{"id":84752,"date":"2020-06-05T13:02:07","date_gmt":"2020-06-05T13:02:07","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=84752"},"modified":"2020-06-08T12:35:14","modified_gmt":"2020-06-08T12:35:14","slug":"how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/","title":{"rendered":"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":84754,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,15318,139],"tags":[8253,12444,5020,11211,7325,4230,2100,15361,15223,15357,2468,15362,4325,12630,3778,15360],"class_list":["post-84752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-artist-on-my-mind","category-art","tag-african-american","tag-american-south","tag-black-lives-matter","tag-civil-rights-movement","tag-colonialism","tag-conceptual-art","tag-essay","tag-glenn-ligon","tag-inequality","tag-james-baldwin","tag-language","tag-martin-luther-king","tag-politics","tag-protest","tag-race","tag-zora-neale-hurston"],"acf":{"main_category":15318,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"The New York-born conceptual artist uses language and text fragments to explore themes of legibility and illegibility in the context of African-American marginalisation\u2014By B\u00e1rbara Borges de Campos","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":84754,"id":84754,"title":"101023166_3020202534727561_8347806944341990233_n","filename":"101023166_3020202534727561_8347806944341990233_n.jpg","filesize":340525,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/101023166_3020202534727561_8347806944341990233_n\/","alt":"","author":"1","description":"","caption":"","name":"101023166_3020202534727561_8347806944341990233_n","status":"inherit","uploaded_to":84752,"date":"2020-06-05 13:00:21","modified":"2020-06-05 13:00:21","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1080,"height":1350,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","medium-width":1080,"medium-height":1350,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","medium_large-width":1080,"medium_large-height":1350,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","large-width":1080,"large-height":1350,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","1536x1536-width":1080,"1536x1536-height":1350,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","2048x2048-width":1080,"2048x2048-height":1350,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","wpvr_mobile-width":1080,"wpvr_mobile-height":1350}},"width":"6","proportion":"natural"},"facebook_image":{"ID":84756,"id":84756,"title":"101023166_3020202534727561_8347806944341990233_n (1) copy","filename":"101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","filesize":148213,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/101023166_3020202534727561_8347806944341990233_n-1-copy\/","alt":"","author":"1","description":"","caption":"","name":"101023166_3020202534727561_8347806944341990233_n-1-copy","status":"inherit","uploaded_to":84752,"date":"2020-06-05 13:01:05","modified":"2020-06-05 13:01:05","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":923,"height":572,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","thumbnail-width":128,"thumbnail-height":79,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","medium-width":923,"medium-height":572,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","medium_large-width":923,"medium_large-height":572,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","large-width":923,"large-height":572,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","1536x1536-width":923,"1536x1536-height":572,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","2048x2048-width":923,"2048x2048-height":572,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n-1-copy.jpg","wpvr_mobile-width":923,"wpvr_mobile-height":572}},"related_articles":"","next_article":[84744],"content":[{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/CA940i3FNut\/","settings":{"width":"10"}},{"acf_fc_layout":"text_area","text_area":"

In a new series, \u2018Artist on my mind\u2019, writers discuss an artist whose work feels particularly\u00a0visionary\u00a0and relevant right now. Below,\u00a0B\u00e1rbara Borges de Campos reflects on the work of the conceptual artist Glenn Ligon (1960-).\u00a0<\/strong><\/p>\n

On the eve of his assassination on 4 April 1968 Martin Luther King was in Memphis supporting sanitation workers on strike. Later, the employees’ protest would be immortalised by their signs stating: \u201cI am a man\u201d. This was a fateful visit to the South that abruptly shortened the life of the most prominent leader of the American Civil Rights Movement.\u00a0<\/span><\/p>\n

African-American artist Glenn Ligon\u2019s <\/span>Untitled (I am a Man)<\/span><\/i> (1988) is a direct allusion to this historic moment. In his artwork, Ligon painted with oil and enamel\u2014two materials that when mixed disintegrate. This process of dissolution and degradation is aligned with Ligon\u2019s interest in history as a mutable process in personal and collective memory.\u00a0 It is a perfect union of form, content and concept. Our callous proclivity to neglect the past, just like how the two mixed paints, that with time, crack and fade away, lead to the repetition of atrocities and prejudice.<\/span><\/p>\n

Initially, Ligon\u2019s work followed in the tradition of the New York abstract expressionists. Over time, his expressive canvases began to incorporate words and phrases, for example, U<\/span>ntitled (I am drawn to sleaze)<\/span><\/i> (1985) includes a quote from a gay porn magazine. The painterly gave way to the conceptual and textuality\u2014\u201cI had a crisis of sorts when I realised there was too much of a gap between what I wanted to say and the means I had to say it with.\u201d So, Ligon\u2019s practice began examining the disparity between the legible and illegible.<\/span><\/p>\n"},{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/CAyYq8PFBpi\/","settings":{"width":"10"}},{"acf_fc_layout":"blockquote","text":"\"It leaves the task of decoding to the beholder. An undertaking complicated by a history of misunderstanding and blindness.\"","source":""},{"acf_fc_layout":"text_area","text_area":"

Zora Neale Hurston\u2019s essay \u201cHow It Feels to Be Colored Me\u201d (originally published in 1928) served as inspiration for a series of works by the artist. In <\/span>Untitled (I do not always feel colored)<\/span><\/i> (1990) the phrase \u201cI do not always feel colored\u201d is repeated throughout the surface of a door. For Ligon, the door was the ideal canvas\u2014doors are scaled for the human body and intimately connected to the experience of the self.<\/span><\/p>\n

Doors are also a means of getting from one space to another, yet they do not belong to either. As such, the experience of being black is presented as transient. Tenuously integrated into a broader existence and society, yet without having a definite space, always along the margins. With use, the \u2018printed\u2019 letters in stencil become smudged, creating a tension between what is visible and what is not. Ultimately, reiterating \u2018blackness\u2019 as ambiguous, incomprehensible to others, and on the fringes of humanity.<\/span><\/p>\n

Ligon\u2019s interest in the study of legibility and visibility prompted him to experiment with black letters on black canvas, layering paint, oilstick and coal dust. In a series of works which quote James Baldwin\u2019s essay \u201cStranger in the Village\u201d (1953) he adopts this method. In the piece, Baldwin describes his experiences with invisibility, so it is not incidental that Ligon opts for black-on-black in his reference to the text. In\u00a0 his corresponding work, <\/span>Untitled (Stranger in the Village #17) <\/span><\/i>(2000) words near abstraction\u2014it is through their texture that they become palpable. The painting encourages a conscientious study, a decipherment of each letter and word. <\/span>It leaves the task of decoding to the beholder. An undertaking complicated by a history of misunderstanding and blindness.<\/p>\n"},{"acf_fc_layout":"instagram","code":"https:\/\/www.instagram.com\/p\/Bo9fwaCndCk\/","settings":{"width":"10"}},{"acf_fc_layout":"text_area","text_area":"

Baldwin encounters this invisibility in Western Europe: \u201cI … find myself among a people whose culture controls me, has even, in a sense, created me, people who have cost me more in anguish and rage than they will ever know, who yet do not even know of my existence.\u201d He goes on to argue that \u201cthe black man, as a man did not exist in Europe\u201d\u2014a damaging idea that persists to this day. Through remnants of colonialism\u2014which separated black people to beyond the \u2018nation\u2019, to colonies\u2014we have continued to isolate people of colour from our societies. The colonial trope of distance lingers in pushing black and people of colour to the peripheries of our cities and to the margins of society. This is not unlike the visual effects of Ligon\u2019s <\/span>Study for Debris Field #7<\/span><\/i> (2018)\u2014individual letters appear in monochrome backgrounds, dense archipelagos against a backdrop of uniformity.<\/span><\/p>\n

Ligon\u2019s practice explores an enduring veil of stubborn prejudices that obfuscate humanity. As we look bluntly to America today, we must look, too, at ourselves: at Europe and its colonial history. There is no reason why the old dictum must remain an aphorism, history does not have to repeat itself.<\/span><\/p>\n"}]},"yoast_head":"\nMarks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-06-05T13:02:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-06-08T12:35:14+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. This creativity manifests itself in SLEEK\u2019s quarterly print publication, digital and social media channels.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.sleek-mag.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"de\"},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#primaryimage\",\"url\":\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg\",\"contentUrl\":\"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg\",\"width\":1080,\"height\":1350},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#webpage\",\"url\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/\",\"name\":\"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans\",\"isPartOf\":{\"@id\":\"https:\/\/www.sleek-mag.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#primaryimage\"},\"datePublished\":\"2020-06-05T13:02:07+00:00\",\"dateModified\":\"2020-06-08T12:35:14+00:00\",\"author\":{\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/1fd4c1b41c96eff389e4781115613a68\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/www.sleek-mag.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans\"}]},{\"@type\":\"Person\",\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/1fd4c1b41c96eff389e4781115613a68\",\"name\":\"sleek\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/www.sleek-mag.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/28a91a7b03694a9860c1590004521e06b91644c079476028047b1a7f5e3eb6e9?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/28a91a7b03694a9860c1590004521e06b91644c079476028047b1a7f5e3eb6e9?s=96&d=mm&r=g\",\"caption\":\"sleek\"},\"description\":\"She\u2019s currently writing her thesis on immersive installation and has a soft spot for techno, existential art memes and nineties sunglasses.\",\"url\":\"https:\/\/www.sleek-mag.com\/de\/author\/sleek\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/","og_locale":"de_DE","og_type":"article","og_title":"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans","og_url":"https:\/\/www.sleek-mag.com\/de\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/","og_site_name":"Sleek Magazine","article_publisher":"https:\/\/www.facebook.com\/sleekmag\/","article_published_time":"2020-06-05T13:02:07+00:00","article_modified_time":"2020-06-08T12:35:14+00:00","twitter_card":"summary_large_image","twitter_creator":"@sleekmag","twitter_site":"@sleekmag","twitter_misc":{"Verfasst von":"sleek"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"https:\/\/www.sleek-mag.com\/#website","url":"https:\/\/www.sleek-mag.com\/","name":"Schlankes Magazin","description":"Sleek ist Deutschlands f\u00fchrendes unabh\u00e4ngiges Medienhaus\/Marke f\u00fcr Kreativit\u00e4t und Innovation mit Sitz in Berlin, der kreativen Hauptstadt der Welt. Diese Kreativit\u00e4t manifestiert sich in der viertelj\u00e4hrlich erscheinenden Print-Publikation, den digitalen und Social-Media-Kan\u00e4len von SLEEK.","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sleek-mag.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"de"},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#primaryimage","url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","contentUrl":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/06\/101023166_3020202534727561_8347806944341990233_n.jpg","width":1080,"height":1350},{"@type":"WebPage","@id":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#webpage","url":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/","name":"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans","isPartOf":{"@id":"https:\/\/www.sleek-mag.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#primaryimage"},"datePublished":"2020-06-05T13:02:07+00:00","dateModified":"2020-06-08T12:35:14+00:00","author":{"@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/1fd4c1b41c96eff389e4781115613a68"},"breadcrumb":{"@id":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sleek-mag.com\/article\/how-glenn-ligons-paintings-describe-the-historic-erasure-of-black-americans\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.sleek-mag.com\/"},{"@type":"ListItem","position":2,"name":"Marks in the margins: how Glenn Ligon\u2019s paintings describe the historic erasure of black Americans"}]},{"@type":"Person","@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/1fd4c1b41c96eff389e4781115613a68","name":"schlank","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.sleek-mag.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/28a91a7b03694a9860c1590004521e06b91644c079476028047b1a7f5e3eb6e9?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/28a91a7b03694a9860c1590004521e06b91644c079476028047b1a7f5e3eb6e9?s=96&d=mm&r=g","caption":"sleek"},"description":"Zurzeit schreibt sie ihre Doktorarbeit \u00fcber immersive Installationen und hat ein Faible f\u00fcr Techno, existentielle Kunstmemes und Sonnenbrillen aus den Neunzigern.","url":"https:\/\/www.sleek-mag.com\/de\/author\/sleek\/"}]}},"_links":{"self":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts\/84752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/comments?post=84752"}],"version-history":[{"count":0,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/posts\/84752\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/media\/84754"}],"wp:attachment":[{"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/media?parent=84752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/categories?post=84752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sleek-mag.com\/de\/wp-json\/wp\/v2\/tags?post=84752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}