{"id":83927,"date":"2020-03-27T12:32:58","date_gmt":"2020-03-27T12:32:58","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=83927"},"modified":"2020-03-27T14:05:33","modified_gmt":"2020-03-27T14:05:33","slug":"isa-genzken-%ef%ac%82ight-inspired-sculptural-exhibition-hause-wirth","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/isa-genzken-%ef%ac%82ight-inspired-sculptural-exhibition-hause-wirth\/","title":{"rendered":"This is not an exit: leisure, travel and inertia in the work of Isa Genzken"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":245,"featured_media":83932,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,15151,10172,10897,139],"tags":[7689,15164,15163,15162,1274,522,3068,523,13826,14840,124,4139],"class_list":["post-83927","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-essay","category-film","category-opinion","category-art","tag-commerce","tag-flex","tag-flight","tag-flights","tag-germany","tag-hauser-wirth","tag-instagram","tag-isa-genzken","tag-leisure","tag-life-magazine","tag-new-york","tag-travel"],"acf":{"main_category":15151,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"The German artist has had a decades-long obsession with the relationship between being in transit and modern life\u2014By Laura Havlin","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":83932,"id":83932,"title":"GENZK101278-GENZK101279-hires","filename":"GENZK101278-GENZK101279-hires-e1585148567824.jpg","filesize":173270,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/isa-genzken-%ef%ac%82ight-inspired-sculptural-exhibition-hause-wirth\/genzk101278-genzk101279-hires\/","alt":"","author":"1","description":"","caption":"","name":"genzk101278-genzk101279-hires","status":"inherit","uploaded_to":83927,"date":"2020-03-25 15:02:07","modified":"2020-03-27 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11:47:08","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1125,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","medium-width":1500,"medium-height":1125,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","medium_large-width":1500,"medium_large-height":1125,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","large-width":1500,"large-height":1125,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","1536x1536-width":1500,"1536x1536-height":1125,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","2048x2048-width":1500,"2048x2048-height":1125,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101278-GENZK101279-hires-e1585148567824.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":1125}}],"settings":{"fit_width":"10","caption":"Isa Genzken, Untitled,\r\n2018 \u00a9 Isa Genzken \/ Licensed by Artists Rights Society (ARS), New York\r\nCourtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne \/ Berlin \/ New York"}},{"acf_fc_layout":"text_area","text_area":"

Although it may seem like it today, Instagram did not invent the vacation travel brag. People have arguably been using photography to show off about their holidays since the invention of the camera. The work of the late American photographer Slim Aarons typi\ufb01es this. His iconic images captured aspiring mid-20th century celebutantes reclining on white yachts and by the poolsides of mansions for LIFE Magazine<\/em>, way before individuals self-published their similarly-themed snaps on the grid. Nevertheless, the photo-sharing app has democratised the phenomenon and given rise to \u2018\ufb02ex culture\u2019, the currency gained on social media via other people\u2019s views and likes.<\/p>\n

Today, \ufb02ex culture has introduced a new factor into the consumer choices of millions: out\ufb01ts chosen based on how they pop in the feed, vacations selected on their photogenic backdrops. Subsequently\u2014and as if it barely mattered where you went at all\u2014your holiday transportation became something to #humblebrag about, too. If you don\u2019t have private jet money, there are companies you can pay to take photos aboard a grounded plane, or you could, as one UK reality TV star is rumoured to have done, simply push through the curtain to \ufb01rst class for a quick snap before moving to your allocated place in economy.<\/p>\n

By the turn of the last decade, a sea-change in public attitudes to luxury lifestyles began challenging the moral compasses of people dropping geotags from \ufb01ve-star resorts, festivals, skiing trips and biennales like breadcrumbs. Last year, while Greta Thunberg sailed the Atlantic, celebrities were periodically \u2018cancelled\u2019 for their international \ufb02ights, especially less energy-efficient private jets, indicating a shift in thinking around travel. As a result, American economist Thorstein Veblen\u2019s in\ufb02uential 1924 \u201cleisure class\u201d theory \u2013 the idea that under capitalism, status is attained through conspicuous consumption \u2013 seems less able to explain the relationship between power and wealth in today\u2019s society<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":83930,"id":83930,"title":"GENZK101275-hires","filename":"GENZK101275-hires-e1585148476522.jpg","filesize":130387,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/isa-genzken-%ef%ac%82ight-inspired-sculptural-exhibition-hause-wirth\/genzk101275-hires\/","alt":"","author":"1","description":"","caption":"Isa Genzken, Atelierfenster, 1999\n\u00a9 Isa Genzken \/ Licensed by Artists Rights Society (ARS), New York\nCourtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne \/ Berlin \/ New York","name":"genzk101275-hires","status":"inherit","uploaded_to":83927,"date":"2020-03-25 15:00:48","modified":"2020-03-25 15:07:10","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":985,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","thumbnail-width":128,"thumbnail-height":84,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","medium-width":1500,"medium-height":985,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","medium_large-width":1500,"medium_large-height":985,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","large-width":1500,"large-height":985,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","1536x1536-width":1500,"1536x1536-height":985,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","2048x2048-width":1500,"2048x2048-height":985,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/03\/GENZK101275-hires-e1585148476522.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":985}}],"settings":{"fit_width":"6","caption":""}},{"acf_fc_layout":"text_area","text_area":"

Although German artist Isa Genzken<\/a> has spent the last \ufb01ve decades exploring travel, commerce and the architecture of global society through sculpture (especially assemblage), her latest exhibition, Window<\/em><\/a>\u00a0(editor’s note: was due to be open until 2 May in London at Hauser & Wirth, but is temporarily closed due to the coronavirus outbreak) feels especially timely. The central piece of the show is an installation featuring elements of an airplane\u2019s interior. The untitled work is a model, not a readymade\u2014but it might as well have been.<\/p>\n

\u201cI have always said that with any sculpture you have to be able to say, although this is not a readymade, it could be one,\u201d the artist told Wolfgang Tillmans in conversation in 2012. \u201cThat\u2019s what a sculpture has to look like. It must have a certain relation to reality.\u201d<\/p>\n

In Genzken\u2019s sculpture, the set-up is not luxury; it is plain, unbranded standard-class seating. But even in its most budget iterations, air travel is an elite activity, undertaken most regularly by the world\u2019s most affluent people. The windows, mostly closed, offer no real view outside. Here, focus is drawn inward to the mode of travel; where we\u2019re headed or what we might see is unknown. Despite the show\u2019s title, this scene feels intentionally oblivious to what lies beyond the grey portals.<\/p>\n"},{"acf_fc_layout":"blockquote","text":"\"Genzken has always presented the porous messiness of personal experience alongside cleaner sculptural work that seems to give form to more universal ideas.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

The idea of \u2018mode of travel as destination\u2019 is present throughout Genzken\u2019s work. Her 2000 show at Frankfurter Kunstverein, Urlaub<\/em>, (German: \u2018vacation\u2019, a reference to the holidays taken by 19th-century white-collar workers), featured photographs onboard the luxury yacht of a well-known publisher, as well as images from inside a plane looking out through the window, this time onto an indistinguishable cloudlike space.<\/p>\n

In a catalogue essay for Urlaub<\/em> entitled \u2018Longing for Other Places\u2019, German art historian and curator Vanessa Joan M\u00fcller discusses the liminal spaces that exist en route to a holiday destination, remarking: \u201cThe trip out of the city to the longed-for journey\u2019s destination \ufb01rst often leads to places such as train stations and airports, which are diametrically opposed to this goal: urban non-locations that function like transit zones reduced to directional vectors. In addition, the journey often goes through anonymous transit zones that embody a certain \u2018elsewhere\u2019.\u201d<\/p>\n

This sentiment seems to encapsulate much of the German artist\u2019s output. Windows are a repeating motif, which often literally frame Genzken\u2019s ideas. The very title of her latest show, for example, also echoes the artist\u2019s 1992 Chicago exhibition, Everybody Needs At least One Window<\/em>, a show comprising free-standing concrete structures suggesting various openings and interiors.<\/p>\n

Travel and commerce have also long been in dialogue throughout Genzken\u2019s work. A previous London Hauser & Wirth show in 2015, Geldbilder<\/em> (German: \u2018money pictures\u2019), featured foreign currencies, tourist maps and lifestyle magazines. Elsewhere\u2014and true to her assemblage approach\u2014the three collage-based scrapbooks that make up her artbook I Love New York, Crazy City<\/em> (1996) are pieced together from photographs, \ufb02yers and other found objects, assembled into a kind of personal, impressionistic, DIY city guide.<\/p>\n

Channeling lived periods of intense cultural signi\ufb01cance in Germany and New York, Genzken has always presented the porous messiness of personal experience alongside cleaner sculptural work that seems to give form to more universal ideas. Images in photos and collages gain momentum and take three-dimensional shape. Like the architectural structures that punctuate her work, it is as if the rumination upon an idea expands into the clarity of consciousness and becomes concrete. The focal point of Window<\/em> manifests in precisely this way, while its origins, which can be traced like familial DNA throughout the decades that Genzken has been making art, gesture to something more omnipresent.<\/p>\n"},{"acf_fc_layout":"text_area","text_area":"

This story originally appeared in SLEEK 65\u00a0o<\/a>ut now!<\/a><\/em><\/p>\n

Alongside the launch of our spring issue exploring glamour as a \u2018verb\u2019 SLEEK is dropping our \u201cNo one cares if you dress up now\u201d tees. Available to purchase\u00a0here.<\/a><\/em><\/p>\n

Window<\/a> at Hauser & Wirth is temporarily closed.<\/em><\/p>\n"}]},"yoast_head":"\nThis is not an exit: leisure, travel and inertia in the work of Isa Genzken This is not an exit: leisure, travel and inertia in the work of Isa Genzken<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/isa-genzken-\ufb02ight-inspired-sculptural-exhibition-hause-wirth\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"This is not an exit: leisure, travel and inertia in the work of Isa Genzken This is not an exit: leisure, travel and inertia in the work of Isa Genzken\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/isa-genzken-\ufb02ight-inspired-sculptural-exhibition-hause-wirth\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-27T12:32:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-03-27T14:05:33+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Laura Havlin\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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