WARIS AHLUWALIA SPEAKS ABOUT CREATIVITY SHAPED BY QUIETER TONES AND HOW EXPERIENCE HELPS TO LET THINGS UNFOLD WITH PATIENCE AND AWARENESS.
Waris Ahluwalia is an Indian-American designer and actor. Born in 1975 in India, he grew up in New York City from the age of five and today divides his time between India and the US. In this conversation he tells SLEEK about patience, uncertainty, and the quiet gestures that shape making across writing, design, and performance.
SLEEK For the photoshoot, you play the role of an actor who is caught between thought and expression. What fascinates you about this state of limbo?
WARIS AHLUWALIA That space is not empty – it’s charged. We tend to think of expression as the point, but the moment before is where the real negotiation happens. Thought is still fluid there, unrevealed. Once something is spoken, it begins to harden into identity. Limbo is the last place where possibility is still intact. We all live for possibility.
SLEEK Every glance out the window, every pause before a word, becomes part of the process. How consciously do you perceive these micro-gestures in your own creative work?
WAOver time, you become attuned to the subtleties. As I mentioned earlier, we think creativity exists only in the decisive gesture, but it’s shaped by the quieter ones – the breath, the hesitation, the moment of looking away. These are signals. Ignoring them is like speaking over someone who is trying to tell you the truth. Externally, the work may appear to be about point A and point B, but the real beauty lives in the space in between.
SLEEK The Montblanc pieces do not seem like props, but rather like companions. What significance do objects and tools have when you are wrestling with ideas?
WA Tools hold memory. When you return to the same object, you return to a state of mind you’ve inhabited before. A pen, a notebook, even a table – they become witnesses. They’ve seen you unsure, searching, arriving. That continuity is reassuring. It reminds you that you’ve been here before and found your way through.
SLEEK Writing requires patience and trust in the unsaid. Is this patience a form of inner guidance for you?
WA Patience is not passive – it’s active restraint. It’s trusting that something deeper than urgency is at work. When I rush, the work becomes about me. When I wait, it becomes about what wants to be said. Patience has the rhythm of breath – a cycle of expansion and release. The nervous system regulates itself through this motion. When the breath steadies, something in us steadies with it, creating that space in between, where the magic truly happens.
SLEEK Is there a difference between being blocked and gathering energy before a breakthrough – and how do you feel it?
WA A block can sometimes feel contracted, heavy, almost fearful. Gathering energy feels quiet but alive – like a held breath before you speak. One is avoidance; the other is preparation. The body knows the difference before the mind does.
SLEEK Time seems to stretch in the images. What allows you personally to endure this state without wanting to resolve it immediately?
WA Age helps. Experience teaches you that not everything unfolds on your schedule. As unpleasant as that may be at times, there’s a humility in letting time do its part. When you stop trying to control the tempo, you begin to notice what the slowness is offering. I didn’t always endure it well. There was a time when stillness felt like delay, like something was going wrong. Now I recognise that stretched feeling as part of the experience of making – the moment when you are no longer pushing forward, but are being asked to stay. We live mostly in chronological time – the steady movement from one thing to the next. But there is another experience of time, where a moment deepens instead of passing. In those stretches, time feels less like sequence and more like presence. Staying has its own texture. You begin to notice small things – the quality of light shifting, the sound of your own breath, the way a thought changes shape if you don’t grab it too quickly. Time doesn’t feel empty there. It feels inhabited. Experience softens the urge to resolve everything. You start to trust that not arriving is also a form of movement. Something is rearranging itself beneath the surface, and your only task is not to interrupt it.
SLEEK When writer’s block becomes reflection: what do you learn about yourself in these quiet phases?
WA Often, I discover what I’ve been trying not to feel. Stillness removes distraction. It shows you where you are out of alignment, where something needs care. It’s less about ideas and more about honesty.
SLEEK Would you say that true creativity often arises not in the moment of the idea, but in the willingness to sit with it long enough?
WA Ideas are plentiful. Depth comes from relationship – from staying with something long enough for it to reveal more than its surface. That requires devotion, not just inspiration. It’s the patience we spoke about earlier – the willingness not to rush the unsaid, to remain with something until it begins to speak in its own time.
SLEEK Your creative work is very diverse. To what extent can the state of writer’s block be transferred to areas such as design or acting?
WA It’s the same state wearing different clothes. In design, it might look like not touching the material; in acting, like not yet stepping into the character. But in all cases, it’s a conversation with uncertainty. You’re waiting until the work feels inevitable, not just possible.
SLEEK You have been living in New York City for many years. How does this city influence your creative work process?
WA The city teaches you to hold opposites: noise and solitude, urgency and waiting. It forces you to find stillness internally, because externally there is always motion. That tension sharpens awareness. You learn to listen inwardly, even when the world is loud.
Photography by SOFÍA ALVAREZ
CREDITS
Creative Production NINA MARIA DAHMS, CLAUDE GERBER
Photography Assistant OCTAVIO YATTA
Local Production GEOFFREY BAPTISTE
Local Production Assistant WAYN REID
Grooming WALTON NUNEZ
Styling MAURICE DIALLO
Jacket THE FRANKIE SHOP
Shirt and Pants SOCIETY ARCHIVE
Shoes BLACK STOCK & WEBER
Full Look ADVISRY
Bag MONTBLANC
Shoes DOC MARTIN
Blazer and Sweater J.MUESER BESPOKE
Shorts ADVISRY
Shoes BLACK STOCK & WEBER
Top J.MUESER BESPOKE
Jacket CALVIN KLEIN
Belt VAQUERA
Bottom CALVIN KLEIN
Top and Pants ADVISRY
Shoes SOCIETY ARCHIVE
Shoes VINTAGE
Jacket and Pants ADVISRY
Shirt ROYCE HILL
Shoes BLACK STOCK & WEBER