this concept of creating a \u201cnew order\u201d is perhaps the essence of Heinze\u2019s work. She refers to her approach to painting as a \u201cnewsense\u201d \u2014\u00a0 \u201cI like to work towards something that I don&#8217;t know and some kind of fearlessness, maybe. There is also doubt in that.\u201d Uncertainty, doubt, failure these are driving forces in Heinze\u2019s practice. She is more interested in what happens when someone or something fails, &#8220;what happens when you put your eye on things that don&#8217;t work out?\u201d The canvas in this sense becomes\u00a0a \u201cspace of freedom\u201d to explore the strange aspects of humanity that are far from perfect. Heinze does not want to create work that you can just walk past and forget. Instead, she hopes that her paintings suggest something that stays with the viewer long afterwards. \u201cThey are awkward images, they cannot be kept in one category. That\u2019s what I like about them. That\u2019s the possibility.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"text_area","text_area":"<p><strong><em><a href=\"http:\/\/www.capitainpetzel.de\/exhibitions\/stefanie-heinze\/\">Stefanie Heinze: Odd Glove<\/a> opens at Capitain Petzel on 26 April through to 8 June.\u00a0<\/em><\/strong><\/p>\n"}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Introducing the Berlin artist transforming symbolic objects into dark social critique Introducing the Berlin artist transforming symbolic objects into dark social critique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Introducing the Berlin artist transforming symbolic objects into dark social critique Introducing the Berlin artist transforming symbolic objects into dark social critique\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/stefanie-heinze\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-04-26T16:46:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-04-28T20:03:57+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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