{"id":93642,"date":"2021-11-30T12:33:34","date_gmt":"2021-11-30T10:33:34","guid":{"rendered":"https:\/\/www.sleek-mag.com\/?p=93642"},"modified":"2021-11-30T14:24:50","modified_gmt":"2021-11-30T12:24:50","slug":"recipes-for-world-building-the-rot-rebirth-of-dreams","status":"publish","type":"post","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/","title":{"rendered":"Recipes for World-building: The Rot & Rebirth of Dreams"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":297,"featured_media":93648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[11856],"tags":[38,16402,4830,16399,16398,10240,13,10218,1045,16400,16401],"class_list":["post-93642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sleek-art","tag-art","tag-athens-biennale","tag-ayesha-tan-jones","tag-bones-tan-jones","tag-conversation","tag-experimental","tag-interview","tag-non-binary","tag-performance","tag-rebirth","tag-tamara-hart"],"acf":{"legacy":false,"exclude_from_ads":[],"hero_title":"","subtitle":"","hero":{"video":false,"image":false,"header_color":"black","overlay_color":"","overlay_text_color":"black"},"teasers":{"video":false,"image":{"ID":93648,"id":93648,"title":"3","filename":"3-scaled.jpg","filesize":566644,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/3-26\/","alt":"","author":"1","description":"","caption":"","name":"3-26","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:30","modified":"2021-11-29 14:42:30","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-3072x2048.jpg","wpvr_mobile-width":3072,"wpvr_mobile-height":2048}},"width":"6","proportion":"default"},"facebook_image":false,"related_articles":"","next_article":"","main_category":false,"content":[{"acf_fc_layout":"text_area","text_area":"

This autumn, I met Bones Tan Jones on a dancefloor in Athens, where we spoke about queer myth-making and care. They were installing The New Elementals<\/a><\/em> (2021), a video installation commissioned for the 7th Athens Biennale. In their catalogue text, they conjured a recipe for what they term ‘optimistic dystopias\u2019: the acceptance of dystopias with joy, mysticism and optimism. We continued our conversation in London, where Tan Jones is based and where they run Shadow Sistxrs Fight Club<\/a>, a self-defence class for women, QTIPoC and non-binary people.<\/p>\n

Formerly known as Ayesha Tan Jones, the artist has since changed their name to Bones (\u9aa8\u5934), a childhood nick-name which honours their trans identity. Their multifaceted practice ranges from operatic performances and films, to installations exploring de-gendered creation myths. As Tan Jones attests, \u201cto be trans is to be rebirthed each day,\u201d sculpting the self into existence through psycho-social material. We developed the following experimental dialogue alongside a world-building workshop<\/a> at Harlesden High Street in London. Rooted in the artist\u2019s recent Shanghai Biennale installation<\/a>, the dialogue uses eco-poetics to explore alternate ways of being in a world that is rotting.<\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93648,"id":93648,"title":"3","filename":"3-scaled.jpg","filesize":566644,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/3-26\/","alt":"","author":"1","description":"","caption":"","name":"3-26","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:30","modified":"2021-11-29 14:42:30","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/3-3072x2048.jpg","wpvr_mobile-width":3072,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Bones Tan Jones performing The New Elementals at the 7th Athens Biennale 2021 ECLIPSE. Photo: Nysos Vasilopoulos. Courtesy the artist and Athens Biennale."}},{"acf_fc_layout":"text_area","text_area":"

OPTIMISM IN ROT<\/strong><\/em><\/p>\n

Tamara Hart:<\/strong> Bones, I love that your recipe for \u2018optimistic dystopias\u2019 is gluten-free. It\u2019s also a poetic starting point for the visioning of queer futures. How did your idea of optimistic dystopias<\/span> emerge?<\/span><\/p>\n

Bones Tan-Jones:<\/strong> I had this naive, ideal vision of living in a utopia, but I had to come to terms with the fact that there\u2019s no universal utopia. I realised that, even when our identity politics are similar to those of others, we have different ideas of utopia. We have to be okay with a dystopia, we can\u2019t be beaten up over that. We have to find strength and optimism within it and go back into the depths of the mystical.\u00a0<\/span>\u00a0<\/span><\/p>\n

In 2017, I connected with Monique Etienne, who I run <\/span>Shadow Sistxrs Fight Club<\/span><\/i> with. I thought <\/span>this is exactly what optimistic dystopia is<\/span><\/i>, creating a space where people who identify as queer, women, trans, and people of colour, are able to come, because the world outside has forced them to protect themselves. It would be a utopia if we didn\u2019t need to learn self defence, but we do. The year we founded Shadow Sistxrs, there were so many attacks in our local communities. The space we created was rooted in mysticism and collective healing, in response to harrowing conditions.\u00a0<\/span><\/p>\n

TH:<\/strong> There\u2019s one line in your recipe that holds political weight: <\/span>Your visions may have dried up. or they may not have, this really doesn\u2019t matter. because the intention was there. and you drew them. <\/span><\/i>Does it matter if visions materialise so long as there\u2019s intention behind them?\u00a0<\/span><\/p>\n

BTJ:<\/strong> Even within an optimistic dystopia, there are more and more things in the world to be heartbroken over <\/span>\u2014<\/span>in politics, in the news, in the climate<\/span>\u2014<\/span> and it\u2019s increasingly harder to be optimistic. Optimistic dystopia is very much rooted in being queer. In our communities, we talk about envisioning a utopia, but we\u2019re not all queer in the world. So that\u2019s a vision that might not materialise. Our dream for a queer utopia is important to have, though, because it allows us to hold onto something we can vision towards. We can at least strive for steps, like passing bills, or making healthcare accessible for trans folk. These aren\u2019t the end points of a queer utopia, because the end point would be that everyone\u2019s gay.<\/span><\/p>\n

TH:<\/strong> Are we <\/span>sure<\/span><\/i> everyone <\/span>isn\u2019t <\/span><\/i>gay? But, like you said, our different ideas of utopia wouldn\u2019t match up anyways. This can result in a clash of social and political visions, which I feel often leads to apathy. What happens to visions that don\u2019t materialise, but rot? They can become stagnant, or they can become fertilisers.\u00a0<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93646,"id":93646,"title":"1","filename":"1-scaled.jpg","filesize":623524,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/1-32\/","alt":"","author":"1","description":"","caption":"","name":"1-32","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:41:51","modified":"2021-11-30 10:33:22","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/1-3072x2048.jpg","wpvr_mobile-width":3072,"wpvr_mobile-height":2048}},{"ID":93647,"id":93647,"title":"2","filename":"2-scaled.jpg","filesize":476805,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/2-20\/","alt":"","author":"1","description":"","caption":"","name":"2-20","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:10","modified":"2021-11-30 10:33:15","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/2-3072x2048.jpg","wpvr_mobile-width":3072,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Bones Tan Jones performing The New Elementals at the 7th Athens Biennale 2021 ECLIPSE. Photo: Nysos Vasilopoulos. Courtesy the artist and Athens Biennale."}},{"acf_fc_layout":"text_area","text_area":"

TH:<\/strong> There are different ingredients we bring to communities. Optimism is one: a positive criticality to navigate inhospitable environments. Your opera-performance series <\/span>Parasites of Pangu<\/span><\/i> speaks to this critical optimism, by queering frameworks of thinking. Can you say more about the Chinese creation myth the series is based on?\u00a0<\/span><\/p>\n

BTJ:<\/strong> In the Chinese myth of Pangu, the parasites on Pangu\u2019s body become humans. I think all creation myths are queer. Different cultures have creation myths that claim to invent gender. They often begin with, \u201cHe invented man.\u201d Well how is the creator a <\/span>he<\/span><\/i> if man hasn\u2019t been created yet? I found a Chinese scholar,<\/span> Xiumei Pu,<\/span> who writes about Pangu<\/span> as queer, using the pronoun<\/span> \u2018t\u0101\u2019. In the Chinese language, the various pronouns of<\/span> t\u0101 <\/span><\/i>are pronounced in the same way, so when you\u2019re speaking you say<\/span> t\u0101<\/span><\/i> for a woman, a man, or a they. But, the way it\u2019s written is slightly different. In the myth, Pangu holds heaven and earth apart and they gr<\/span>ow and grow, until they can\u2019t grow anymore. Then, they collapse and their body turns into the earth, sun and moon.<\/span><\/p>\n

TH:<\/strong> This reminds me of Larissa Lai\u2019s novel <\/span>Salt Fish Girl<\/span><\/i>, a queer transformation story based on anti<\/span>–<\/span><\/i>origin narratives. With displaced identities, there\u2019s often pressure to define origin, and it\u2019s complex to answer the question: where are you from? I can\u2019t imagine how to answer that when you\u2019re from multiple places, or when you inhabit multiple genders. Lai adopts the Chinese creation myth of N\u00fcwa, reclaiming identity through a history that isn\u2019t factual but rather is inscribed on the body.\u00a0<\/span><\/p>\n

BTJ:<\/strong> I love N\u00fcwa \u2013 it\u2019s about sculpting from clay, right?<\/span><\/p>\n

TH:<\/strong> Yes! So it goes that N\u00fcwa creates humanity out of her loneliness. She moulds earth and clay to shape people. In Lai\u2019s book, this myth is one of many origin points. The protagonist Miranda, for example, has an ambiguous queer birth involving a durian. She smells of the fruit\u2019s \u2018pissy-pepper\u2019 scent her entire life. It\u2019s argued by many that the diasporic subject emerges through what Marianna Hirsch terms \u2018post-memory\u2019: the relationship to traumatic experiences of previous generations, which transfers to post-generations as affective memories. I think you could argue the same for the \u2018genderless subject\u2019, of not having one point of origin or temporality, but rather a circular post-memory existence.\u00a0<\/span><\/p>\n

BTJ: <\/strong>I love this idea of circular birth narratives because there are so many ways to be born and re-born every day. As a genderqueer person, you rebirth yourself every time you step out of the house.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93650,"id":93650,"title":"5","filename":"5.jpg","filesize":1010782,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/5-21\/","alt":"","author":"1","description":"","caption":"","name":"5-21","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:54","modified":"2021-11-29 14:42:54","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","2048x2048-width":1920,"2048x2048-height":1280,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/5.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1280}}],"settings":{"fit_width":"6","caption":"Bones Tan-Jones, Parasites of Pangu, 2019, commissioned by Serpentine Galleries, Saturdays Live, 2019. Performed with Monique Etienne, Chantel Foo, Chiyo Gomes and Yodea Williams. Photo; Talie Rose Eigeland. Courtesy the artist and Serpentine Galleries. "}},{"acf_fc_layout":"text_area","text_area":"

ECO CARETAKING<\/strong><\/em><\/p>\n

TH:<\/strong> Your work also looks at ecological rebirth. <\/span>Parasites of Pangu<\/span><\/i> takes place after an apocalypse, when the elite class has frozen their bodies through cryogenics. They fly around the Earth in pods until the planet is habitable again. Meanwhile, five characters return to Earth and become its caretakers. This leads to the question: who will be our caretakers?<\/span><\/p>\n

BTJ:<\/strong> That\u2019s what the film at the Athens Biennale is about; the five who survived and returned to Earth, who were chosen to be caretakers through a pop bootcamp. These people didn\u2019t have earthly ties anymore<\/span>, <\/span>so they could be frozen. The film was an expansion on how they became the Earth\u2019s caretakers.<\/span><\/p>\n

I worry there are people who can afford to care but don\u2019t, and they\u2019re just going to fly off to Mars. So we\u2019re going to be left with this rotten earth, and have to compost it, nurture it. In Octavia Butler\u2019s parable series, <\/span>Earthseed<\/span><\/i>, the community wants to take root among the stars. But I feel we <\/span>are<\/span><\/i> the stars, and we\u2019ve got to take root in ourselves before going elsewhere. We need to heal the Earth. And we\u2019re seeing who our caretakers are going to be: young people who are climate striking, who are showing their care.<\/span><\/p>\n

TH:<\/strong> This brings up questions around the inheritance of care: who has the responsibility to care and who is exempt from caring? And how can we be optimistic if we know the world will end in ecological crisis?<\/span><\/p>\n

BTJ:<\/strong> It\u2019s these little things we feed ourselves within our daily rituals that will keep our optimism up. I work a lot with herb magic, through studying herbs on a planetary level. All herbs are ruled by different planets, just like we are as st<\/span>ar signs. I was burning mugwort earlier, which is ruled by the Moon. Rosemary is ruled by the Sun and yarrow by Venus. If I want to bring more joy, sun and wisdom<\/span> into my life, I might use rosemary in a ritual. So it\u2019s important to think about the planetary alignments of the herbs and their medicinal uses, because that\u2019s the energy they bring to rituals or spells.<\/span><\/p>\n

I feel the same way about sculpture. If I include certain herbs or energies that I know are meant to promote peace or love, it shapes the experience of the work. It\u2019s the same with my music, I put frequencies in that are meant to bring out different feelings. So in the opera-performances, the frequency 75 Hz is in the background, which is the frequency for grief. The notes of the opera in the first few lines are D-E-A-D,<\/span> based on artist Bruce Nauman\u2019s <\/span>Violin Tuned D.E.A.D<\/span><\/i>.<\/span> They\u2019re all ingredients. Shadow Sistxrs was also a way to sculpt space in which community could exist.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93649,"id":93649,"title":"4","filename":"4.jpg","filesize":1100498,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/4-22\/","alt":"","author":"1","description":"","caption":"","name":"4-22","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:47","modified":"2021-11-29 14:42:47","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","2048x2048-width":1920,"2048x2048-height":1280,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/4.jpg","wpvr_mobile-width":1920,"wpvr_mobile-height":1280}},{"ID":93651,"id":93651,"title":"6","filename":"6.jpg","filesize":754980,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/6-17\/","alt":"","author":"1","description":"","caption":"","name":"6-17","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:42:59","modified":"2021-11-29 14:42:59","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1280,"height":1920,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","thumbnail-width":64,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","medium-width":1280,"medium-height":1920,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","medium_large-width":1280,"medium_large-height":1920,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","large-width":1280,"large-height":1920,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6-1024x1536.jpg","1536x1536-width":1024,"1536x1536-height":1536,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","2048x2048-width":1280,"2048x2048-height":1920,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","trp-custom-language-flag-width":8,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/6.jpg","wpvr_mobile-width":1280,"wpvr_mobile-height":1920}}],"settings":{"fit_width":"4","caption":"Bones Tan-Jones, Parasites of Pangu, 2019, commissioned by Serpentine Galleries, Saturdays Live, 2019. Performed with Monique Etienne, Chantel Foo, Chiyo Gomes and Yodea Williams. Photo; Talie Rose Eigeland. Courtesy the artist and Serpentine Galleries. "}},{"acf_fc_layout":"text_area","text_area":"

TH:<\/strong> It\u2019s true, you can hear grief and pain in the heart-rending chords of the opera. In social settings, I think our bodies are also choreographed to feel certain ways. In the ritual of dancing, for instance, we feel our bodies should be joyful. But I personally love crying on the dancefloor; it feels radical in the way it protests. Social theorist Andrew Hewitt has this great quote about the performance of ideology in dance:<\/span><\/p>\n

If the body I dance with and the body I work and walk with are one and the same, I must, when dancing, necessarily entertain the suspicion that all of the body\u2019s movements are, <\/span> to a greater or lesser extent, choreographed.<\/span><\/p>\n

Maybe it\u2019s about putting rituals in place to change how we move through, and protest, social architecture.<\/span><\/p>\n

BTJ:<\/strong> The club as a space is a good example of that. I think people go to events and drag up. What we wear, how we dress, how we perform, these are all survivalist tools. We talk about that in Shadow Sistxrs. The \u2018false surrender\u2019 is one of our moves, where you say, \u201ctake anything you want, I\u2019m yours,\u201d and during that false surrender you\u2019re actually grabbing their finger and breaking it.\u00a0<\/span><\/p>\n

TH:<\/strong> What would be an ecological false surrender?\u00a0<\/span><\/p>\n

BTJ:<\/strong> In some ways we\u2019re falsely surrendering, because we\u2019re pretending to do something about the environment but not actually doing anything. But who do we surrender to? Who controls the climate?<\/span><\/p>\n

TH:<\/strong> And individual responsibility is put on us to change these overwhelming issues that are so expansive, they can\u2019t be located in space or time. They\u2019re also impossible to change if you think you\u2019re at it alone and, because there\u2019s so much hyper-individualism, we all feel like we\u2019re at it alone. Communities protest that.\u00a0<\/span><\/p>\n

BTJ: <\/strong>I agree with this hyper-individualism; the general population has been told that it\u2019s all our fault when it\u2019s totally not. We do buy into big companies but often it\u2019s because there\u2019s no other choice, it\u2019s the big companies that can effect change.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93652,"id":93652,"title":"7","filename":"7.jpeg","filesize":208258,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/7-16\/","alt":"","author":"1","description":"","caption":"","name":"7-16","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:43:03","modified":"2021-11-29 14:43:03","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1500,"height":1112,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","thumbnail-width":128,"thumbnail-height":96,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","medium-width":1500,"medium-height":1112,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","medium_large-width":1500,"medium_large-height":1112,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","large-width":1500,"large-height":1112,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","1536x1536-width":1500,"1536x1536-height":1112,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","2048x2048-width":1500,"2048x2048-height":1112,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","trp-custom-language-flag-width":16,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/7.jpeg","wpvr_mobile-width":1500,"wpvr_mobile-height":1112}}],"settings":{"fit_width":"6","caption":"Bones Tan-Jones, Dream Portal Sigil Stones, 2021. Part of Bodies of Water, 13th Shanghai Biennale, Shanghai. Courtesy the artist and Power Station of Art."}},{"acf_fc_layout":"text_area","text_area":"

QUEER CIRCULARITY<\/strong><\/em><\/p>\n

TH:<\/strong> I feel this also speaks to queer political causes, which lose their radicality in the abstract matrix of individual capitalism. These causes are co-opted and watered down to make them digestible or recognisable. How do we fight the fetishism of queer movements, especially when they\u2019re integral to our identities and practices?\u00a0<\/span><\/p>\n

BTJ:<\/strong> It\u2019s about keeping things grassroots and maintaining awareness that it\u2019s usually the community that will fund people who need it most, rather than corporations. You see it in GoFundMe\u2019s all the time. For instance, having trans people on the covers of magazines is optics because there are still trans people who lack access to healthcare.<\/span><\/p>\n

I see it when I model, it\u2019s so blatant. You\u2019re cast as the non-binary model and you know you\u2019re there for optics. In terms of staying radical, it\u2019s disheartening. Often you\u2019re paid to share the campaign online, even when they misgender you on set. I\u2019ve done a lot of speaking out, and it\u2019s tiring because it doesn\u2019t seem to get anywhere.\u00a0<\/span><\/p>\n

TH:<\/strong> That brings us back to the question of optimism. How do we keep motivated to build alternate worlds through all this fog? If future meets past, the tools we need are already seeded in the earth, under our toes.<\/span><\/p>\n

BTJ: <\/strong>We need to dig our hands into the ground and fumble along the thick, fleshy roots of a common weed. See its shadows for the first time, see the creepers and crawlies who burrow there, worms that slide through our fingers. Sniff the microbes and wear them on our wrists like perfume as we step into the next moment.<\/span><\/p>\n"},{"acf_fc_layout":"images","gallery":[{"ID":93653,"id":93653,"title":"8","filename":"8-scaled.jpg","filesize":369077,"url":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","link":"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/8-13\/","alt":"","author":"1","description":"","caption":"","name":"8-13","status":"inherit","uploaded_to":93642,"date":"2021-11-29 14:43:06","modified":"2021-11-29 14:43:06","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www.sleek-mag.com\/wp-includes\/images\/media\/default.png","width":1920,"height":1280,"sizes":{"thumbnail":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","thumbnail-width":128,"thumbnail-height":85,"medium":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","medium-width":1920,"medium-height":1280,"medium_large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","medium_large-width":1920,"medium_large-height":1280,"large":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","large-width":1920,"large-height":1280,"1536x1536":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"trp-custom-language-flag":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-scaled.jpg","trp-custom-language-flag-width":18,"trp-custom-language-flag-height":12,"wpvr_mobile":"https:\/\/www.sleek-mag.com\/wp-content\/uploads\/2021\/11\/8-3072x2048.jpg","wpvr_mobile-width":3072,"wpvr_mobile-height":2048}}],"settings":{"fit_width":"6","caption":"Shadow Sistxrs Fight Club, LimeWharf, London, 2018. Courtesy the artist and Shadow Sistxrs Fight Club. "}}]},"yoast_head":"\nRecipes for World-building: The Rot & Rebirth of Dreams Recipes for World-building: The Rot & Rebirth of Dreams<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recipes for World-building: The Rot & Rebirth of Dreams Recipes for World-building: The Rot & Rebirth of Dreams\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sleek-mag.com\/de\/article\/recipes-for-world-building-the-rot-rebirth-of-dreams\/\" \/>\n<meta property=\"og:site_name\" content=\"Sleek Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/sleekmag\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-30T10:33:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-11-30T12:24:50+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:site\" content=\"@sleekmag\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Tamara Hart\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.sleek-mag.com\/#website\",\"url\":\"https:\/\/www.sleek-mag.com\/\",\"name\":\"Sleek Magazine\",\"description\":\"Sleek is Germany\u2019s leading independent media house\/brand for creativity and innovation located in Berlin the creative capital of the world. 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