{"id":76426,"date":"2019-05-03T15:51:07","date_gmt":"2019-05-03T15:51:07","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=76426"},"modified":"2019-05-06T07:59:00","modified_gmt":"2019-05-06T07:59:00","slug":"what-not-to-miss-in-and-around-this-years-venice-biennale","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-in-and-around-this-years-venice-biennale\/","title":{"rendered":"Was man in Venedig w\u00e4hrend der Biennale nicht verpassen sollte"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":76418,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[12638,12699,12695,4360,12703,12518,12694,12693,12708,12702,8616,10841,12700,12692,12707,12704,12706,12696,12701,12454,317,12705,12698,2763,12691,12697],"class_list":["post-76426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-alban-muja","tag-charlotte-prodger","tag-chromo-sapiens","tag-dane-mitchell","tag-espace-louis-vuitton","tag-ghana-freedom","tag-hrafnhildur-arnardottir","tag-icelandic-pavilion","tag-joan-jonas","tag-kosovo-pavilion","tag-la-biennale-di-venezia","tag-leonor-antunes","tag-luc-tuymans","tag-may-you-live-in-interesting-times","tag-moving-off-the-land-ii","tag-nz-at-venice","tag-ocean-space","tag-palazzo-fortuny","tag-palazzo-grassi","tag-paul-maheke","tag-philippe-parreno","tag-scotland-at-venice","tag-sean-scully","tag-shoplifter","tag-venice-biennale-2019","tag-yun-hyong-keun"],"acf":{"main_category":139,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"Your 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video still from Moving Off the Land II by Joan Jonas, 2019. Courtesy of the artist."}},{"acf_fc_layout":"text_area","text_area":"

For over 120 years now, the <\/span>Venice Biennale<\/span><\/a> has reigned as the undisputed, ultimate international art gathering. As the city plays host once again to an array of innovative and thought-provoking exhibitions from internationally renowned artists, we bring you the top 12 exhibitions that are on our must-see list this year.<\/span><\/p>\n

The Biennale\u2019s First Official Performance Programme<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76418,"id":76418,"title":"N12CVdQc","filename":"N12CVdQc.jpeg","filesize":158596,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-in-and-around-this-years-venice-biennale\/n12cvdqc\/","alt":"","author":"1","description":"","caption":"","name":"n12cvdqc","status":"inherit","uploaded_to":76426,"date":"2019-05-03 13:44:34","modified":"2019-05-03 15:45:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1001,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","medium-width":1500,"medium-height":1001,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","medium_large-width":1500,"medium_large-height":1001,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","large-width":1500,"large-height":1001,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","1536x1536-width":1500,"1536x1536-height":1001,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","2048x2048-width":1500,"2048x2048-height":1001,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/N12CVdQc.jpeg","wpvr_mobile-width":1500,"wpvr_mobile-height":1001}}],"settings":{"fit_width":"6","caption":"Photo courtesy of Delfina Foundation"}},{"acf_fc_layout":"text_area","text_area":"

Coinciding with the Biennale\u2019s central exhibition, titled <\/span>May you live in interesting times,<\/span><\/i> London-based Delfina Foundation is co-producing a performance series — supposedly the <\/span>first in its history<\/span><\/a>. The programme features performances from a diverse group of artists, including <\/span>Paul Maheke<\/span><\/a>, Zadie Xa and Vivian Caccuri, which deal with themes of identity politics through concepts of nationality, gender, and intersectionality. While the Teatro Piccolo Arsenale, a former cinema turned <\/span>venue for performing arts, <\/span>will host a programme of scheduled performances that incorporate music, movement and visual art, the artists will also be conducting several performances in the open spaces of the biennale at short or no notice.<\/span><\/p>\n

Performances take place in <\/span>various locations<\/span><\/a> from 8 to 12 May.<\/span><\/p>\n

 <\/p>\n

Get lost in a labyrinth of hair at the Icelandic pavilion <\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76419,"id":76419,"title":"o-1-1024x683","filename":"o-1-1024x683.jpg","filesize":141373,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","link":"https:\/\/www.sleek-mag.com\/de\/o-1-1024x683\/","alt":"","author":"1","description":"","caption":"","name":"o-1-1024x683","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:36","modified":"2019-05-03 15:45:26","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1024,"height":683,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","medium-width":1024,"medium-height":683,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","medium_large-width":1024,"medium_large-height":683,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","1536x1536-width":1024,"1536x1536-height":683,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","2048x2048-width":1024,"2048x2048-height":683,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/o-1-1024x683.jpg","wpvr_mobile-width":1024,"wpvr_mobile-height":683}}],"settings":{"fit_width":"6","caption":"Photo: Magnus Unnar"}},{"acf_fc_layout":"text_area","text_area":"

Hrafnhildur Arnard\u00f3ttir, who also goes by the pseudonym Shoplifter, will be representing Iceland with a large-scale, multi-sensorial exhibition made from hair – the artist\u2019s signature material of choice. Arnard\u00f3ttir has created a labyrinth of cavernous environments for an installation entitled <\/span>Chromo Sapiens<\/span><\/i><\/a> that invite visitors to consider the role of the artificial in everyday life. Both visually and sonically immersive, the installation features a specially commissioned audio backdrop by the Icelandic metal band HAM.<\/span><\/p>\n

Public opening: 9 May, 8pm<\/span>
\nExhibition runs until 24 November 2019<\/span>
\nSpazio Punch, Giudecca 800\/o, Fondamenta S. Biagio, 800, 30133 Venice.<\/span><\/p>\n

 <\/p>\n

Post-war Korean painter Yun Hyong-keun finds refuge at the Palazzo Fortuny<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76414,"id":76414,"title":"01. Burnt Umber and Ultramarine, 1973, Oil on canvas, MMCA Collection","filename":"01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","filesize":765080,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","link":"https:\/\/www.sleek-mag.com\/de\/01-burnt-umber-and-ultramarine-1973-oil-on-canvas-mmca-collection\/","alt":"","author":"1","description":"","caption":"","name":"01-burnt-umber-and-ultramarine-1973-oil-on-canvas-mmca-collection","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:21","modified":"2019-05-03 15:45:39","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1472,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","thumbnail-width":74,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","medium-width":1472,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","medium_large-width":1472,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","large-width":1472,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","1536x1536-width":1178,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","2048x2048-width":1472,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/01.-Burnt-Umber-and-Ultramarine-1973-Oil-on-canvas-MMCA-Collection.jpg","wpvr_mobile-width":1472,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"6","caption":"Burnt Umber and Ultramarine, 1973, Oil on canvas, MMCA Collection"}},{"acf_fc_layout":"text_area","text_area":"

MUVE Contemporaneo will hold a <\/span>retrospective exhibition<\/span><\/a> of the works of Yun Hyong-keun, one of the most important post-war Korean artists, at the Palazzo Fortuny. Hyong-keun\u2019s abstract paintings feature broad strokes of dark pigments in natural tones of blue and brown. The works convey a sense of human anguish, reflecting the artist\u2019s experiences of oppression and suffering during the Korean war, which contrasts with a sense of hopeful equilibrium that can be found in the natural world between water, earth and sky.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nPalazzo Fortuny, San Marco, 3958. 30124 Venice<\/span><\/p>\n

<\/h2>\n

Ghana moves beyond the postcolonial for its first participation at the Biennale <\/b><\/h2>\n

 <\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76425,"id":76425,"title":"HWm_Mv9U-1920x1399 (2)","filename":"HWm_Mv9U-1920x1399-2.jpeg","filesize":298806,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","link":"https:\/\/www.sleek-mag.com\/de\/hwm_mv9u-1920x1399-2\/","alt":"","author":"1","description":"","caption":"","name":"hwm_mv9u-1920x1399-2","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:46:25","modified":"2019-05-03 15:45:50","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1093,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","thumbnail-width":128,"thumbnail-height":93,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","medium-width":1500,"medium-height":1093,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","medium_large-width":1500,"medium_large-height":1093,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","large-width":1500,"large-height":1093,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","1536x1536-width":1500,"1536x1536-height":1093,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","2048x2048-width":1500,"2048x2048-height":1093,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/HWm_Mv9U-1920x1399-2.jpeg","wpvr_mobile-width":1500,"wpvr_mobile-height":1093}}],"settings":{"fit_width":"6","caption":"John Akomfrah. Mimesis: African Soldier, 2018. Photo \u00a9 IWM \/ Film \u00a9 Smoking Dogs Films"}},{"acf_fc_layout":"text_area","text_area":"

This year, the Venice Biennale will host <\/span>the first Ghanaian Pavilion<\/span><\/a> under the title <\/span>Ghana Freedom<\/span><\/i><\/a>. A group of six intergenerational Ghanaian and diaspora artists including John Akomfrah, David Adjaye and El Anatsui will present works that reflect on the country\u2019s past while speculating on a future which moves beyond the postcolonial. The exhibit, named after the hit 1957 song by E.T. Mensah that celebrated the country\u2019s independence from Britain, marks something of a historic moment for Ghana as the country is poised to stand alongside other established pavilions on the global cultural stage.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nArsenale, Castello. 30122 Venice<\/span><\/p>\n

 <\/p>\n

Sean Scully returns to figuration at the Basilica of San Giorgio Maggiore<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76421,"id":76421,"title":"sean-scully-human-venice-biennale-03","filename":"sean-scully-human-venice-biennale-03.jpg","filesize":164195,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","link":"https:\/\/www.sleek-mag.com\/de\/sean-scully-human-venice-biennale-03\/","alt":"","author":"1","description":"","caption":"","name":"sean-scully-human-venice-biennale-03","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:40","modified":"2019-05-03 15:45:59","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1118,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","medium-width":1500,"medium-height":1118,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","medium_large-width":1500,"medium_large-height":1118,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","large-width":1500,"large-height":1118,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","1536x1536-width":1500,"1536x1536-height":1118,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","2048x2048-width":1500,"2048x2048-height":1118,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/sean-scully-human-venice-biennale-03.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":1118}}],"settings":{"fit_width":"6","caption":"Wall 3, 2017, by Sean Scully. \u00a9 The artist"}},{"acf_fc_layout":"text_area","text_area":"

Irish-born abstract painter Sean Scully will transform the historic Basilica of San Giorgio Maggiore with a series of paintings, sculptures and drawings that reflect on loss, hope and spiritual faith. Inspired by the 16-century abbey itself, the <\/span>canvases in <\/span>Human<\/span><\/i><\/a> feature colourful stripes that tie in with a symbolic ladder motif as manifested in the large-scale <\/span>Opulent Ascension <\/span><\/i>sculpture that reaches up to the central dome. His works express a desire for belonging and connection, uniting the core intellectual, emotional and spiritual elements of the human condition. After five decades, Sully returns to figuration with a triptych of la Madonna.<\/span><\/p>\n

From 8 May to 13 Oct 2019<\/span>
\nIsola di S.Giorgio Maggiore, 30133 Venice<\/span><\/p>\n

 <\/p>\n

Portugal revisits Italy\u2019s history of craftsmanship <\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76417,"id":76417,"title":"LA A.S in the S.P_0032","filename":"LA-A.S-in-the-S.P_0032.jpg","filesize":111099,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","link":"https:\/\/www.sleek-mag.com\/de\/la-a-s-in-the-s-p_0032\/","alt":"","author":"1","description":"","caption":"","name":"la-a-s-in-the-s-p_0032","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:31","modified":"2019-05-03 15:46:48","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1200,"height":899,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","medium-width":1200,"medium-height":899,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","medium_large-width":1200,"medium_large-height":899,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","large-width":1200,"large-height":899,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","1536x1536-width":1200,"1536x1536-height":899,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","2048x2048-width":1200,"2048x2048-height":899,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/LA-A.S-in-the-S.P_0032.jpg","wpvr_mobile-width":1200,"wpvr_mobile-height":899}}],"settings":{"fit_width":"6","caption":"Exhibition view at Pirelli Hangar Bicocca, Milan, 2018. Courtesy of the artist and Pirelli Hangar Bicocca. Photo: Nick Ash"}},{"acf_fc_layout":"text_area","text_area":"

The Portuguese Pavilion is presenting a sculptural installation entitled <\/span>a seam, a surface, a hinge or a knot<\/span><\/i><\/a> by Berlin-based artist Leonor Antunes at the Palazzo Giustinian Lolin. The exhibition compares and contrasts the historical craftsmanship of Italy, Japan and Portugal, building on in-depth research undertaken by the artist into the works of several key figures in the cultural history of Venice. Antunes reimagines and evaluates the use of everyday objects and materials and draws on inspiration from local makers to create sculptures that engage with the unique architectural design of the city itself.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nSan Marco, 2893. 30124 Venice<\/span><\/p>\n

 <\/p>\n

Queer Wilderness at the Scottish pavilion<\/b><\/h2>\n

 <\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76422,"id":76422,"title":"4 - Photo credit Casey O'Connell. JPG","filename":"4-Photo-credit-Casey-OConnell.-JPG.jpg","filesize":792060,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","link":"https:\/\/www.sleek-mag.com\/de\/4-photo-credit-casey-oconnell-jpg\/","alt":"","author":"1","description":"","caption":"","name":"4-photo-credit-casey-oconnell-jpg","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:45:11","modified":"2019-05-03 15:47:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1440,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","thumbnail-width":72,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","medium-width":1440,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","medium_large-width":1440,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","large-width":1440,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","1536x1536-width":1152,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","2048x2048-width":1440,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/4-Photo-credit-Casey-OConnell.-JPG.jpg","wpvr_mobile-width":1440,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"6","caption":"Charlotte Prodger. Photo courtesy of Casey O'Connell"}},{"acf_fc_layout":"text_area","text_area":"

Representing Scotland is <\/span>Charlotte Prodger<\/span>, the latest Turner prize winner, who works with moving image, sculpture, writing and performance. The commission for <\/span>Scotland + Venice<\/span><\/a> will focus on Prodger\u2019s ongoing exploration of the concept of \u201cqueer wilderness\u201d. Understanding landscape and queerness to be intrinsically connected by themes of physical and imaginary boundaries, Prodger explores the nuanced borders of personal and communal identity in her video work on display at the Biennale.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nArsenale Docks, S. Pietro di Castello, 40, 30122 Venice<\/span><\/p>\n

 <\/p>\n

Palazzo Grassi plays host to a major Luc Tuymans\u2019 retrospective<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76423,"id":76423,"title":"merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo","filename":"merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","filesize":475959,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","link":"https:\/\/www.sleek-mag.com\/de\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superjumbo\/","alt":"","author":"1","description":"","caption":"","name":"merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superjumbo","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:45:31","modified":"2019-05-03 15:47:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1000,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","medium-width":1500,"medium-height":1000,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","medium_large-width":1500,"medium_large-height":1000,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","large-width":1500,"large-height":1000,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","1536x1536-width":1500,"1536x1536-height":1000,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","2048x2048-width":1500,"2048x2048-height":1000,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/merlin_152358690_731ecb92-ea6b-42fc-a518-5288c8987cd9-superJumbo.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":1000}}],"settings":{"fit_width":"6","caption":"Photo: Matteo De Fina, courtesy of Palazzo Grassi"}},{"acf_fc_layout":"text_area","text_area":"

The Biennale marks the first solo show in Italy for Belgian artist Luc Tuymans. The exhibition, entitled <\/span>La Pelle<\/span><\/i><\/a>, consists of works from the Palazzo Grassi\u2019s own collections, international museums and works of Tuymans that span the past three decades as well as a site-specific work created for the Palazzo space. Considered to be one of the most influential artists in the evolution of contemporary figurative painting, Tuymans explores themes of communication, privacy and defining authenticity in the technological era.<\/span><\/p>\n

Open now until 6 January 2020<\/span>
\nCampo San Samuele 3231, 30124 Venice<\/span><\/p>\n

<\/h2>\n

Alban Muja digs into the personal and collective memories of Kosovo, two decades after its independence <\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76415,"id":76415,"title":"257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640","filename":"257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","filesize":114878,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","link":"https:\/\/www.sleek-mag.com\/de\/257914_9f1ab1f66f6a001899d9ed16144d6c44-jpg640\/","alt":"","author":"1","description":"","caption":"","name":"257914_9f1ab1f66f6a001899d9ed16144d6c44-jpg640","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:25","modified":"2019-05-03 15:47:44","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":640,"height":884,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","thumbnail-width":70,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","medium-width":640,"medium-height":884,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","medium_large-width":640,"medium_large-height":884,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","large-width":640,"large-height":884,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","1536x1536-width":640,"1536x1536-height":884,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","2048x2048-width":640,"2048x2048-height":884,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/257914_9f1ab1f66f6a001899d9ed16144d6c44.jpg640.jpeg","wpvr_mobile-width":640,"wpvr_mobile-height":884}}],"settings":{"fit_width":"6","caption":"Alban Muja, Family Album, 1999. Taken at Hamallaj refugee camp, Albania. Photo: Skender Muja \u00a9 Muja Family, courtesy of the artist"}},{"acf_fc_layout":"text_area","text_area":"

For the fourth participation of the Kosovo Pavilion at Venice, artist <\/span>Alban Muja<\/span><\/a> will present a new video installation that explores both personal and collective memories of the Kosovan war and the experience of life as a refugee. Muja explores the nuanced relationship between aesthetics and politics and questions the role of the media in shaping narratives and national identities during times of conflict.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nArsenale, Castello. 30122 Venice<\/span><\/p>\n

 <\/p>\n

Philippe Parreno brings relational aesthetics to the Espace Louis Vuitton<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76446,"id":76446,"title":"P.Parreno","filename":"P.Parreno.jpg","filesize":509877,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-in-and-around-this-years-venice-biennale\/p-parreno\/","alt":"","author":"1","description":"","caption":"","name":"p-parreno","status":"inherit","uploaded_to":76426,"date":"2019-05-06 07:57:40","modified":"2019-05-06 07:57:40","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1304,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","thumbnail-width":65,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","medium-width":1304,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","medium_large-width":1304,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","large-width":1304,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","1536x1536-width":1043,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","2048x2048-width":1304,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","trp-custom-language-flag-width":8,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/P.Parreno.jpg","wpvr_mobile-width":1304,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"6","caption":"Exhibition view, Martin Gropius Bau, Berlin, 2018 \u00a9 Philippe Parreno. Courtesy of the artist and Pilar Corrias. Photo \u00a9 Andrea Rossetti"}},{"acf_fc_layout":"text_area","text_area":"

The Espace Louis Vuitton Venezia is displaying a new, experimental installation<\/a> by French artist Philippe Parreno. The exhibition focuses on themes of memory and the passage of time, using a study of the development of microorganisms and flowers to convey a direct confrontation with temporality. The installation playfully interacts with visitors as light disappears and reappears without warning, highlighting surreal figures that are instantaneously created and dissipated by mirrors and phosphorescent wallpaper as synthetic sounds mimic the reactions of natural beings.<\/span><\/p>\n

From 11 May to 24 November<\/span>
\nCalle del Ridotto 1353, 30124 Venice<\/span><\/p>\n

 <\/p>\n

New Zealander artist Dane Mitchell remembers the disappeared<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76416,"id":76416,"title":"Hiding In Plain Sight 1","filename":"Hiding-In-Plain-Sight-1.jpg","filesize":1358890,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","link":"https:\/\/www.sleek-mag.com\/de\/hiding-in-plain-sight-1\/","alt":"","author":"1","description":"","caption":"","name":"hiding-in-plain-sight-1","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:28","modified":"2019-05-03 15:48:27","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1440,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","thumbnail-width":72,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","medium-width":1440,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","medium_large-width":1440,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","large-width":1440,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","1536x1536-width":1152,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","2048x2048-width":1440,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/Hiding-In-Plain-Sight-1.jpg","wpvr_mobile-width":1440,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"6","caption":"Hiding In Plain Sight"}},{"acf_fc_layout":"text_area","text_area":"

Dane Mitchell will represent New Zealand for this year\u2019s Biennale with a project entitled <\/span>Post Hoc<\/span><\/i><\/a>. Designed specifically for the setting of Venice, Mitchell\u2019s exhibition will take place at several locations, with the Palazzina Canonica — the Marine Institute\u2019s former HQ — acting as the primary centre. The project focuses on the theme of \u201cafterness\u201d as the artist questions the connections between events and the extinction of spaces, words and beings, and explores how we react to the disappearance of things and environments around us. An automated audio listing obsolete objects will also be broadcast via industrially produced cell tree towers which become the passive transmitters of information.<\/span><\/p>\n

From 11 May to 24 November 2019<\/span>
\nRiva dei Sette Martiri, Castello 1364\/A. 30124 Venice<\/span><\/p>\n

 <\/p>\n

Joan Jonas dives into a spirituality journey at at the new Ocean Space<\/b><\/h2>\n"},{"acf_fc_layout":"images","gallery":[{"ID":76420,"id":76420,"title":"ocean-space-venice-04","filename":"ocean-space-venice-04.jpg","filesize":122317,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","link":"https:\/\/www.sleek-mag.com\/de\/ocean-space-venice-04\/","alt":"","author":"1","description":"","caption":"","name":"ocean-space-venice-04","status":"inherit","uploaded_to":0,"date":"2019-05-03 13:44:38","modified":"2019-05-03 15:49:41","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1460,"height":798,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","thumbnail-width":128,"thumbnail-height":70,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","medium-width":1460,"medium-height":798,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","medium_large-width":1460,"medium_large-height":798,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","large-width":1460,"large-height":798,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","1536x1536-width":1460,"1536x1536-height":798,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","2048x2048-width":1460,"2048x2048-height":798,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":10,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/05\/ocean-space-venice-04.jpg","wpvr_mobile-width":1460,"wpvr_mobile-height":798}}],"settings":{"fit_width":"6","caption":"A video still from Moving Off the Land II, 2019. Courtesy of the artist."}},{"acf_fc_layout":"text_area","text_area":"

The new Ocean Space gallery, housed in the former Church of San Lorenzo, which is supposed to mark the final resting place of Marco Polo, will host <\/span>Moving Off the Land II<\/span><\/i><\/a> by American artist Joan Jonas as its inaugural exhibition. The multimedia installation brings the art space\u2019s focus on ocean preservation to the fore with n<\/span>ew video, sculpture, drawing, and sound works that mark the culmination of the artist\u2019s three-year-long research residency in aquariums around the world and exploring natural reefs off the coast of Jamaica. The works centre on the role of the oceans as a totemic, spiritual, and vital ecological core that affects and is equally affected by our existence on Earth.<\/span><\/p>\n

Open now until 29 November 2019<\/span>
\nFor the Biennale, Jonas will present a one-time performing at 9pm on Tuesday 7th May.<\/span>
\nChiesa di San Lorenzo, Campo San Lorenzo, Castello. 30122 Venice<\/span><\/p>\n

 <\/p>\n

The Venice Art Biennale runs from 14 May until 29 November 2019. For a full programme of exhibitions and events see labiennale.org<\/a>.<\/p>\n"}]},"yoast_head":"\nWhat not to miss in Venice during the Biennale What not to miss in Venice during the Biennale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-in-and-around-this-years-venice-biennale\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What not to miss in Venice during the Biennale What not to miss in Venice during the Biennale\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/what-not-to-miss-in-and-around-this-years-venice-biennale\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-03T15:51:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-06T07:59:00+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek team\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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