{"id":85843,"date":"2020-10-08T13:46:01","date_gmt":"2020-10-08T13:46:01","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=85843"},"modified":"2020-10-08T14:12:56","modified_gmt":"2020-10-08T14:12:56","slug":"jesse-draxlers-table-of-losses","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/","title":{"rendered":"At Jesse Draxler&#8217;s &#8216;Table of Losses&#8217;, a good laugh heals a lot of hurt"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":85878,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856,139],"tags":[15580,6966,15579,15213,15585,15582,2339,15143,15583,15581,15584],"class_list":["post-85843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","category-art","tag-allan-gardner","tag-humour","tag-jesse-draxler","tag-lockdown","tag-normality","tag-postmodern","tag-postmodernism","tag-quarantine","tag-satisfaction","tag-table-of-losses","tag-uncertainty"],"acf":{"main_category":139,"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"'Table of Losses' addresses the stark reality presented by lockdown and the effective escapism offered by humour\u2014Allan Gardner","hero":{"video":false,"image":{"ID":85878,"id":85878,"title":"Dizzy","filename":"Dizzy-2-e1602240651290.jpg","filesize":396067,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/dizzy-3\/","alt":"","author":"1","description":"","caption":"","name":"dizzy-3","status":"inherit","uploaded_to":85843,"date":"2020-10-08 12:10:24","modified":"2020-10-08 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11:50:20","modified":"2020-10-08 12:16:28","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1875,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","medium-width":1500,"medium-height":1875,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","medium_large-width":1500,"medium_large-height":1875,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","large-width":1500,"large-height":1875,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","1536x1536-width":1229,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","2048x2048-width":1500,"2048x2048-height":1875,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-e1602158496567.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Changing-1638x2048.jpg","wpvr_mobile-width":1638,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Changing. All images courtesy of nogallery."}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">In <\/span><i><span style=\"font-weight: 400;\"><a href=\"https:\/\/books.google.de\/books\/about\/The_Weird_and_the_Eerie.html?id=XeNYDQAAQBAJ&amp;printsec=frontcover&amp;source=kp_read_button&amp;redir_esc=y#v=onepage&amp;q&amp;f=false\">The Weird and The Eerie<\/a>, <\/span><\/i><span style=\"font-weight: 400;\">Mark Fisher challenges the English translation of Freud\u2019s <\/span><i><span style=\"font-weight: 400;\">unheimlich. <\/span><\/i><span style=\"font-weight: 400;\">Understood as the genesis of the uncanny, Fisher instead states that the literal translation (the <\/span><i><span style=\"font-weight: 400;\">unhomely<\/span><\/i><span style=\"font-weight: 400;\">) is a more fitting descriptor for situations to which \u201cuncanny\u201d is often applied, gesturing at the discomfort the term describes.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When considering the new works by American visual artist\u00a0<a href=\"https:\/\/www.instagram.com\/jessedraxler\/\">Jesse Draxler<\/a>, collected for his most recent solo exhibition with <\/span><a href=\"https:\/\/www.nogalleryla.com\/\"><i><span style=\"font-weight: 400;\">no gallery <\/span><\/i><\/a><span style=\"font-weight: 400;\">in LA titled <\/span><a href=\"https:\/\/www.nogalleryla.com\/exhibitions\/jesse-draxler-table-of-losses\"><i><span style=\"font-weight: 400;\">Table of Losses<\/span><\/i><\/a><span style=\"font-weight: 400;\">, the idea of something being unsettled by its proximity to home, or normality, seems all the more fitting.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Originally slated for a June opening, the exhibition was postponed until October. During the lockdown and ensuing psychosocial confusion, many artists lost themselves in finding solutions &#8211; attempting to answer impossible questions or focusing on the preservation of wellness in uncharted circumstances. Conversely, Draxler welcomed that sense of uncertainty and the cracking of normality into his work. He continued to produce new pieces in the months between the postponement and rescheduled date, ending with a body of work addressing a bleak reality and the power humour has in escaping it.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85871,"id":85871,"title":"Shifted_II_2_Detail2","filename":"Shifted_II_2_Detail2-e1602158441543.jpg","filesize":705405,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_II_2_Detail2-e1602158441543.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/shifted_ii_2_detail2\/","alt":"","author":"1","description":"","caption":"","name":"shifted_ii_2_detail2","status":"inherit","uploaded_to":85843,"date":"2020-10-08 11:51:44","modified":"2020-10-08 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11:51:31","modified":"2020-10-08 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11:51:15","modified":"2020-10-08 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11:50:58","modified":"2020-10-08 11:50:58","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1875,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","thumbnail-width":77,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","medium-width":1500,"medium-height":1875,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","medium_large-width":1500,"medium_large-height":1875,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","large-width":1500,"large-height":1875,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","1536x1536-width":1229,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","2048x2048-width":1500,"2048x2048-height":1875,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-e1602158430256.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Shifted_Detail3-1638x2048.jpg","wpvr_mobile-width":1638,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"4","caption":"Shifted"}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">In the lead up to <\/span><i><span style=\"font-weight: 400;\">Table of Losses<\/span><\/i><span style=\"font-weight: 400;\">, Draxler experienced what he described as <\/span><i><span style=\"font-weight: 400;\">\u201c<\/span><\/i><span style=\"font-weight: 400;\">o<\/span><span style=\"font-weight: 400;\">ne of the lowest points of my life\u2026 the work I had made seemed trite\u201d <\/span><span style=\"font-weight: 400;\">coupling a universal sense of uncertainty with an artistic one. Looking for a solution, he packed up his studio and moved to Long Beach, CA. The artist painted over the works intended for the show, utilising the freedom of the move to produce works he has described as <\/span><span style=\"font-weight: 400;\">\u201chaving more levity, being more universal in language and relatability. Between the two periods of working towards the show, I went through a crisis of being. I think that is present. The work matured.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Draxler\u2019s work occupies a space somewhere between <\/span><a href=\"https:\/\/www.imdb.com\/title\/tt1844624\/\"><i><span style=\"font-weight: 400;\">American Horror Story<\/span><\/i><\/a>\u00a0<span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.amazon.com\/Lesser-Key-Solomon-Aleister-Crowley\/dp\/0998136409\">The Lesser Key of Solomon<\/a>\u2014<\/span><\/i><span style=\"font-weight: 400;\">that should be taken as a compliment. It manages to tread a line between horror and humour in a way that&#8217;s capable of addressing the uncertainty of now with a blend of sardony and criticality\u2014retaining a quality which made the dark stuff alluring in the first place.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85865,"id":85865,"title":"Bat_Painting","filename":"Bat_Painting-e1602158510846.jpg","filesize":403859,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/bat_painting\/","alt":"","author":"1","description":"","caption":"","name":"bat_painting","status":"inherit","uploaded_to":85843,"date":"2020-10-08 11:49:51","modified":"2020-10-08 11:49:51","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1451,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","thumbnail-width":73,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","medium-width":1451,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","medium_large-width":1451,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","large-width":1451,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","1536x1536-width":1161,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","2048x2048-width":1451,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-e1602158510846.jpg","trp-custom-language-flag-width":9,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Bat_Painting-1547x2048.jpg","wpvr_mobile-width":1547,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"4","caption":"Bat Painting"}},{"acf_fc_layout":"blockquote","text":"\"The news cycle is preposterous, it becomes one thing piled on top of another [without resolution]. Going from social distancing, to conspiracy series, and then throwing in Bill Gates, it\u2019s kind of ridiculous. It just is funny.\"","source":""},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">In older works like <\/span><i><span style=\"font-weight: 400;\">Black Mail<\/span><\/i><span style=\"font-weight: 400;\"> (where Draxler poured black paint over a stack of unpaid student loan bills) we can see the multiplicity in his work. Something that initially seems blunt is not without subtlety. The obvious criticism of the pay-to-play education system is more timely now than ever, but equally, the visual metaphor in the black paint holds brevity. It points to the weight of debt, the fear it instills in us, the power that it has to control us. It reminds me of throwing out bills I couldn\u2019t pay, hoping that by next month something would have changed. It\u2019s an experience that\u2019s common to our generation, and only becoming more so. Taking that into art, being willing to make fun of it\u2014that\u2019s important.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Not solely relegated to making a mockery of a system that often feels beyond our control, the work has aspects that speak to the building of sigils\u2014the ritualistic deconstruction and repetition of images. Art addressing occult practices is difficult to get right, sometimes seeming like spooky aesthetics adopted to make an otherwise banal work into something otherworldly. In the case of Draxler&#8217;s works, the relationship to the occult is a happy, naturally occurring accident. The abstraction and repetition of building a sigil is supposed to imbue power within it, the truest form of this being the situation in which one forgets its existence and allows it to join with the universe. In Draxler\u2019s recent work, particularly <\/span><i><span style=\"font-weight: 400;\">The Gaping Mouth Of <\/span><\/i><span style=\"font-weight: 400;\">and <\/span><i><span style=\"font-weight: 400;\">Vibe Eternally ,\u00a0<\/span><\/i><span style=\"font-weight: 400;\">we can see motifs becoming symbolic, finding their role within different works, and slotting into the spectrum of communication. They are released from a specificity often imbued in artworks, echoing Draxler\u2019s early influence taken from xeroxed punk zines; their value lies in their ability to be redistributed, to communicate psychologically.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"gallery","gallery":[{"ID":85879,"id":85879,"title":"The_Leviathan_Of","filename":"The_Leviathan_Of-e1602240660772.jpg","filesize":363173,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/the_leviathan_of\/","alt":"","author":"1","description":"","caption":"","name":"the_leviathan_of","status":"inherit","uploaded_to":85843,"date":"2020-10-08 12:11:05","modified":"2020-10-08 12:18:24","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":946,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","thumbnail-width":128,"thumbnail-height":81,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","medium-width":1500,"medium-height":946,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","medium_large-width":1500,"medium_large-height":946,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","large-width":1500,"large-height":946,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","1536x1536-width":1500,"1536x1536-height":946,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","2048x2048-width":1500,"2048x2048-height":946,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/The_Leviathan_Of-e1602240660772.jpg","wpvr_mobile-width":1500,"wpvr_mobile-height":946}},{"ID":85878,"id":85878,"title":"Dizzy","filename":"Dizzy-2-e1602240651290.jpg","filesize":396067,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/dizzy-3\/","alt":"","author":"1","description":"","caption":"","name":"dizzy-3","status":"inherit","uploaded_to":85843,"date":"2020-10-08 12:10:24","modified":"2020-10-08 12:18:46","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1119,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","medium-width":1500,"medium-height":1119,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","medium_large-width":1500,"medium_large-height":1119,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","large-width":1500,"large-height":1119,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","1536x1536-width":1500,"1536x1536-height":1119,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","2048x2048-width":1500,"2048x2048-height":1119,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-e1602240651290.jpg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Dizzy-2-2746x2048.jpg","wpvr_mobile-width":2746,"wpvr_mobile-height":2048}}],"settings":{"height":"70","images_to_show":"1","caption":"First: The Leviathan Of, Second: Dizzy"}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">Communication is the key\u2014the virus and the cure. Our interpretation becomes messy, choked and spitting in abject confusion as we attempt to make sense of our surroundings. The weight of obligation to interpret, the pressure to understand and react, can be as crushing for the spirit as the problem itself. In works like <\/span><i><span style=\"font-weight: 400;\">Dizzy <\/span><\/i><span style=\"font-weight: 400;\">(2020), Draxler allows humour the forefront, stating: <\/span><span style=\"font-weight: 400;\">\u201cThe news cycle is preposterous, it becomes one thing piled on top of another [without resolution]. Going from social distancing, to conspiracy series, and then throwing in Bill Gates, it\u2019s kind of ridiculous. It just is funny.\u201d\u00a0<\/span><span style=\"font-weight: 400;\">This willingness to step into the absurdity, to become part of the joke, is omnipresent in Draxler\u2019s most recent work. Writing <\/span><i><span style=\"font-weight: 400;\">\u201cRichard Prince 666\u201d <\/span><\/i><span style=\"font-weight: 400;\">on an artwork is funny, not just because it\u2019s dumb and blunt and absurd but because Richard Prince rules, and if you have a problem with his work, then you&#8217;re probably going to have the same problem with Draxler&#8217;s . It\u2019s an inside joke meant for the people who get it. It only bothers you if you don\u2019t.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":85876,"id":85876,"title":"Black_Dragon1","filename":"Black_Dragon1-1-e1602159455499.jpg","filesize":714401,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/black_dragon1-2\/","alt":"","author":"1","description":"","caption":"","name":"black_dragon1-2","status":"inherit","uploaded_to":85843,"date":"2020-10-08 12:09:01","modified":"2020-10-08 12:09:01","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1837,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","thumbnail-width":78,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","medium-width":1500,"medium-height":1837,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","medium_large-width":1500,"medium_large-height":1837,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","large-width":1500,"large-height":1837,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","1536x1536-width":1254,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","2048x2048-width":1500,"2048x2048-height":1837,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-e1602159455499.jpg","trp-custom-language-flag-width":10,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2020\/10\/Black_Dragon1-1-1672x2048.jpg","wpvr_mobile-width":1672,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"4","caption":"Black Dragon"}},{"acf_fc_layout":"text_area","text_area":"<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">Conglomerate <\/span><\/i><span style=\"font-weight: 400;\">works are possibly the most impressive of Draxler\u2019s career. These recent assemblages push beyond well tread neo-goth aesthetics and cement his work as some of the most succinct postmodernism this side of the Prince himself. It\u2019s reflective of an expanding practice that takes the aesthetic language of popular culture into consideration but does so without foregoing an awareness of contemporary art history.\u00a0These works speak to the ambivalence of the contemporary human experience, of the amalgamated nature of our lives. \u201cFUCK THISSSS\u201d written alongside \u201cSMASHING YOUR TEETH RIGHT OUTTA PLACE\u201d isn\u2019t about shocking people, nor is it about violence or aggression. It\u2019s about the multiplicitous psychological experience, the emotional spectrum confronting us in a storm. It feels like an acceptance of the lack of control that we have over what worms its way into our heads and of what falls out, of the desire to push that experience in front of us and reassess. It places value on the fleeting thought and lines we can\u2019t stop repeating. In chaos, the work brings a sense of clarity, as well as joy. As we all share in this inescapable foreboding, there\u2019s not much we can do but laugh.<\/span><\/p>\n"},{"acf_fc_layout":"text_area","text_area":"<p><em><a href=\"https:\/\/www.nogalleryla.com\/exhibitions\/jesse-draxler-table-of-losses\">&#8216;Table of Losses&#8217;<\/a> by Jesse Draxler runs through to\u00a0October 27, 2020 at <a href=\"https:\/\/www.nogalleryla.com\/\">No Gallery<\/a>.<\/em><\/p>\n"}]},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>At Jesse Draxler&#039;s &#039;Table of Losses&#039;, a good laugh heals a lot of hurt At Jesse Draxler&#039;s &#039;Table of Losses&#039;, a good laugh heals a lot of hurt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"At Jesse Draxler&#039;s &#039;Table of Losses&#039;, a good laugh heals a lot of hurt At Jesse Draxler&#039;s &#039;Table of Losses&#039;, a good laugh heals a lot of hurt\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/jesse-draxlers-table-of-losses\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-10-08T13:46:01+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-10-08T14:12:56+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"sleek\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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