{"id":85732,"date":"2020-10-06T13:47:39","date_gmt":"2020-10-06T13:47:39","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=85732"},"modified":"2020-10-06T19:24:23","modified_gmt":"2020-10-06T19:24:23","slug":"pierre-et-gilles","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/","title":{"rendered":"“The word ‘kitsch’ doesn’t mean anything anymore”: Pierre et Gilles reinvent camp for the metamodernist 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\u201cThe ultimate Camp statement,\u201d Susan Sontag famously ponders in her 1964 assortment of aphoristic jottings, Notes on \u2018Camp\u2019<\/em>: \u201cIt\u2019s good because it\u2019s awful.\u201d By now, Sontag\u2019s adage has come to trigger a reaction of atavistic assent in the vassals of mainstream postmodernism who\u2019ve happened upon the culturally nested, if enduringly diffuse concept. Camp<\/em> may not have a specific referent, but flourishes with aesthetic signifiers: feather boas, plush walls, drag acts. The artificial, exaggerated and sentimentally charged. At its core, however, the attribute that reigns supreme is irony.<\/p>\n

Over their 40-year-long career, French visual artists Pierre et Gilles \u2014 born Pierre Commoy<\/a> and Gilles Blanchard<\/a> \u2014 have altogether refashioned the mythos surrounding the glittery establishment of camp art as a reservoir of flat, peacockish and humorous frivolity. The duo\u2019s work sits at the slippery intersection of fashion photography (their most iconic subjects have included Thierry Mugler, Olivier Rousteing and Jean-Paul Gaultier) and the unmistakable brand of pop art which later paved the way for the likes of Jeff Koons and David LaChapelle. Combustive colours, celebrity pixie dust and ‘postcard’ aesthetics are nonetheless never meant to convey sarcasm or laughable farce; the artists\u2019 body of work articulates a deep-seated social empathy, and a keen interest in fundamentally elevating the mundane, beyond the illusory prestige of fame and glory. Titled Motionless Wanderings<\/em><\/a>, Commoy and Blanchard\u2019s latest retrospective now on view at Paris\u2019 Galerie Templon<\/a> spotlights, perhaps with more conviction than before, the artists\u2019 commitment to reviving the French literary and artistic tradition of exalting the extraordinary in the quotidian, the people, the everyday heroes. As the exhibition opened its doors, Pierre et Gilles review four decades of prolific work, with a touch of nostalgia.<\/div>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85733,"id":85733,"title":"PIERREETGILLES_La Reine des oce\u0301ans (Ade\u0300le Farine)_2020_403294","filename":"PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","filesize":819137,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/pierreetgilles_la-reine-des-oceans-adele-farine_2020_403294\/","alt":"","author":"1","description":"","caption":"","name":"pierreetgilles_la-reine-des-oceans-adele-farine_2020_403294","status":"inherit","uploaded_to":85732,"date":"2020-10-02 09:34:17","modified":"2020-10-02 09:34:17","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1422,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","thumbnail-width":71,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","medium-width":1422,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","medium_large-width":1422,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","large-width":1422,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","1536x1536-width":1138,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","2048x2048-width":1422,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-e1602240004282.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PIERREETGILLES_La-Reine-des-oce\u0301ans-Ade\u0300le-Farine_2020_403294-1517x2048.jpg","wpvr_mobile-width":1517,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Pierre et Gilles, La Reine des oc\u00e9ans (Ad\u00e8le Farine), 2020"}},{"acf_fc_layout":"text_area","text_area":"
\n
\n

“Errances Immobiles” has been described as your most introspective and critical collection of works to date. How do you feel about your latest body of work\u00a0being\u00a0described as political? If this dimension is not intentional, are you comfortable with this term being ascribed to it?\u00a0<\/em><\/span><\/p>\n

<\/b>We have always worked in the same way, simply observing the world and being inspired by it. We like the feeling reinventing it, and behind these dreamlike images, there is always a hidden message: Le Cowboy<\/i> in 1977, Le Petit Communiste <\/i>in 1990, Le Triangle Rose<\/i> in 1993,\u00a0 Vive la France<\/i> in 2006\u00a0 or\u00a0David et Jonathan<\/i> in 2005, for instance, talk about the world and add a political undertone to the work. \u00a0Our vision of the world has also changed with our experiences, with the tragedies the world has witnessed. Sexual liberation, the place of homosexuality in society, the drama related to the AIDS pandemic… Every major social issue has somehow inspired us when making our work, and continue to inspire us today. We navigate between shadow and light. The public can understand us better now, as they go beneath the surface of our pieces, beneath the beauty and \u00a0prettiness.<\/span><\/p>\n

You\u2019ve\u00a0noted\u00a0that this collection of images represent \u201ca world which is no longer that world of delight that it used to be\u201d\u00a0\u2014 this translates a sense of disillusion regarding the current state of the world. Would you say you\u2019re disillusioned? If so, when was the last time you felt optimistic?\u00a0<\/span><\/em><\/b><\/p>\n

We are neither pessimistic nor optimistic. The world has always changed and will always continue to change. We must accept this, and avoid taking the wrong paths. This is what we try to show in our work. We dream of the world to make it more beautiful and more liveable; that’s the role of artists.<\/span><\/p>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85735,"id":85735,"title":"P&G_La pe\u0302che miraculeuse (Pierre et Filip)_2019_","filename":"PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","filesize":920909,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/pg_la-pe%cc%82che-miraculeuse-pierre-et-filip_2019_\/","alt":"","author":"1","description":"","caption":"","name":"pg_la-pe%cc%82che-miraculeuse-pierre-et-filip_2019_","status":"inherit","uploaded_to":85732,"date":"2020-10-02 09:38:33","modified":"2020-10-02 09:38:33","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1273,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","thumbnail-width":113,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","medium-width":1500,"medium-height":1273,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","medium_large-width":1500,"medium_large-height":1273,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","large-width":1500,"large-height":1273,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","1536x1536-width":1500,"1536x1536-height":1273,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","2048x2048-width":1500,"2048x2048-height":1273,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-e1602240031606.jpg","trp-custom-language-flag-width":14,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_La-pe\u0302che-miraculeuse-Pierre-et-Filip_2019_-2413x2048.jpg","wpvr_mobile-width":2413,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Pierre et Gilles, La p\u00eache miraculeuse (Pierre et Filip), 2019 "}},{"acf_fc_layout":"text_area","text_area":"

\n

What\u2019s the\u00a0significance of the recurring underwater motif in your imagery?\u00a0<\/span><\/em><\/p>\n

\n

The underwater world, for us, translates the realm of the imagination. It’s a way to turn an inner dream to reality.<\/span>\u00a0<\/span><\/p>\n

I\u2019ve read that you both find journalists\u2019 tendency to call your imagery \u201ccute” or “kitsch\u201d slightly irritating. Do you think that those who make such comments overlook the psychological, social or emotional underpinnings of your work?\u00a0<\/em><\/span><\/p>\n

The words ‘kitsch’ or ‘cute’ are adjectives we find reductive; we feel they can’t quite define our work. The word ‘kitsch’ doesn’t mean anything anymore. In the world we live in, it has lost all its meaning. Our work is actually much more complex. It has several layers, and a lot of hidden meanings.<\/span><\/p>\n

\n

\u00a0Are your images meant to be an escape from reality or a reflection of it?<\/span><\/em><\/p>\n

Actually, a bit of both.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"blockquote","text":"The underwater world for us is the world of the imagination and a way to bring reality to an inner dream.\u00a0","source":""},{"acf_fc_layout":"gallery","gallery":[{"ID":85736,"id":85736,"title":"P&G_Le petit Bizut (Vincent Cohen)_2018_402007","filename":"PG_Le-petit-Bizut-Vincent-Cohen_2018_402007-e1602240048542.jpg","filesize":530922,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-petit-Bizut-Vincent-Cohen_2018_402007-e1602240048542.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/pg_le-petit-bizut-vincent-cohen_2018_402007\/","alt":"","author":"1","description":"","caption":"Pierre et Gilles, Le petit Bizut (Vincent Cohen), 2018","name":"pg_le-petit-bizut-vincent-cohen_2018_402007","status":"inherit","uploaded_to":85732,"date":"2020-10-02 09:38:44","modified":"2020-10-06 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\n
Your portraits visibly elevate the subject, almost in a liturgic way reminiscent of Christian iconography, which is often directly referenced. Does your work attempt to see the best in people or is it an exploration of the transcendental potential of the\u00a0\u201ceveryday heroes\u201d?<\/span><\/em><\/div>\n
\n

\n

Our work has always been marked by icons, from our early days working with pop culture imagery, all the way to \u00a0Errances Immobiles<\/em>. It certainly comes from our childhood, which was influenced by religious imagery, as well as the representations of these icons in film or music. We discovered them in magazines, and they made us dream.<\/span><\/p>\n

Where are the pretty actresses from our childhood? Those fragile, dream-like moments that we have loved so much now belong to the past. Magnifying and elevating our subjects is our way of rendering them immortal. In a world that is changing so quickly, we somehow aim to fight death.\u00a0<\/span><\/p>\n

Visually, your work draws inspiration from 19th century French Realists such as Courbet as well as religious Renaissance art, which you overlap with a pop, \u201cpostcard\u201d aesthetic \u2014 yet you disavow irony as a driving force in your imagery, and you manage to elude any sense of parody or caricature. How do you elude that dimension?<\/span><\/em><\/b>\u00a0<\/span><\/p>\n

Our work is very personal and inspired by all dimensions of time: yesterday, today and tomorrow. We draw from nostalgia, reality and dreams. We work with our feelings. It’s like an adventure that sweeps us away, and never fails to surprise us.<\/span><\/p>\n<\/div>\n<\/div>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85734,"id":85734,"title":"P&G_Le Vendeur de Tour Eiffel (Ibrahima Ramon Magassa)_2019_402790","filename":"PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","filesize":474161,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/pg_le-vendeur-de-tour-eiffel-ibrahima-ramon-magassa_2019_402790\/","alt":"","author":"1","description":"","caption":"","name":"pg_le-vendeur-de-tour-eiffel-ibrahima-ramon-magassa_2019_402790","status":"inherit","uploaded_to":85732,"date":"2020-10-02 09:37:28","modified":"2020-10-02 09:37:28","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1190,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","thumbnail-width":121,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","medium-width":1500,"medium-height":1190,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","medium_large-width":1500,"medium_large-height":1190,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","large-width":1500,"large-height":1190,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","1536x1536-width":1500,"1536x1536-height":1190,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","2048x2048-width":1500,"2048x2048-height":1190,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-e1602240018319.jpg","trp-custom-language-flag-width":15,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/PG_Le-Vendeur-de-Tour-Eiffel-Ibrahima-Ramon-Magassa_2019_402790-2582x2048.jpg","wpvr_mobile-width":2582,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Pierre et Gilles, Le Vendeur de Tour Eiffel (Ibrahima Ramon Magassa), 2019"}},{"acf_fc_layout":"text_area","text_area":"

All images Courtesy \u00a9 Templon, Paris \u2013 Brussels<\/em><\/div>\n"}]},"yoast_head":"\n"The word 'kitsch' doesn't mean anything anymore": Pierre et Gilles reinvent camp for the metamodernist age "The word 'kitsch' doesn't mean anything anymore": Pierre et Gilles reinvent camp for the metamodernist age<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""The word 'kitsch' doesn't mean anything anymore": Pierre et Gilles reinvent camp for the metamodernist age "The word 'kitsch' doesn't mean anything anymore": Pierre et Gilles reinvent camp for the metamodernist age\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/pierre-et-gilles\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-06T13:47:39+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-06T19:24:23+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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