{"id":84571,"date":"2020-05-15T13:35:13","date_gmt":"2020-05-15T13:35:13","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=84571"},"modified":"2020-05-20T09:52:46","modified_gmt":"2020-05-20T09:52:46","slug":"mariko-mori-cyborg-vision-spirtuality-technology-social-distancing","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/mariko-mori-cyborg-vision-spirtuality-technology-social-distancing\/","title":{"rendered":"Magic futures: Mariko Mori’s cyborgian 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Mori. Miko No Inori, 1996, Video (VHS), transferred to digital, colour, sound; 29:23 min. Courtesy of Sean Kelly Gallery. "}},{"acf_fc_layout":"text_area","text_area":"

In a new series, \u2018Artist on my mind\u2019, writers discuss an artist whose work feels particularly\u00a0visionary\u00a0and relevant right now.\u00a0In our first instalment, Chloe Stead discusses Japanese artist, Mariko Mori (1967-).<\/strong><\/p>\n

Eyes closed, legs slightly apart and arms by her sides, a woman lies in what a yogi would call \u2018Shavasana\u2019, or \u2018Corpse Pose\u2019. Encased in an oblong-shaped, clear acrylic pod, she is both visible to and set apart from passers-by, an otherworldly figure in an otherwise urban landscape. This photograph, taken in New York\u2019s Times Square in 1997, documents one part of <\/span>Beginning of the end,<\/span><\/i> a performance series by Japanese artist Mariko Mori. Seen through today\u2019s lens, it\u2019s impossible not to think about social distancing. Indeed, when the image was posted on the popular Instagram account, @<\/span>another___kind<\/a>, recently, many commenters jokingly wished that they, too, had a pod to keep them safe. But rather than craving separation, Mori envisioned the multi-part performance as a radical form of togetherness. \u201cI went to 13 cities around the world with my Body Capsule,\u201d <\/span>she has said<\/span><\/a> of the series. \u201cIn the final work\u2026 all the cities are connected\u2014east and west, as well as past, present, and future.\u201d<\/span><\/p>\n

Born in Tokyo in 1967, Mori studied fashion and worked as a fashion model before relocating to England in the late 1980s, where she attended London\u2019s prestigious Chelsea College of Arts. Initially focusing on painting, it wasn\u2019t until Mori moved again, this time to New York, that she began staging the performances for which she\u2019s best known. Steeped in the language of Japanese pop culture, these early works saw Mori take to the streets in an array of futuristic, anime and video game-inspired garb. For the 1994 performance <\/span>Subway<\/span><\/i>\u2014documented with a wide-angle lens to catch the commuters who tried to edge out of frame\u2014Mori rode the underground dressed in a silver two-piece, complete with blue jewel-like inlays and a headset. In other pieces from the same year, Mori\u2019s costumes were even more elaborate. For <\/span>Play with Me<\/span><\/i>, for instance,<\/span> she donned a blue wig and armour plating, while <\/span>Love Hotel<\/span><\/i> saw her slip a cute sailor\u2019s outfit over her customary bodysuit.<\/span><\/p>\n"},{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/B_7CVR_j_Rk\/","settings":{"width":"10"}},{"acf_fc_layout":"text_area","text_area":"

Working as her own model, Mori\u2019s early output drew comparisons to the theatrical self-portraits of Cindy Sherman. But while Sherman continued to focus on photography throughout her career, Mori quickly moved away from depicting herself, and towards the end of the decade she turned her attention to techno-utopic inspired sculpture. Speaking in an interview with <\/span>The Brooklyn Rail<\/span><\/i>, Mori identified the travelling she did in connection to Beginning of the End<\/em> as well as her growing interest in Buddhism, Shintoism, and Eastern philosophy as the reason behind this shift. While <\/span>one critic<\/span><\/a> described her early works as an \u201c<\/span>amalgamation of fashion, ego and future shock<\/span>\u201d these new pieces were distinctly ego-less\u2014combing tech with studies on prehistoric civilisations to build on the idea of \u201coneness\u201d that she had started to articulate with her body capsule. \u201cBased on my research into prehistoric cultures,\u201d <\/span>she told<\/span><\/a> The<\/span><\/i> Brooklyn Rail<\/span><\/i>, \u201cI take the view that we were one world before, and that we can become one again.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/B84qnsaFd_N\/","settings":{"width":"10"}},{"acf_fc_layout":"text_area","text_area":"

In 2010, Mori founded the <\/span>Faou Foundation<\/span><\/a>, a not-for-profit dedicated to creating six site-specific artworks in unique ecological settings on each habitable continent on Earth. The foundation\u2019s inaugural project, <\/span>Primal Rhythm<\/span><\/i> will be completed in two phases on Japan\u2019s Miyako Island. For the first phrase, Mori installed a \u2018Sun Pillar\u2019 from layered acrylic on a rock just off the coast of the island, while the second will see her anchor a 10-foot in diameter \u2018Moonstone\u2019 with LED lights that change in concert with the tide. Meanwhile, in Brazil, she hung a luminous ring at the foot of a waterfall in the state of Rio De Janeiro as part of the cultural program of the Olympic Games. As with Moonstone, Mori utilised natural resources together with state of the art technology to alter the sculpture\u2019s colour, which transitions from blue to gold depending on the height of the sun.<\/span><\/p>\n

As a technical feat, these earth works are astonishing. If there is one thing we can take away from Mori\u2019s decades-long practice, though, it\u2019s that technology can actually bring us closer to nature\u2014and to each other\u2014than we have been led to believe. In this way, her thinking is strangely\u00a0prescient of our current moment. Once asked in an interview for her \u201clatest, personal\u201d fantasy, Mori <\/span>answered<\/span><\/a>, \u201cI think the internet, Skype\u2026 how we connected with each other. We don\u2019t have the limitations.\u201d Despite her sci-fi beginnings, then, Mori\u2019s fantasy is not to use technology as an escape, but as a way to emphasise our \u201coneness\u201d to \u201creally have a feeling of sharing this world together with everybody on earth.\u201d<\/span><\/p>\n"},{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/B_FZua9AjdM\/","settings":{"width":"10"}}]},"yoast_head":"\nMagic futures: Mariko Mori's cyborgian vision Magic futures: Mariko Mori's cyborgian vision<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/mariko-mori-cyborg-vision-spirtuality-technology-social-distancing\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Magic futures: Mariko Mori's cyborgian vision Magic futures: Mariko Mori's cyborgian vision\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/mariko-mori-cyborg-vision-spirtuality-technology-social-distancing\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-15T13:35:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-05-20T09:52:46+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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