{"id":82174,"date":"2020-01-08T15:51:45","date_gmt":"2020-01-08T15:51:45","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=82174"},"modified":"2020-01-13T09:52:29","modified_gmt":"2020-01-13T09:52:29","slug":"izumi-miyazaki-surrealism-self-portraiture","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/","title":{"rendered":"Izumi Miyazaki is rewriting the rules of surrealism through extraordinary 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A face framed by a crop of shiny black hair is sandwiched between two pieces of white bread. Peering out from between the slices, Izumi Miyazaki<\/a> focuses her gaze on the camera. \u201cGo on, laugh, I dare you,\u201d she seems to be saying. Pan (2013) epitomises the photographer\u2019s witty aesthetic: photoshopped selfies are the bread and butter of her practice.<\/p>\n

\u201cSelf-portraits are the best way for me to create something. I\u2019m not really any good with people,\u201d the 25-year-old explains. Growing up in Japan, Miyazaki believes that she was ingrained with certain cultural customs, making it difficult for her to photograph others. \u201cIn Japan, I was educated on the importance of being humble,\u201d she says. \u201cAs a photographer, I tend to tend that this is a disadvantage. I used to have a big inferiority complex because of this.\u201d<\/p>\n

Given her demeanour, it\u2019s no surprise that Miyazaki initially felt at home showcasing her work on the Internet. After realising her passion for taking pictures at her high school photography club, Miyazaki opened a Tumblr account in 2012 and began publicly sharing her images. Existing outside of patriarchal art institutions, the microblogging platform gave her the opportunity to take back the gaze, providing a place where she could \u201c find and prove\u201d her \u201cvalue and self-worth\u201d. While studying Imaging Arts at the Musashino Art University in Tokyo, her account quickly garnered attention, and to date, the photographer has 14k followers on Instagram. Since then, she has learnt to use photography to \u201cshow\u201d that she \u201cloves [her]self and\u201d to remind her that she\u2019s beautiful.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"images","gallery":[{"ID":82176,"id":82176,"title":"izumimiyazaki_10","filename":"izumimiyazaki_10-e1576245960612.jpg","filesize":755493,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/izumimiyazaki_10\/","alt":"","author":"1","description":"","caption":"","name":"izumimiyazaki_10","status":"inherit","uploaded_to":82174,"date":"2019-12-13 14:04:58","modified":"2019-12-13 14:04:58","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","2048x2048-width":1920,"2048x2048-height":1280,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_10-e1576245960612.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1280}}],"settings":{"fit_width":"6","caption":"Sandwich, 2014. "}},{"acf_fc_layout":"text_area","text_area":"

Alongside other female digital artists that she has exhibited with such as Juno Calypso<\/a> and Arvida Bystrom<\/a>, Miyazaki is part of a growing community using photography to subvert artistic traditions. \u201cI tend to regard what I want to do as more important than any other rule,\u201d she muses. When asked who she is inspired by, Miyazaki is staunch: \u201cMy work isn\u2019t inspired by any photographer in particular. I usually do completely what I want.\u201d Doing what she wants has thus far paid off. This year, Mizayako collaborated with Valentino on its pre-Fall capsule collection, exhibited at Unseen Amsterdam<\/a> and featured in VICE Magazine\u2019s 2019 Photo Issue.<\/p>\n

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Despite her distinctive style, it\u2019s impossible to view Miyazaki\u2019s work without acknowledging its surrealist roots. \u201cI was never interested in art classes at school apart from when we were studying Surrealism,\u201d she says. Her vivid use of colour, oneiric subject matter and whimsical compositions point to an appreciation of the genre. \u201cI am really attracted to Surrealism because I get excited about what artists want to express,\u201d she explains. Miyazaki says that her work is an attempt to \u201cportray sadness or anger as something nice and funny\u201d. Whether that\u2019s through splitting her head in half, as in Fish (2015), or standing around a floating piece of broccoli, humour is an integral part of her practice.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"images","gallery":[{"ID":82420,"id":82420,"title":"izumimiyazaki_11","filename":"izumimiyazaki_11.jpg","filesize":312722,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/izumimiyazaki_11\/","alt":"","author":"1","description":"","caption":"","name":"izumimiyazaki_11","status":"inherit","uploaded_to":82174,"date":"2019-12-19 15:37:02","modified":"2019-12-19 15:37:02","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1398,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","thumbnail-width":70,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","medium-width":1398,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","medium_large-width":1398,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","large-width":1398,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","1536x1536-width":1118,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","2048x2048-width":1398,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_11.jpg","wpvr_mobile-width":1398,"wpvr_mobile-height":1920}},{"ID":82418,"id":82418,"title":"izumimiyazaki_09","filename":"izumimiyazaki_09.jpg","filesize":694110,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/izumimiyazaki_09\/","alt":"","author":"1","description":"","caption":"","name":"izumimiyazaki_09","status":"inherit","uploaded_to":82174,"date":"2019-12-19 15:36:53","modified":"2020-01-08 15:41:37","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1357,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","thumbnail-width":68,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","medium-width":1357,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","medium_large-width":1357,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","large-width":1357,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","1536x1536-width":1086,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","2048x2048-width":1357,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","trp-custom-language-flag-width":8,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_09.jpg","wpvr_mobile-width":1357,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"4","caption":"Left: Open the eye, 2018. Right: I like you, 2019. "}},{"acf_fc_layout":"text_area","text_area":"

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The comedic effects of Miyazaki\u2019s work are twinned with sadness and loneliness. Her digital doctoring of images and carefully choreographed compositions draw attention to the camera\u2019s ability to create a tableau, to manipulate visual truths. The results show happiness tinged with melancholy, and ask us to think about our own relationship to self-produced images as well as what it means to go through life under the guise of a facade.<\/p>\n

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Though Miyazki\u2019s self-portraits are humorous, she never smiles in them \u2013 a malaise widespread among her selfie-obsessed cohorts. \u201cI think my artworks and my life have a strong connection,\u201d she says of her creative process. \u201cI tend to think about meaningless things during my daily life and these thoughts bring about interesting and stimulating ideas for creation.\u201d<\/p>\n

In time to come, Miyazaki wishes to shoot Ten, a member of popular Chinese boy band Wayv, but for now, she is continuing to learn to accept \u201cthe mental and physical challenges\u201d associated with being a photographer and endeavouring to \u201cconstantly collaborate\u201d as she makes her own path.<\/p>\n

See more of her work below:\u00a0<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"gallery","gallery":[{"ID":82415,"id":82415,"title":"izumimiyazaki_06","filename":"izumimiyazaki_06.jpg","filesize":1661158,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2019\/12\/izumimiyazaki_06.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/izumimiyazaki_06\/","alt":"","author":"1","description":"","caption":"Tomato, 2015. 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All images by and courtesy of Izumi Miyazaki<\/a>.<\/p>\n

This article originally appeared in SLEEK 64,\u00a0out now<\/a>.\u00a0<\/em><\/p>\n"}]},"yoast_head":"\nIzumi Miyazaki is rewriting the rules of surrealism through extraordinary self-portraits Izumi Miyazaki is rewriting the rules of surrealism through extraordinary self-portraits<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Izumi Miyazaki is rewriting the rules of surrealism through extraordinary self-portraits Izumi Miyazaki is rewriting the rules of surrealism through extraordinary self-portraits\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/izumi-miyazaki-surrealism-self-portraiture\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-08T15:51:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-13T09:52:29+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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